Thursday, April 30, 2009

Holi's Hem Without Beads


Last night I finished couching the hem to Holi's robe and started the basketweave down the right side of the piece next to the hem. I ran out of steam before I added beads but probably I will need to wait until all the background is in to attach them so I don't snag threads on the raised beads. I might do what Judy Harper does and skip the basketweave stitch on an intersection that isn't a bump right next to the hem. Then I can have the beads along that edge in the little skipped tent stitch "hole" so they sit better and don't wiggle.

Beads are big wigglers (think kindergarten kids attempting to sit still listening to a story) and you have to Take Precautions!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Wednesday, April 29, 2009

More Couch Time


Sadly, I don't mean time lazying around on the couch, I mean couching my heavy Kreinik with my light Kreinik to add the hem at the base of Holi's skirt. I've gotten a lot of tent stitch background done but before I can veg out each night and carry that down the right side of the pet guardian angel ornament I need to do the couching at the hem.

I'm thinking about putting beads on the hem, too. Holi says she isn't cheerful enough....

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Tuesday, April 28, 2009

More Traditional Needlepoint Rugs

The Mrs. Blandings style blog has more about needlepoint rugs you'll enjoy.
http://mrsblandings.blogspot.com/2009/03/more-still.html

I also found a photograph of Mrs. Bush's most famous needlepoint project, her rug.
http://bushlibrary.tamu.edu/image.php?id=2465

You can buy a cross stitch kit of one of the floral motifs from her rug.
http://www.posycollection.com/bush/texasbouquet.html

I hope this makes you consider a needlepoint rug of your own!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

For the Traditional Needlepointer

Beverly R. sent me a note about this post on the style blog Mrs. Blandings which describes a lady who needlepoints rugs a' la Mrs. George Bush Sr.
http://mrsblandings.blogspot.com/2009/04/gros-point.html

The blog led me to this website which reproduces the Seasons magazine article referred to. Note, clicking on images enlarges them and the text to readable size. (At least it did for me--this might depend on the computer software you have.)
http://www.seasonsmagazinedigital.com/seasonsmagazine/2009spring/?folio=64

I've also got a great lesson from Judy Harper on how to create letters for your Christmas stocking. What is more traditional that stitching holiday stockings for friends and family?
http://fairy-crafts.blogspot.com/2009/04/names-on-stockings-how-to-tutorial.html

If you read Needlepoint Now magazine you will have seen an article about a lady who takes old needlepoint pieces and makes them into wonderful pillows. You can read the article online at her blog (click on the magazine cover photo) and see photos of her latest pieces. There's are links to the Boutique where you can buy a remade piece of your own, or at least enjoy the lovely finishing, as well.
http://cest-chouette.blogspot.com/

Continuing my theme of traditional needlepoint, here is a link to a museum in Holland with lots of photos of old needlepoint and other types of stitching. You don't need to read Dutch to enjoy the photos.
http://m-silkwork.blogspot.com/2009/04/embroidery-at-rijksmuseum.html

Finally, silk wrapped purl may be available again as a thread after centuries. You can read a bit about it here on the blog of the lady who is reporting on the reproduction of the Plimoth Plantation embroidered jacket. I've seen the new Gilt Sylke Twist which reproduction sampler and embroiderers are drooling over. This is another thread in our tool kit which will be fun (although probably expensive) and a doorway into our stitching ancestors' lives.
http://thistle-threads.com.mytempweb.com/blog/index.php/2009/04/silk-purl-another-ripple/

Many thanks to Beverly R. who started me down this path of looking for links for those of us who appreciate traditional needlepoint! Wish I could have thanked you in person but your Replay function on the Yahoo 360 message system is turned off.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, April 26, 2009

Interview with Ruth Dilts (Plus Stash Enhancement)



It has been an action-packed week for me when it comes to interviews. When I took a vacation day last week and hit all the shops, I had a companion egging me on--Ruth Dilts. You probably know Ruth from her Needlepoint 101 and Needlepoint 202 books which explain how one stitches a painted canvas. These are great beginner books, full of tips scattered throughout each example. She diagrams a lot of useful embellishment stitches for painted canvases and tells you what threads she used and why as well. Great little books!

I have met Ruth off and on throughout my time in Virginia as she lives close to the shops I frequent and teaches at several of them. She also occasionally demonstrates needlepoint during the Woodlawn Plantation and the Loudoun County Sampler Guild exhibits. I've always enjoyed talking with her and managed finally to arrange a time to hang out with her and have lunch. We had a blast! I meet Ruth at Waste Knot since it was most convenient for me and some of her stitching is on display there.

I arrived before Ruth and got in some shopping. I picked out a peach Silk Lame (SL29) and a pale apricot Petite Sparkle Rays (PS76) to pair with similar shades of Baroque Silk for my next painted canvas project. I also bought a tube of #11 Sundance beads in peach 580 in case beads look better with my Baroque Silk than the Petite Sparkle Braid. (I am planning ahead for what I plan to stitch when the pet guardian angels are done, you see.) I also picked up two colors in Lorikeet, which is the 9 ply wool from Gloriana. I bought the lovely Lacquered Gold to pair with my Gloriana silk floss Old Gold, and a skein of Lorikeet Elizabethean Green Dark because it looks like dark forests in the shade. And I bought a skein of Burmilana in dark violet #3943 just because it was pretty and I like Burmilana. This is where I picked up the Stitch & Zip coin purse for my niece, by the way. Once I had everything I needed, I browsed the Mindy trunk show, enjoying a rare chance to see a lot of her work at once, including new designs which aren't on her website yet. More about that tomorrow.

Then Ruth arrived and we had a lovely visit. Ruth showed me her work on display. I've admired Lee's Wisteria Kimono for years. Ruth and Joan Lohr both stitched this piece for a class they just taught together. (Joan's version is in the background of this shot. Can you tell Ruth blended shades of silk for the green background of her kimono and Joan didn't?) I have to say the wisteria blossoms done in ribbon are magnificent! I'm going to have to try ribbon stitch on needlepoint. It's not really that hard. Can you see the Woodlawn ribbon Ruth won for this piece lying at its feet?

The frowning witch in the cat's eye glasses next to the kimono is one Ruth stitched years ago that she says people love. It's a Melissa Shirley witch named Lucy Lastic. Lucy has bats flying in the background and a purple fringed skirt and black boots. (I told Ruth I had a skirt like that in the late 1960s but it was brown. I had cat's eye glasses, too, but my hair was never orange and rust red. LOL) If Ruth teaches this design again she'll have to adjust the threads since the French overdyed wool that made the witch's bullion curls is no longer manufactured, but there are quite a few new threads she can use to substitute for a similar effect. Lucy's a charmer, regardless of her hair style!

Ruth has been busy stitching several large Leigh designs. Sadly, I was not able to see the Carnavale mask "Rossana" or the pink Las Vegas Showgirl "Bergere" but Ruth told me about them. There's a stitch guide for Rossana now but the pink feather stitches on the show girl proved impossible to explain in a stitch guide. The photo of Rossana is from the stitch guide cover. Isn't she magnificent? I wish I'd seen her at Woodlawn but she was hiding in a dark corner and I missed her.

By the way, the dog cushion in the background near the cute Mile High Princess Halloween angel is also a Woodlawn award winner. It is one of the Paper Russell dogs distributed by DJ Designs. I especially like how the unrealistic purple and blue shadows add to the atmosphere. This piece was stitched by someone who'd just lost their own dog and it has additional meaning for her because of what she lost. The stitching is really good on this piece. It deserves its ribbon.

There are a series of dogs from the same designer for sale at Waste Knot. I know they had the Dachshund, Golden Retriever and the German Shepherd with the soulful eyes in the shop. There were others but I'm not sure which ones now. Perhaps the White Lab and the Maltese?
http://www.designsdj.com/paperrussells.html

It was a lot of fun looking at everything with Ruth. Especially interesting was the stitch guide from Aristeia for Melissa Shirley's Stitching Bird . I took a photo of an inside page of the guide for you to see. Instead of the normal diagrams in stitch guides, Aristeia's diagrams resemble hand drawings in colored pencil. I thought the diagrams were clear and easy to follow. Ruth tells me they do all their stitch guides this way, whether they are for Melissa Shirley or guides they write at their shop for customers. The stitch guide I saw is described in the first link below, followed by the store website if you are curious about their work.
http://melissashirleydesigns.com/galcol/index.cgi?index=1234372601_10330&col=123

http://www.aristeianeedlepoint.com/


At this point we packed up the traveling circus and drove to Needlewoman East, hoping to see the Leigh Showgirl. Sadly the shop owner was away (her father is ill) so we missed out. I consoled myself with a hug from the former owner, Sue Jennings, who was filling in behind the counter. (Sue wouldn't let me take another picture of her, much to the chagrin of her fan club!) Then I treated myself to two cards of sale Splendor silk ribbon in ivory and in purple, a spool of Kreinik's 329 which I need for the Tony Minieri Glittering Kimono piece, a spool of my favorite Trebizond silk perle color--Scarlet 4017, and just for fun, a skein of Caron's Wildflowers in 196 Sable because the nice lady helping me said it makes magnificent tree bark. I know I have trees and tree bark in my stitching future so I bought it. Then Ruth and I took a break for lunch, which is when we really got to talk.

Ruth's dad was in the textile business, which I find fascinating as the gene for design and pattern obviously was there. She teaches all over the U.S. and designs counted thread pieces, as well as writing books. You can do a little exploration on her website. I am particularly fond of her Birthday Gem balls. Ruth is the person who introduced me to Mill Hill's Magnifica beads, which have an extra sparkle and depth of color not in their regular line of beads. Until I saw her Birthday Gem balls in person, I didn't know how great these beads are mixed with silks in NP.
http://www.ruthdiltsdesign.com/index.html

Ruth's latest charted design is called Mystic. It's an Art Deco piece, inspired by a piece of stained glass seen in an antiques shop in Mystic, CT. I saw it at Woodlawn last year where it won an award. It's lovely but in silver and black and gold, it didn't speak to me. Until now when I saw it in greens! A friend stitched it for Ruth in different colors and it was made up into a tote bag. Isn't it lovely? Ruth held it for me to photograph (that's her pretty quilted jacket in the photo) in two different shots. I am enamoured with this design now! Ruth is about half way through designing another Art Deco-inspired piece. She revealed one hint to me--it will be on bright yellow NP canvas using the Splendor #5 silk perle and Gloriana silk floss in the photograph. Ruth is still working out the design so she doesn't know what other threads or colors would be present but she wanted a lively Art Deco design to complement the cool elegance of Mystic. This is still in the planning stages although she has her basic design already. I can't wait!

Sadly, Ruth and I had to part eventually. I made my last stop at Scarlet Thread on the way home where I saw Mystic and Ruth's Birthday Gem balls on display as she is teaching there soon. Silly me, I was too tired to think to photograph them for you! But you know I was having too much fun with Ellice and Donna and all the goodies the shop has to offer to remember. I picked up two threads just because (Sparkle Braid in SK33 pinks and blues and Silk N Colors in the lovely blue shades of Japanese Sea) and a little box of SJ Designs beads which are a pretty gray blue. I also bought mauve Magnifica beads (#10026) and a card of the little square magnets I like because they are both very strong and small. Then I had a great deal of fun looking at finished counted thread pieces on display with Ellice and at Gilt Sylke Twist with Donna. Isn't it too bad we can't do something like this every day? But then I'd be broke and it wouldn't be such a special memory.

Thank you for all the fun and the lovely pieces, Ruth. Blog readers especially love seeing your beautiful stitching! It just wish they'd all be there with us, fondling thread and talking about needlepoint in all its many interesting forms.

If I mentioned anything that caught your fancy, here are the websites for all the shops I visited in the order I visited them. Just call them up and say Jane & Ruth sent you!

Waste Knot's website
http://www.wasteknotneedlepoint.com/

Needlewoman East's website.
http://www.theneedlewomaneast.com/Welcome.html

Scarlet Thread's website.
http://www.scarletthread.com/

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, April 25, 2009

Interview with Judie of Thistle Needleworks



I love talking to other stitchers, to designers, and of course to shop owners. I managed to talk Judie of Thistle Needleworks in Glastonbury, Connecticut into an interview. Judie graciously sent me photos to make into a slide show for blog readers. Here is Judie speaking below, answering my questions and talking about her shop and the pieces she and her staff have stitched.

"A few shots of the shop are attached (that's Julia at the register, not me) as well as pix of three commercially available painted canvases for which I have written stitch guides -- 2 from Anne Brinkley and 1 from Cooper Oaks. (The Hummingbird piece has two areas - one wing and the bud - worked on 18-mesh canvas and then appliqued to the 13-mesh painted canvas. I don't think that shows very well in the photo. All three pieces have a variety of threads and stitches, but I would like to think that they do not show because they just enhance the designs but do not change them.)"

Judie, the photos are wonderful! I had a lot of fun looking at them last night. Now I have questions about the stitched pieces and then about the shop itself. I think you are right that the individual stitches don't show up much because they are not intended to call attention to themselves, but it is hard to take good photos of stitching that shows much detail. What threads did you use?

"The two flower pieces are all done with Gumnut Yarns -- Blossoms, Daisies, Stars, Buds, Poppies, and Tulips. Mr. Wonderful uses Watercolours from The Caron Collection and Gold Rush 14 and Cordonnet from Rainbow Gallery in addition to Gumnut Yarns."

What did you use for the ermine on Mr. Wonderful's robe?

"Gumnut Yarns' Daisies 990 and 999."


Why did you choose these pieces for a stitch guide?

"All three were designed to be used at trade shows at classes co-sponsored by Anne Brinkley or Cooper Oaks and Custom House of NeedleArts, the importer of Gumnut Yarns."

Are these things that just spoke to you or are your customers big fans of Anne Brinkley, for example?

"In the case of the flowers, I chose the designs, but Mr. Wonderful was chosen by the designer for the class and stitch guide."

Is your original website (link below) more geared toward counted thread stitchers?
http://www.thistleneedleworks.com/

"Yes, indeed it is........... We acquired the Alex-Paras web site a little over a year ago when Alex-Paras NeedleArts, the brick and mortar shop in FL, closed. The former owner was a longtime friend and customer of Thistle Needleworks before she moved to FL and later opened her shop there. She has now moved back to CT and is on the staff of Thistle Needleworks."

(If you haven't browsed the AP website to see their painted canvases, here is the link for a good long browse.)
http://store.apneedlearts.com/

You were the first shop I know of to offer counted thread monthly clubs and there still aren't many folks who cater to this breed of stitcher. Do you have anything special planned for them for 2009-10?

"Not on the calendar at this time, but things may change...................."

How did you happen to open a needlework store anyway?

