Sunday, October 18, 2009

Managing Transitions Part Three





The last thing I want to mention in this discussion on handling the transition between two very different stitches on a painted canvas is compensation.  Both Pat and I thought that I'd not stitched the compensating stitches just under the Rabbit Geisha's nose as we were going by the photograph.  In Real Life, the stitches are there, just very very small because of the compensation.  I solved this issue by overstitched the tiny compensatory stitch but I could have just made the regular stitch a tad longer.  I generally don't extend a stitch to cover one more thread as I find it breaks up the rhythm of the stitch and looks odd.  However, you may find extending a stitch a bit does work for you.

Compensation is a tough topic and a problem for many stitchers.  I almost always try to start a new stitch I'm unfamiliar with at the widest point on a canvas so that I have plenty of practice doing it before I get to the edge of the stitch area and have to compensate.

Tony Minieri wrote an article about compensation that was published in four parts in Needle Pointers magazine in the mid-1990s.  ANG has put this on their website and you can read it in the link below.  I would urge anyone who has trouble compensating to read it.  Tony breaks stitches down into various types (straight, diagonal, etc.) and then explains for each type how to compensate it on a diagonal, straight line, oblique line or curved line.  It's helpful information and once you understand the stitch you are working with, will tell you exactly how to compensate it to the best effect.
http://www.needlepoint.org/Archives.php

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Managing Transitions Part Two



Because I've been thinking so much lately about managing transitions between various stitches on the Rabbit Geisha, I pulled out photographs of a project I stitched several years ago that had the same transitional issues but for a different reason.

The image above is my version of Shorebird Designs' small peacock M274.  This is a 5x7 design on 18 count canvas.  You can find it on Katie Molineaux's website by using the Katie's Search function on the left side of the page.  By the way, I urge you to look at the Stitched By Customers' Section. Amazing stitching there!
http://shorebirdstudio.com/

The reason I'm using this design to talk about transitions is that it was all done in light coverage stitches.  The background and leaves are one ply of silk.  I stitched those first and then was faced with the issue of choosing stitches for the bird that didn't look too heavy next to the almost not there background.



Here is a close-up of the design to help you understand what I did.  First, I decided to use plyable threads so I could cut down on bulk when I stitched the bird.  The tent stitches on the bird's face are two plies of either silk or overdyed cotton flosses.  The tiny bullions on the top of his head were done with one ply of overdyed or solid colored silks.  The French knots on the peacock's topknot were all in two plies.  I think I mixed in the thin metallic thread Accentuate occasionally here to add a bit of shine.  The upright brick stitches on the body were all carefully laid silks using two plies, with one strand of Accentuate laid on top in places to add sparkle.

Overall, reducing the number of plies on this piece worked well to integrate the bird with its background.  Of course this piece used either slanting or straight stitches, which made the blending of background and image easier.  I would have had more trouble is this piece included compound stitches made up of many layers like the fancy stitches on the Rabbit Geisha's kimono top.

I hope this gives you some strategies for managing the transitions between the foreground and background stitches on your painted canvases. I'd love to hear other strategies folks use in the Comments!  I am certain I don't know all the ways to get around this problem.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow