The Maryland Historical Society is recreating the Star Spangled Banner and they are having two public stitching days in August in Baltimore for members of the public to participate. Details here--
http://www.mdhs.org/star-spangled-banner-project
Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.
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Monday, July 1, 2013
Catra and Her Background Hieroglyphics
Labels:
Bedecked and Beaddazzled,
Catra,
cats,
Egypt,
Mystery,
Ruth Schmuff,
Tapestry Fair
Catra's Background Hieroglyphics |
I am stitching a canvas from Tapestry Fair called Cleo's Cat. This is the canvas that has decorated the left side of Blog for about a month. I have just enough of the background done to show off my stitching progress. By the way, I call this piece Catra in honor of a friend's cat, CleoCATra. Here it is on the Tapestry Fair website. As you can see, it's a bit over 11 inches high by 10 inches wide on 18 count canvas.
http://www.tapestryfair.com/index.php?option=com_content&view=article&id=67&Itemid=1
It has been a challenge to work because Ruth Schmuff did a very similar canvas in the early spring mystery class she ran for her shop. (You can see Ruth's finished piece at her blog at the link below.) The backgrounds and bottom borders of both canvases are painted in an almost identical way. Ruth's hieroglyphics are beaded and she used an elaborate open pattern she made up (along with skipped tent I think) for her background. Very pretty!
http://www.notyourgrandmothersneedlepoint.com/2013/05/national-bastet-day.html
Because I am doing a stitch guide for this piece for Tapestry Fair I can't copy what Ruth did. I don't want to, anyway. She's taken things as far as they can go in the direction of beading and fancy backgrounds so I am going in a totally different direction. My background is as simple as you can get--a Parisian Stitch variation done in Finca perle cotton and High Cotton. I just read on someone's blog that they'd taken a class from a famous teacher (can't remember who) who said why use a fancy stitch for a background when a simple one will do? Wish I knew who said that. I took it to heart here. The only concession to fanciness is that I turned Parisian on its side and am working it in vertical columns that don't interlock. I call it Parisian Sand since it is a Parisian variation and reminds me of a sandy texture. Here's Parisian Stitch. I've posted a photograph of my Parisian Sand diagram.
http://needlepoint.about.com/od/longstitches/ss/ParsianStitch.htm
Parisian Sand doesn't compete for attention with the hieroglyphics and is easy to compensate around all those fiddly hieroglyph shapes. (Two important things for background stitches!)
I can hear someone in the audience saying "Wait a Minute! There are a lot more hieroglyphics on your stitched version than the original!" Yes, there are. When I was thinking background stitches and wondering what to choose that would be totally different than Ruth's backgrounds, I browsed my stitching books and came across a background stitch that is alternating triangles. It is a variation of Pavilion Stitch where the diamond shapes have one color in the top half and another in the bottom half. You get a row of triangles followed by a row of upside down triangles. They immediately reminded me of pyramids, which gave me An Idea. This is regular Pavilion stitch to give you a vague idea of where I started from.
http://www.needlepoint.org/StitchOfTheMonth/2001/01-08j.php
Diagrammed Stitches for Background Panels |
Worked as a single stitch or in a small group like a spot sampler, they all look vaguely like temple hieroglyphics. This same diagram has a charted cartouche as well. I didn't have enough of these stitches without a lot of repeats so I did a little research on Egyptian hieroglyphics and graphed a few that were simple. There's no meaning to them except for the little walking U shape you see in the picture of Catra which means "return," which is appropriate since I am returning to the theme of Egyptian cats. It's usually drawn walking the other way, though. I somehow reversed it in my mind which is also appropriate as I am mildly dyslexic!
This is where Catra stands at this point. I may change some things if my plans don't work out but I am thinking I want to use fewer beads and not as much sparkle as Ruth since authentic Ancient Egyptian jewelry was not sparkly. Red, turquoise, some green and lapis blue set in gold were their colors as these had meaning in their spiritual life. I am adding some embellishment, though. In the photo you see the scarabs are rolling the sacred sun orb. The suns are flat red sequins.
I need to stitch the top row of background, then probably will work on the lotus fan columns next. It will take me a while to get enough of the next areas done to show you photographs. Stay tuned!
Catra Right Now |
UPDATE: Progress to date. Enjoy!
Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.
Tips on Turning Photographs into Needlepoint Canvases
Labels:
Needle Paint,
photographs,
photography,
tips
Needle Paint is a company that specializes in custom canvases, especially those created from a customer's photograph. They posted some interesting tips on choosing a photograph to be printed on needlepoint on their blog this morning. If you are considering doing this, you will want to read the article.
http://blog.needlepaint.com/2013/06/12/needlepoint-photo-portraits/
Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.
http://blog.needlepaint.com/2013/06/12/needlepoint-photo-portraits/
Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.
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