"Before I opened Thistle Needleworks in 1983, I was a partner with two other ladies in The Needlework Studio. We were primarily a teaching studio -- I was the counted thread person, Anne was the canvas person, and Rosemary was the surface embroidery teacher -- and we sold merchandise only to support our classes. It was a concept whose time had not yet come and we closed after only one year. But that whet my appetite and so I opened Thistle Needleworks later that year."

Do you do a lot of mail order?

"Yes, we do. We ship multiple packages daily to stitchers all over the US and the rest of the world."

What are folks looking for when they either email you or find their way to your shop?

"Just about everything for the threaded needle -- fabrics and/or canvases, threads, tools, accessories, etc., etc., etc."

Is there a thread you carry no one else does, or a designer that everyone wants?

"We have no exclusives on threads -- I do not know if any shop does. We have a few exclusive cross-stitch kits and are now working with a designer to create an exclusive charted canvas work pattern or kit."


Thanks for the photographs. If you have another one of perhaps several completed pieces from your customers I'd love to add them to the slide show.

http://store.apneedlearts.com/christmas.html -- " there are two stockings there -- Harrison [top of the page] was partially stitched by a customer and completed by staff after she took ill and could not do so. The bear [Blue Snow Bear for Hannah at link below] was stitched by another customer."
http://store.apneedlearts.com/snowbear.html

I'd love to have more eye candy.

"Funny that you should use that term -- Eye Candy is the name of a needlepoint company and we have a number of her pieces on our web site."

Judie went on to describe some of the other photos she sent me:

"The fish is a Leigh design and was stitched by staffer Linda Prout after a class we piloted with Deborah Forney on Or Nue. It was stitched with Balger braids and Caron Impressions.

"Scottish Santa is a Petei canvas which I stitched using a variety of threads and stitches.

"Snowman Ornament is a charted canvas design from Kick Back & Stitch which I stitched and donated to the region's ANG auction tree a number of years ago.
I stitched both the Egmont Key Light ornament and the Vermillion Light, which was later made into a standing weighted figure. Both are from ABS Designs. Don't remember what threads were used on the Egmont Key but I do know that the Vermillion Light was stitched entirely with Sampler Threads since it was a gift for my old friends that own The Gentle Art.

"How could I forget him????????? The first Thistle Needleworks exclusive................
"And this toy poodle -- a Leigh canvas -- stitched by Martha Piontkowski, the same gal who stitched the blue snow bear stocking from Tapestry Tent, and stitched as a gift to Julia because they share a love of poodles. Lilly belongs to Julia, who is one of our framers and is shown at the register in one of the shop photos, and comes to work with Julia twice a week -- have attached another picture of the two of them hard at work in the classroom. [Lilly the poodle is on the right side of the third shop photo in her dog bed.]

"I forgot to mention that in the photo of the outside, that window on the right is in the classroom (which is used as the framing workroom when classes are not being held).

"Every year I give each of our four children and each of our three DIL's a stitched ornament. These are the seven Kathy Schenkel ones I did a few years back -- had lots of fun with stitches and textures and threads."

And I've had a lot of fun talking to you, Judie, seeing photos of Thistle Needleworks and enjoying the stitching you and your staff have done there. Thank you very much for allowing Blog and its readers to visit with you today!


Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Stitch & Zip! UPDATED WITH COMMENTARY BY LARRI


UPDATE: I got an email from Larri yesterday with information about the stitch & zip projects she's worked. It was so interesting that I talked her into letting me post it here. So, let me introduce Larri, who wrote:

"Don't know if you've ever stitched any of these before....if you haven't thought I'd let you know my experiences.

Have done several....they were great little projects for my to take when I'm with my Mom at the nursing home, when I take her for dr. appointments, etc. Don't have to think and they're easy to carry.

First one was a glass case and used the threads that came with it, included some metallics and even though the instructions say not to stripped the floss, I did anyway. No difference that I could see stripping vs. not stripping. Used the metallic threads it came with and they got caught on everything in my purse and hated having to work with 6 plies without a laying tool.

Have stitched a makeup case with Silk and Ivory instead of the floss and that didn't work out well because the thread has pilled from rubbing other things in my purse.

Last one I did I used perle cotton and that one has been great. No problem with it at all. Has held up beautifully.

Larri quotes what Jane said--'Tips--unfold the edges of the NP canvas before you start to stitch so you don't have to stitch through two layers. If you squint you can see the raw edge of the canvas sticking up in the photo. This is turned under when you finish stitching. I'll tack it down when I finish the background stitching to keep it neat.'

I have stitched through both layers as it prevents the canvas from fraying.

Have used all 3 in my purse for years...one holds my makeup...one holds change and misc. receipts and one is for my sunglasses. I didn't line the inside and have had no problems with anything catching on the inside.

Love the look of silk but have been reluctant to try that because of losing the sheen with it rubbing against other things. Will be interested to know how that holds up.

Just thought you might want to know my experience."

Thanks, Larri! I'm happy to add your thoughts to help out folks who are considering a stitch & zip project.

ORIGINAL POSTING:

Last night the Basketweave Marathon continued,
but I wasn't working on the background for Holi the "Tudor" Dog pet guardian angel. Instead, I was working the background on a coin purse-sized Stitch & Zip project. I noticed one of my nieces was working on a small interlock canvas of a unicorn at Thanksgiving, so for her birthday I bought the coin purse design above. The kit came with a needle, some DMC floss in the colors needed, and instructions. The coin purse front can be unzipped most of the way from the back so you can stitch it, then you re-zip it together and use. It's on 14 count interlock canvas and isn't particularly well painted but that only matters when it comes to the white rectangles in the border and I'm stitching those. I plan to stitch the black background and the white rectangles, then send along some Kreinik metallic and Trebizond silk instead of the DMC floss so she can stitch the hearts herself in a nice thread without having to worry about the plies. The white rectangles are Kreinik's 032 pearl white color using 1/16 inch ribbon and the black basketweave is done with three plies of black Broder wool.

What I like about this project is that it will be a practical gift my niece can use and with the pretty design and silk and metallic threads, I hope she'll find it attractive enough to want to try another project later, perhaps a larger Stitch & Zip or even a small Lee coin purse design with a tiny 18 count canvas to insert.

What I don't like is the stiff feel of the interlock canvas itself, the sloppy silk screened design (my white squares are various sizes and the count between squares is off in places), and the fact that it is hard to stitch around the edge where the canvas meets the zipper.

Tips--unfold the edges of the NP canvas before you start to stitch so you don't have to stitch through two layers. If you squint you can see the raw edge of the canvas sticking up in the photo. This is turned under when you finish stitching. I'll tack it down when I finish the background stitching to keep it neat.

When this is finished the back side of the needlepoint will be in contact with whatever goes into the coin purse so you do have to be careful with loose ends on the rear side that might snag or pull out with use. If I were stitching this for myself, I'd probably cover the back side with a piece of fabric, just to be neat and prevent snags.

Most of the smaller and cheaper Stitch & Zip kits are from Alice Peterson.
http://www.everythingneedlepoint.com/index.php?cPath=14&osCsid=7d4648a6eba45e571f1b3c0270919309

http://www.stitchers-paradise.com/Stitch_n_Zip/StitchAndZip.html

Sophia has some beautiful and high quality stitch and zip purses as well, but they are too sophisticated for a pre-teen to carry and too expensive for a beginner's project.
http://elainemagninneedlepoint.stores.yahoo.net/pursesbysophia.html

Now it's back to the Basketweave Marathon for me!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, April 24, 2009

Vacation Day Was Fun!


I had a blast hitting all the shops and hanging out with stitchers. I don't have time to report on what I saw/did/bought today but I'll post about it as soon as I can get my photographs together. For now, you'll just have to stare longingly at the photo I took in Scarlet Thread's hallway of --left to right-- an award winning Orna Willis piece, Donna and Ellice. Donna you may know from her Needleworker Not in Paradise blog. Both ladies are counted thread lovers and I'll tell you more about Ellice another time....
http://majtravaux.blogspot.com/

Can you sense an interview coming? LOL

Thanks for letting me take your picture, ladies. I just hope everyone can tell what a lovely time we were having....

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, April 23, 2009

Vacation Day

Today I'm taking a day off work to do a little stash acquisition and to have coffee with a friend I rarely get to see since our working schedules don't mesh. But not to worry! There is always something wonderful to see!

How about you visit the 2008 award winners from ANG's 2008 Seminar? Penny B. has written a bit about each one that tells you things that aren't obvious from the picture.
http://www.needlepoint.org/WhatIs/2008/index.php

Have fun while I'm gone!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Wednesday, April 22, 2009

Wordle

Wordle: needlepoint blog

Through my friend Liz I learned about Wordle.
http://www.wordle.net/create

I entered the URL of my Blogspot blog and the photo above is what I got. I find it hilarious that the word Finished is so prominent when I hate finishing so much.

LOL

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

No More Wings

Last night I managed to keep from adding more to Holi's wings. It was hard but somehow I restrained myself. Amazing how far my formerly restrained self will go on this piece!

Instead, I added to the basketweave background. I have the hem of the skirt, the diagonal heart underskirt and some finishing touches on top of various areas to go, so I really need to get a lot of the background done. Since this is just background in basketweave I didn't bother with a picture. But I do have pictures for you of other folks' stitching which you'll find quite interesting.

My newest Needle Pointers arrived last night with an article about stumpwork and a beginner's project. That reminded me of this wonderful beading blog and this particular article that talks about how larged beaded scenes are done.
http://beadlust.blogspot.com/2009/04/bead-journal-project-april-challenges.html

Once the mechanics of this make sense to you, check out this site.
http://thelonebeader.com/

While your brain is whirling with possibilities, let's go see Ann Stradal who is stitching another of her lighthouses. This time it is the lovely Sanibel Island lighthouse. You'll want to read all the entries about this wonderful piece to see the sand stitch she invented, how she did the sky and the new thread she choose for the support struts of the lighthouse.
http://thecapestitcher.blogspot.com/

Finally, since I know you love interviews, here is Jane, Stitching Up a Storm in Alamo City, explaining how she started to needlepoint.
http://janew1102.typepad.com/my_weblog/2009/04/60-minutes-comes-to-the-alamo-city.html

Now that you are busy reading, it's back to basketweave for me!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Tuesday, April 21, 2009

Enough on the Wings Already!


Last night, driven by a mad desire to add more beads to Holi's wings, I stitched long lines of metallics instead over the arrow centers and between each arrow. I used my blue/green Kreinik #4 braid over the medium and dark green areas and a strand of gold Accentuate over the lime green portions. Never got around to adding the beads as now the wings don't need them.

I think you'll find that if you run wild on one section of a canvas, you'll probably need to run wild on the rest to make it look good. My wings didn't have enough sparkle to hold their own with the rest of the piece. There are exceptions, of course. You might have a central section with sparkle and the rest of the piece doesn't have shine to focus attention but in this case, Holi's wings needed a bit more Omph. Metallics work well for that.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Monday, April 20, 2009

All Done

Unlike me, some folks have actually finished a project recently. In totally random order, let me present Jane's first six Twelve Days of Christmas mini stockings, fresh from the finisher's.
http://janew1102.typepad.com/my_weblog/2009/04/oh-how-i-love-surprises-in-the-mail.html

Pat framed her Carole Lake piece beautifully, didn't she? This is called In a Purple Passion but it's in the white/gold colors instead of the original purples.
http://needleartnut.blogspot.com/2009/04/back-from-framer.html

Michele has finished her Grand Hotel box. If you want to see the entire rectangle before it was made up, look for the earlier April blog posting called "Grand Hotel Needlepoint Finished" in the right hand column. The Grand Hotel is a landmark in Michigan and of course that's where Michele's shop Bristly Thistle is located.
http://bristlythistle.blogspot.com/2009/04/grand-hotel-needlepoint-complete.html

Pierrette has finished her Loretta Spears mystery #13 piece. This is called Superstition. Lovely, isn't it?
http://lovetostitch99.blogspot.com/2009/04/superstition-mystery-13-by-loretta.html

Stephen finished his Academy of Vocal Arts pillow for the auction. Hope he raised much money for the cause!
http://rittenhouseneedlepoint.blogspot.com/2009/04/ava-pillow-finale.html

Linda has her first monthly All That Glitters ornament back from the finisher. This is fabulous!
http://nystitchingsisters.blogspot.com/2009/04/back-from-finisher.html

Finally, Margaret has finished her Squiggee schoolhouse from the Gingerbread series. Isn't it darling?
http://cranecottage.com/stitchingblog/?p=921

Speaking of Squiggee, Gail Hendrix has finished Emperor Ming as a model for her line of needlepoint canvases. Isn't he marvelous, darlings?!
http://squiggeedesigns.blogspot.com/2009/04/emperor-ming.html

You can admire more of Gail's models and see the notice of her designs' new distributor on her website. We wish you a long and happy relationship with Dream House Ventures.
http://www.squiggeedesigns.com/

Congratulations, everyone. Keep up the good work.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Holi Has Beaded Wings


I finished the arrows on Holi's wings last night and added gold beads at the tips. Can you say--Over the Top? LOL

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, April 19, 2009

No, You Aren't Seeing Things

I've been planning a new style for Blog for a while and this morning I implemented it. I hope the changes make things easier to read.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Holi Has WINGS


Holi's wings were pulled out and the stitches adjusted so they touched instead of having the gap between them you saw before. Even though the gap was supposed to have a thread cover it, I like them better this way.

Holi is rapidly reaching the point of Too Much. Generally speaking, one can vary the colors, stitches, and textures (that would be the thread types such as smooth cotton versus fuzzy wool versus metallics versus shiny silks) in a piece and for a coherent design you probably should only vary two of them. I have used cottons and silk perles and fuzzy Wisper and metallics in this piece, used a lot of colors, and used a lot of stitches which are not really related to each other. The only unifying theme at all is the green used in most of the areas of the design. Holi isn't anything like my usual pieces but sometimes one has to try something different. I deliberately set out to make Holi colorful and vibrant to the point of earthquake and it looks like I've succeeded.

I'll put beads on the wings, that's for sure! LOL

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, April 18, 2009

Holi's Hearts (For you, Barbara)


I got a note through Yahoo 360's messaging system that I wasn't able to answer Friday morning. The default if you use this system to send messages is No Replies Allowed, so when Barbara asked what the heart stitch on Holi's skirt was called and where she could see the stitch diagrammed, I wasn't able to reply privately. Barbara, this stitch is called diagonal hearts.

Diagonal hearts, like most of the stitches on the pet guardian angels that are new to me, seems to have been created by the designer Kandace Merric. I have not seen this stitch anywhere else. I looked again last night in my books but it isn't there, at least not under this name. If you happen to have a copy of the February/March 1992 NP Plus, you can see diagonal hearts diagrammed. But I bet the percentage of people who have a copy in their collection is low.

So last night I pulled out my black 10 count plastic canvas and stitched a diagram. You see my pretty awful looking attempt above. I should have pulled some tapestry wool to stitch this so it wouldn't have looked so awful but I didn't have the time or energy to go looking for it last night so you all will have to forgive me for the twisted threads. It's not possible to get good stitches if you use so little thread for a larger count ground material. So stop snickering and look at the diagonal row of red hearts. This is the basis for the stitch. I hope you can see where the diagonal lines go over two lines and where they go over three. (If you count boxes, it's over one box or two.) Once you do a diagonal line of hearts, you add the orange tent stitches around each side of the hearts. The red bits are where a contrast like a metallic thread goes, also in a tent stitch. The partially completed heart in the second line of diagonal hearts shows how I center the next row to make sure everything fits correctly into the framework of tent stitches.

And that's it! Hope this is helpful, Barbara. Kandy Merric has made us a lovely stitch.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, April 17, 2009

Evolve UPDATED


Not all of us needlepointers are really interested in stitching painted canvases. Many folks like charted pieces (which we tend to call counted thread now here in the U.S.) as there isn't much ambiguity about such pieces. You know exactly what you are supposed to do and where. Of course many counted thread people are very good with color as they often vary the colors in a design and I admire their expertise. I hope they enjoy watching me stumble around making it up as I go when I stitch painted canvases and line drawn designs.

But Blog is more about painted canvases than anything else and occasionally I try to talk about charted pieces, just to amuse my visitors who would prefer dental surgery without benefit of anaesthesia to stitching a painted canvas. So this eBay auction is for you guys.


It's is a wonderful (and increasingly rare) chart by Kimberly Crum (now Kim Smith) with all the threads called for in the pattern. You will need to buy the needlepoint canvas elsewhere however, as that doesn't seem to be included in the auction. The piece is called Evolve and I think it is beautiful.

It also reminds us that we need to climb out of our comfort zones and stitch something a bit different occasionally so that we stretch our creative muscles and grow.

UPDATE: This chart plus all the threads and beads needed sold for $78 plus $4.95 shipping.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, April 16, 2009

The Asian Purses


I stumbled across a series of lovely purses with oriental themes this morning. What you see above is one of them, a Mindy design. I love Mindy's pieces, especially the Japanese quilt patterns, one of which this is adapted from.

Start your journey here. Click on Go Shopping on the left , then click on Painted Canvas in the middle of the page. Now click on Mindy and prepare to enjoy! There are seven purse canvases on the first page, including a Christmas one and one from her sheet music pattern.
http://www.homesteadneedlearts.com/

I also found clutch purses from Shorebird Studio/Katie Molineaux at The Needlepointer. Start here by clicking on Canvas Gallery on the left side of the page. Then scroll down to the Ks to find Katie's pieces. There are two sections. I found the clutch purses with a carved closure bead and obi fabric for finishing on pages 4 and 5 of Section I.
http://www.theneedlepointer.com/

Have fun dreaming of where you might carry such a purse!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Wednesday, April 15, 2009

Daily Meditation

My usual nightly routine--
Drive 45 minutes home from work, greet dogs greet spouse hand over newspapers and mail let dogs out tidy kitchen and living room change dog water dish let dogs in clean dogs feet feed dogs put dog bowls away change dog water dish start dinner start coffee pot check laundry put clean clothes in dryer fold dried clothes and put them away check on dinner tidy living room again answer questions about mail check dinner dish out dinner eat watch depressing national news clean up kitchen wash dishes change dog water dish sit in recliner and pull out needlepoint.

Cut 18 inches of DMC cotton perle #5 and carefully and deliberately basketweave background of Pet Guardian Angel Holi until thread is gone. End off.

Put dry dishes away turn on outside lights let dogs out for last night's run and keep an eye on them let dogs in and give them small treat turn off outside lights and turn on lights upstairs put last laundry load away turn on electric blanket and alarm clock brush teeth lay out clothes for work put away next dried load of laundry check washer and dryer for missed socks go back downstairs check email return computer to spouse read newspaper while watching television and talking to spouse finish newspaper and move dog beds to nighttime sleeping spot settle dogs for night.

Cut 18 inches of DMC cotton perle #5 and carefully and deliberately basketweave background of Pet Guardian Angel Holi until thread is gone. End off.

Watch television check dogs are asleep empty trash can tidy living room make thermos of coffee for spouse to finish later climb stairs fall into bed and sleep. Repeat each night Monday through Friday.

You can see why I don't get a lot of stitching done each night. And you can see why stitching a bit each night is essential to my mental health!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Tuesday, April 14, 2009

Arrows for Wings


I made a little progress on my wings last night. This stitch seemed particularly hard for me to get the rhythm of, and I ripped out arrows several times before I was happy with the base line of three medium green arrows. The tops of the arrows are the acid yellow-green color. The gaps at the base of the wings are arrow tips like the acid green ones but turned to face the other way. I plan to do that area in dark green. The spaces between arrows is supposed to be a straight line and I'll probably use the thick Ultrasuede that makes up Holi's collar there. I looked carefully at my stitch diagram this morning and discovered there will be empty spaces that reveal the background between stitches. Somehow this failed to sink in when I choose this stitch but I like how it looks so much that I will do what I always do when faced with a problem--I'll plaster beads over the empty spots!

This stitch is a creation of the fabulously talented Marnie Ritter. She calls it Marnie's Interlocking Leaf-Diagonal and it is diagrammed in the March-April 1991 issue of Needlepoint Plus magazine.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Monday, April 13, 2009

Dog Collar and More


Holi's bodice was stitched this weekend. The stitch is a green framework with fancy interlaced cross shapes inside the frame. I mixed two plies of my medium green DMC with one ply of the lime green DMC and stitched the frame with that. The centers are filled with my red Trebizond silk perle. The final touch is gold beads, one at the center of each cross shape and one at the end of each arm of the cross.

I wanted Holi to have an Elizabethean collar for some unknown reason. It just seemed "right" and since I had a sample of red Ultrasuede, I had a thread thick and stiff enough to stitch large lazy daisy stitches which are not tacked down at the tip. That makes the lace part. They are a bit mashed by lying face down on the scanner but you get the general idea.

I've started the wings, using my medium green DMC cotton floss (4 plies). The leaf stitch I'm going to use has four parts, and right now I plan to use my three shades of green DMC floss. I don't know what the fourth color will be but I'm considering yellow, red and turquoise. Stay tuned to see what crazy thing I do next!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

April 2009 Chilly Hollow Newsletter Article

I noticed quite a few items online this month in various blogs that talk about how small changes can personalize and enhance your stitching. ABS Designs Online (that's Anne Stradal's blog) has a series of very interesting postings this month about her painted canvases and how she and others have changed little things to bring personality and style to the designs. First, Anne is showing off the hair on two of her angel designs. Take a look at the fancy hairstyles! Abigail has brunette bullions.
http://thecapestitcher.blogspot.com/2009/02/introducing-abigail.html

The Heart Angel is also a brunette, but she has a fancier style that is smooth on the front side and fancy on the back. Doesn't that give you ideas? It does me!
http://thecapestitcher.blogspot.com/2009/04/dressing-angel-hair.html

Anne also has showcased two versions of one of her small oval eggs. The egg is called "In the Garden" and Anne shows the unstitched canvas and two interpretations in this blog entry. Again, this is food for thought. There really is no "wrong" way to stitch painted canvases, is there?
http://thecapestitcher.blogspot.com/2009/04/interpreting-painted-canvas.html

I've found postings about color and how they change a design at Jan Fitzpatrick's wonderful blog and at the British Japanese Embroidery Center's blog. Jan has stitched a Laura Perin charted design with different colors, which turned the original into a totally new design.
http://threadmedley.wordpress.com/2009/04/09/choosing-colors-for-a-project/

Jane writes about color in Japanese Embroidery, how it is used, and what colors mean to Westerners and Japanese. She has posted pairs of designs in various colors to show how a change in color changes the traditional designs students all stitch. So besides tweaking a design to add your favorite hairstyle or a different motif, think about what changes in color you'd like to introduce. As Jane says, there is no right or wrong, just different interpretations.
http://japanese-embroidery.blogspot.com/2009/03/colour-in-japanese-embroidery.html

I'd like to add that changing small things in a design personalizes it and adds a bit of your own personality to a design. These changes allow us to interact with the original artist and collaborate with him or her in a unique piece of stitching.

Jane, wishing everyone lovely spring weather from Chilly Hollow

http://blog.360.yahoo.com/chillyhollow
mirror blog at http://chillyhollownp.blogspot.com

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, April 12, 2009

Enter Brenda Hart, Girl Genius

Do you remember when I was working on the Joan Thomasson Wizard Santa for Christmas that I used some of the new Baroque Silk for the silver beard and for the black felt slippers Santa wore? Baroque Silk is a lightly twisted perle silk thread, suitable for 13 count canvas as is, but you can also untwist the plies into three sections and use 1-2 of them on 18 count. Which is what I did on the Wizard Santa. Here are good photos of the colors available for this thread.
http://www.needlestack.com/WebStore/Thread/TPP_BaroqueSilk.html

Barbara Bergstein's blog has photos of the red Baroque Silk she is using on her tropical fish project. The second photo shows the red Baroque Silk in its tiny skein and the third and fourth are closeups of Barbara holding the entire strand and then the separated plies ready to use on 18 count.
http://createneedlepoint.typepad.com/create_needlepoint/2009/03/tropical-fish.html

My conclusion when I stitched the Wizard Santa using Baroque Silk was that the grays were pretty but nothing different than any other thread for beards, and that the white bits that show up when you untwist the black ply make it not a good choice for 18 count canvas. I had to stitch over sections of the black Chinese slippers to hide the white bits. I suppose the thread is twisted and then dyed, so the dye doesn't penetrate the whole thread, giving a slightly shaded area or even a white streak when you use a ply or two of the whole thread on 18 count.

And there my opinion rested. Until Brenda Hart arrived, picked up Baroque Silk and worked her magic.

My friend Janet takes a regular class from Brenda Hart at Needle Nook of La Jolla. Janet's stitching a large piece and Brenda came up with a fabulous border for her design which Janet told me about. Janet raved about the stitch and thread Brenda told her to use and even sent me a skein in blue with a matching metallic to try it out with. The thread was --you guessed it!-- Baroque Silk.

I looked at my brand new skein of blue Baroque Silk, remembered that Brenda Hart wrote the stitch dictionaries I use all the time, thought about what a good stitcher Janet is, then took a deep breath and tried to copy what Brenda taught Janet on a sample of canvas. Luckily I had some of the black and gray Baroque Silk still I used last fall (it was borrowed from Pat, who is as big a threadaholic as I am) and tried all three colors in various combinations on my 18 count canvas in just the way Janet instructed.

This is what Janet said Brenda Hart told her to do--First, take a length of Baroque Silk apart into its three separate strands. Then carefully lay the crinkly strands in a long diagonal line of five separate stitches, not pulling the threads so tightly that the crinkles disappear. Follow this with five diagonal stitches in a matching color of metallic thread. Then repeat, alternating between the Baroque Silk and the metallic threads, for the entire border.

You get a marbled effect with the Baroque Silk, and the metallic contrasts with the matte silk beautifully. It is GORGEOUS. In the photo above you see my blue Baroque silk paired with a blue Sparkle Braid, some of my gray Baroque Silk with silver Kreinik stitched beside and on top of the gray stitches, and some of my black stitched in a long figured stitch next to black Kreinik in the same stitch slanting the other way. I also added a length of my blue Baroque Silk with one end unraveled and the other as it comes off the skein so you can see the difference.

Speaking of the black Baroque Silk, I should mention that this shows up fancy stitches beautifully if the stitches are long ones as in the test stitches I used. There is a lot of shine to it which will enable us to stitch fancy stitches in black and not lose the detail that normally vanishes when you stitch in black. The trick is to use long straight stitches to give the Baroque Silk room to reflect the light.

I was wrong about Baroque Silk. Use it in the right circumstances paired with its soul mate, metallics, and you have something really beautiful. Note that I discovered that on 18 count, you only need two of the three strands that make up one ply of Baroque Silk. Janet's piece is on 13 count, so she needed all three of her strands to cover.

Janet kindly sent me a closeup of her Baroque Silk & metallic border.


The color isn't true on this piece (I tinkered with the image to make it easier to see the stitches) but it shows what an elegant side border Baroque Silk mixed with metallic threads makes. This is Melissa Shirley's large large armadillo canvas. It is on 13 count so Janet used all three plies of the Baroque Silk to add a lavender section outside the wide bird-flower-tree branch border.

Many thanks to Janet Moyer for drawing this to my attention, forcing me to try it with threads she provided and sending a photo for you to see, and to Brenda Hart for graciously allowing me to reveal one of her tricks here.

Brenda, you are amazing!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, April 11, 2009

Holi's Greensleeves (with Beads)

Compare Holi's sleeve to her overskirt and you will be able to tell just how successfully I was able to use DMC cotton floss to fake the Gloriana silk perle overdye from the skirt to the sleeves. Probably I should have used the lightest green shade as background behind the fancy stitches on the sleeve but I like how it turned out so I left it. You probably can't see much of the Kreinik overdyed metallic that made big + shapes with a gold bead in the center all over the pattern but in person they add a lot of sparkle.

My next step is to figure out what colors (probably apple green and reds) to use on the bodice. The original model is visible on this page to see what this looks like in the original blue, gold and white color scheme.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, April 10, 2009

The Teeth Creep Me Out UPDATED


Ok, I admit it---I am not a fan of nutcracker canvases. I will admit that I own a nutcracker canvas, though. I have the Danji Robin Hood nutcracker canvas (complete with Amy Bunger stitch guide and all the threads) in my stash. Someday....

If you aren't like me and you have $1100 USD burning a hole in your pocket, you will want to check out this eBay auction for a set of 13 nutcrackers designed by Susan Roberts with canvas, threads and stitch guides from Needle Works in Austin. They are offering a monthly nutcracker set this year but the auction is for a different set from 2006. This link is long, so if it doesn't work for you, click on the post title at my Blogspot blog. (Sorry, Yahoo 360 doesn't offer this clicking option.)

http://cgi.ebay.com/13-Nutcrackers-Complete-Kits-SUSAN-ROBERTS_W0QQitemZ130298747565QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item130298747565&_trksid=p3911.c0.m14&_trkparms=72%3A1205%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1308%7C301%3A1%7C293%3A1%7C294%3A50

There's a king, cowboy and cowgirl, and many more in the set. Fun to look at, even if stitching these would give me nightmares!

UPDATE: This Buy Me Now auction ended without any bidders.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Faking Holi's Greensleeves


Yesterday I talked about Holi's sleeve and how I planned to add the fresh greens from her over-skirt to the sleeve to make the reds and oranges Pop. I didn't mention that I was out of the Gloriana perle silk I used in the skirt. In order to recreate the overdye on the sleeve I'm going to have to fake it.

Overdyes are easy to fake. I pull as many of the shades in the original overdye as I can find (in this case I used DMC cotton floss for the three shades of green). If you look at the picture you can see I got awfully close to the original colors. I will do diagonal rows of green, switching from the darker green to the medium apple green and then to the lime green just like I did on the skirt. I'll switch the colors after about the same length of thread, too. When I'm done, you guys can vote on how close I got to mimicing the original Gloriana thread.

It is hard to get the subtle shading of some overdyes just right but if you have only a few colors, you can do pretty well. Some of you may remember the Sundance woman in a cloak piece I did oer two years ago. The designer used 8 colors of Watercolours for the clothes. I substituted DMC floss for all 8 skeins and spent 1/3 of what I would have spent on Watercolours, ending up with a pretty good approximation of the model. You can see this piece on the Yahoo 360 blog. Go to the link below if you are at Blogspot, then look for Sundance in the "tag cloud" on the left side column. Click and then scroll down to find "Sundance Beginner's Lesson-The End" to see what DMC can do to imitate Watercolours, or any other overdye, for that matter.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, April 9, 2009

Holi Greensleeves

Despite the flaw in the image above (hopefully because the canvas lifted up slightly there when I pressed down in the middle of Holi as she lay on the scanner bed) you can see I've given up basketweave background in favor of stitching Holi's sleeve. This section is very complex and was supposed to be done in three different threads. So far I've used my two Kreinik greens, red Trebizond, peach Trebizond and am about to go shopping today for some lime green DMC so the background unstitched area can have apple green to match some of the overskirt colors. I will then add my yellow and orange overdyed Kreinik and then beads, either gold or orange or red or yellow. I am not sure about the bead colors yet. I could even use French knots instead of beads as Kandy Merric did on the original model.

She's coming right along but I can see I need to add the green to tie the sleeve to the rest of the design. Otherwise there is too much pattern going on. Well, too much for me!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Wednesday, April 8, 2009

M M 86 UPDATED

A piece of someone's history is on sale at eBay this morning. It's four feet wide by thirty inches tall. To me it looks like this was a stamped line drawing that was filled in using crewel wool. The visible lines often add to the effect of dimension. Nice job, in my opinion.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=350187157840&indexURL=2&photoDisplayType=2#ebayphotohosting
The seller says this took M M two years to stitch. Note that the seller will not ship this--you have to live close enough to their Florida location to pick it up.

Let's take a moment to salute MM. Whoever you are, you did us stitchers proud!

UPDATE: This auction ended without any bids, probably due to the requirement that the item has to be picked up instead of being shipped.
Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Miscellany (with Basketweave)


It's been hectic at work and I've not stitched much this week, but not to worry, there are plenty of other things going on for you to enjoy while I recharge my batteries and basketweave my background.

First, if you are a counted thread person who always wanted to join in a monthly club but they are all on painted canvases and/or expensive, here is something just for you--a line drawn series by Edith Anderson Feisner, famous for her color theory books. These little designs are called Stitching Steps. Aren't they pretty? Do a search on Amazon.com to see some of her many color books for stitchers.
http://www.threadsinva.com/stitchingsteps.htm

If you ever wanted to chart a photograph to stitch but the cost of the software put you off, this site's free charting program may interest you. Note that it's for PCs only (there is no Mac version) and the features are very limited.
http://www.iktsoft.net/kgchart-en/

If you are coming to needlepoint from the world of cross stitch or are a brand new needlepointer, you may never have used stretcher bars. Here is a tutorial by Tanja Berlin that shows you exactly how they work.
http://www.berlinembroidery.com/embroideryframes.htm#instructions

Finally, if you just want a little eye candy, you can't go wrong visiting Lillian Chermor. Her painted canvases are always on brown canvas and always very beautiful. Don't miss the new Circus miniatures! Lillian's "Breakfast of the Thrush" bell pull design illustrates this blog entry.
http://needlepointbylilliandesign.com/

Hope you enjoyed the various wonderful items. Now it's back to basketweave for me!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Tuesday, April 7, 2009

Apology

I owe some of the early risers among you an apology for yesterday. Mondays I backup Blog on Blogspot and when I was doing that yesterday morning, I accidentally backed up the wrong blog here. Yes, I actually have a video game blog which I maintain for my husband. All I have to do is click on the wrong line and the backups go to the wrong place. And at least one person was reading Blog when I pushed the button. Since I had 400+ blog postings added here where they didn't belong, it took me a while to remove them.

Maybe I should back up Monday nights after I'm fully awake? LOL

Not to fear, World of Warcraft hasn't hijacked Blog. I just pushed the wrong button!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Books in Bloom

Lots of book reviews are popping up online these days, perhaps inspired by Sue's blog posting "Books are Friends."
http://sudukc.wordpress.com/2009/04/01/books-are-friends/

Mary Corbet loves medieval illuminated art books.
http://www.needlenthread.com/2009/03/what-inspires-your-needlework.html

And she loves stumpwork books.
http://www.needlenthread.com/2009/03/embroidered-flora-fauna-book-review.html

AND 19th Century embroidery!
http://www.needlenthread.com/2009/03/book-review-19th-century-embroidery.html

Stephen has started a book of the week posting with a classic that belongs in every serious needlepointer's library.
http://rittenhouseneedlepoint.blogspot.com/2009/04/new-feature-book-of-week.html

There's plenty of good reading to keep us busy until Spring actually starts to act like spring.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Monday, April 6, 2009

The Easter Bunny Wears a Tie


This is seriously off-topic but with Easter coming, I thought you would enjoy seeing what to do with those old silk ties you always hated but wouldn't throw out because they were so expensive.
http://www.ourbestbites.com/2008/03/silk-dyed-eggs.html

The above canvas is a Shelly Tribbey design, by the way.

http://www.needlenookoflajolla.com/canvas/holiday/easter/

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, April 5, 2009

Once Again, the Yarn Harlot Speaks Truth

The Yarn Harlot often says exactly what I'm feeling. Since she's a knitter, I occasionally find this odd. I don't knit, you know. I know how, but I don't much enjoy it. However, when you think about it, needlepoint and knitting are needlework, and we practitioners of these things have a lot in common, even if I can't wear my needlepoint on my feet--unless I do needlepoint slippers which I have decided I will avoid since I'd be too frightened to actually *wear* the things.

Come to think about it, how on earth do knitters talk themselves into wearing works of art like these?
http://mimoknits.typepad.com/knitting/2006/09/sock_season_soo.html

Back to what the Yarn Harlot was saying. Go read her blog and then come back. I'll wait. I need to do some more tent stitches on Holi's background anyway....
http://www.yarnharlot.ca/blog/archives/2009/04/04/the_opposite_of_alert.html

Back already? Gosh, I thought I'd get more done. You were fast! (Or I am a slow stitcher. LOL)

The Yarn Harlot describes our situation as needlepointers pretty well, doesn't she? We live in a place and time that doesn't value hand work. The only place we can go to find someone who really understands us is gatherings of other needlepointers, folks who know us, admire our work, understand the problems we've overcome and applaud us for it. But the yearly ANG Seminar isn't always close by, guild meetings are often at bad times for us, and even getting to a good shop isn't always easy. Thank God for the Internet.

If you belong to the ANG email list, if you have a favorite online shop that helps you out whenever you call or email, if you've taken a cyberclass or used the free charts and stitches available at various sites, well, you know the power of the Internet to fuel our creativity and our needlepoint. It's how we overcome the distance and loneliness and find folks like us.

It's how we all ended up here.

So the next time you visit your favorite blogs to enjoy the stitching of friends you have never met and maybe never will, the next time you place an email order for that canvas you have lusted for that is on sale at a shop a thousand miles from you, the next time a friend in another country sends you some local threads and you reciprocate, the next time you learn about new threads or designers or shops, think of how much the Internet has enriched your stitching life.

I'm grateful. I just hope that somewhere someone is capturing all this web NP for posterity. Or in 200 years folks will be piecing together the story of needlepoint in the late 20th and early 21st Centuries and they won't know who we were.

But our needlepoint will speak for us. So do the best you can. It's history you are stitching. Our history.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, April 4, 2009

Charted and Sideways (April SOTM)


ANG has finally been able to post a charted version of their Stitch of the Month (SOTM) project on their website. If you want to stitch The Glittering Kimono along with Tony Minieri but you aren't comfortable printing out a line drawing, enlarging it, and tracing it onto 18 count needlepoint canvas, visit this link.
http://www.needlepoint.org/StitchOfTheMonth/2009/images/jan-tres.jpg

To see the 2009 Stitch of the Month project (a new stitch each month makes up this fabulous kimono pattern) head to ANG's website and pick the 2009 entries.
http://www.needlepoint.org/Stitch.php

The April stitch (Nobuko Variant) just went up and you see my rendition of it above, stitched in one strand of mauve-pink Impressions, color # 2054. If you are wondering why my stitch is turned sideways, I found it easier to stitch this way. Turned upright the way Tony diagrammed it, I kept missing the count. I finally turned the canvas 1/4 turn so that the left side was on top and stitched Nobuko Variant in vertical rows. Of course you have to turn your diagram also, and you see it turned to the side the same way in the photograph.

It's very pretty. I was a bit worried that Impressions would be too thick for congress cloth (I wanted to use ecru canvas but I didn't have any 18 count) but it looks good. Since this is a mystery project and we don't know what it looks like, I am just posting photos of the various stitched sections for now. Once more of the kimono is filled in, I'll show you more of what my version looks like.

Kudos to ANG for talking the lovely lady who charted this pattern into letting them use it on the website and for tracking down Tony Minieri (who was on the road teaching) for permission to chart his pattern for the counted thread crew!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, April 3, 2009

Elegant Accessories

Yesterday was the Glitzy Accessories class, today we have antique sewing accessories. And what accessories they are! There are twelve pages, each more beautiful than the last. The swan scissors in their case is just the first delight.

I've had a lot of fun this morning reading the descriptions and thinking now I'll know what the sewing tools mentioned in 19th Century novels look like.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, April 2, 2009

Glitzy Accessories and Other Classes


The latest Shining Needle Society class is open for registration. This time your teacher is the fabulous Carole Lake and the project the Glitzy Accessories shown above. You pick your colors, Carole will teach you the rest.

Here, straight from the SNS class announcement, are the details:

"Who: This class is intended for the student who loves to combine threads and stitches, who doesn't mind buying her own supplies, and wants to work on something that is easily finished and that she can actually use! What: A name tag, a tasseled frame weight, a laying tool case a scissor case, a needle book and a scissor fob. Yes, there are SIX items that you can make -- all in the same class! Why: Do-able, finish-able, fun projects with real life uses after class. Learn handling techniques for various threads in unusual places. We will start from the ground up, deciding on sizes and color placement, making guided decisions all the way. Do-it-yourself finishing is included in the class, as well as tassel and twisted cord making. Why not?

You'll love creating these small pieces of useful needleart in Watercolours, Neon Rays or ribbon floss, Kreinik #16 metallic, pearl cotton and beads on colored 18 ct. canvas. You can choose to make all your accessories match by using the same colors and threads, or you can experiment with those wild colors that you've wanted to use, but that don't seem to fit anywhere else. You don't have to buy a kit of threads you may or may not like; you can even raid your stash!


Details: The teacher for this project, Carole Lake, will post pictures of the each accessory as it is being worked, and will be in contact via email during the class. She will answer questions and give advice about all phases of the workshop, including finishing.
Because choosing your own favorite threads and colors is an integral part of this class, no kit is offered. The pieces are stitched on 18 count colored canvas, and the threads are generally available. While we would prefer that you consult your own local needlework store, we realize this is not possible for everyone. The teacher will, upon request, provide mail order sources. She will also be available for color consultation via email anytime after you sign up for the class.

A detailed thread list will be mailed to each student upon registration. The amount you will spend for supplies depends on what you can raid from your stash and how many of the accessories you ultimately stitch. The teacher used Watercolours, pearl cotton, Neon Rays, and Kreinik metallic, but you can make substitutions. The pieces are stitched on colored 18 ct. mono canvas, and the canvas color is a part of the design.


Level: All levels, if able to thread a needle and follow stitch diagrams Technique: Canvas Time: Three months What you will get when you register: Your registration fee includes a booklet with comprehensive instructions for stitching and finishing plus full size color photocopies of the pieces.

Design sizes: Name Tag: 4" x 6" (varies with length of name) Scissor Fob 3 1/2" x 3 1/2" Frame Weight 4 1/2" x 4 1/2" Laying Tool Case 2"x 6" (varies with length of tool) Scissor Case 3" x 4" Needle Book 5" x 3"

You will need to provide (a detailed list will be provided but the general requirements are listed below):
Canvas and all threads for stitching (you'll have a choice of working the pieces all on one large piece of canvas or on six small pieces) UltraSuede and all threads for finishing Stretcher bars to fit the canvas size(s) you are using Tacks or staple gun to attach the canvas on top of the frame Tapestry needles sizes 18 through 24 Needle for beads, such as a #28 tapestry or a #10 crewel needle The "classroom" for class will be a dedicated mailing list.

You will receive a "lesson" each week for six weeks, plus a finishing lesson. In between lessons, the teacher will be available to answer any questions. In addition, the teacher may post visual aids (stitched samples, expanded charts, etc.) to the Yahoo website.


Class begins May 1st and the online class will run for three months.
The total cost for this class is $50 ($55 for international) per student, which includes postage. The instructions contain clear, complete directions for both stitching and finishing. Also included are close-up full size color photos of each piece.

As the class progresses, completed pieces from students who want to submit them will be available so everyone can see the wonderful color combinations.
The instructor will mail your booklet to you after your class registration payment is received and processed. Class fee includes booklet with complete instructions for stitching and finishing, postage to mail that booklet to you, teaching fee and SNS administrative fee. Student supplies all stitching materials. This is a great project to use up stash! Students who have previously taken this class may 'audit' the class for $20 using their existing directions. NOTE: With this class, Carole is furnishing a new booklet of instructions for these projects. However, if you took the class before with the old directions, you can still easily follow along with the class. The only reason to acquire the booklet would be to have the fancy new booklet! Payment can be made by check or by credit card using PayPal. To sign up for the class, send an email to the instructor, Carole Lake who is carole@carolelake.com

http://www.carolelake.com/TeachingPieces/Glitzy.htm

and let her know if you would prefer to pay by check or PayPal. Carole will email you the proper invoice for payment. Class begins May 1, so don't delay! We hope you will enjoy this new learning opportunity with Shining Needle Society."

To take the class you need to be a member of SNS but that's the easy part. Just click on the link to SNS's website that you'll find on Carole's class description page. Email the address you see on the SNS site and BINGO! You'll be a member of SNS and able to sign up for any class you like.

The hard part is choosing a class. I plan to post about more class opportunities other places on the WWW shortly. This message is getting too long!

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow