Friday, August 8, 2008

Goldfish Primps for the Fair


I haven't stitched anything this week on the wizard because the county fair starts Sunday night. This means I am busy putting the finishing touches on the two projects I'll exhibit at the fair--Squiggee's goldfish piece and Lani's Autumn Leaves.

The photo above is all the framing supplies for the goldfish. You can barely see the gold shadow box that he will go in on the left. On top is the spool of metal braid trim right above the paper xerox of the canvas I cut out to use as a pattern, the acid free foam core mat with a hole in the middle that will be covered in the blue fabric you see, and a piece of craft foam and a very thin sheet of metal that will go under the canvas.

Let me explain further. Framing is expensive so I headed to the local crafts emporium to pick up supplies in a standard size. The goldfish has pearls for his bubbles, so any frame needs to have depth so I can put glass over them. (I always glass my framed pieces since we live on a dirt road and don't have air conditioning. Dust is constantly coming in the open windows in nice weather.) So I bought an 8x10 shadow box frame, picked up an 8x10 scrap of acid free foam core, a spool of thin gold metal braid, and bought a packet of thin metal for embossing in the scrapbook section. I had the shop cut a hole in the middle of the foam core the size of the goldfish. All this cost me about $36, not too bad for framing.

I lugged it all home and got to work. First I cut a piece of fabric about 12x14, large enough to cover one side of the foam core, ironed it well, and glued it right over the foam core (I put glue only on the back as it bleeds through the fabric). Then I took my best embroidery scissors and poked a hole in the fabric over the hole in the foam core. Cutting carefully from the center of the hole towards the outside edge, I made an X and then more cuts to have a series of petals I could fold to the back side and tape down. Once that was done, I had to let everything dry (it's all glued to the back of the foam core) overnight.

I concentrated on making a very nice Chinese knot in one end of my trim. The trim I choose is made from real wire bits and it unravels itself if you don't put Scotch tape over the ends, so this was a bit tricky. The best instructions for a simple knot I found are here.

http://www.satincord.com/knots/buttonknot.htm

The next night was gluing the braid all around the center of the hole and then cutting my metal sheet (with scissors you use for paper, it is very thin aluminum that cuts but will dull your good scissors) to the size of the design. I also cut out a piece of acid free foam that is used for signs (cut red letters from it and glue to a green sheet of it and you have a sign for a kid's bedroom door) to the same size. Then I glued the metal circle to the foam circle. This will go behind the goldfish to give a mirror-like effect behind him with a lot less weight and expense than a real mirror. The foam is padding that raises the "mirror" and holds it in position against the NP.

The next step will be to tape the NP canvas to the foam core covered in fabric, put the mirror and its padding behind the canvas, then drop the mat/goldfish/mirror with padding stuff in the back of the shadow box frame and put the cardboard backing on.

And you'll have a goldfish in a frame!

The finished photo will be revealed tomorrow. The sky is too cloudy to take a good photo of the finished piece today. Tonight I'll work on Autumn Leaves.

Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, August 7, 2008

Stitching a Geisha


This lovely painting by Suzanne Tornquist has been transferred to needlepoint canvas and is for sale on eBay this week. Here's the auction--
She's a beauty but before you buy, read the details and study the photo carefully.
This is sold as a 14 count canvas but you can get larger count, which to me says that this is probably going to be a silk screened or transferred design onto NP canvas.
If you are thinking about picking up a piece on eBay --which is home to a ton of transfer designs--you need to think about several things. The first is how much trouble a silk screened or heat transfer canvas is going to give you. If not knowing exactly what color is on a particular canvas intersection drives you nuts, avoid silk screened canvases like the plague!
Do you like working on 14 count or do you want to try it? If you really need 10-12 count, it looks like you can have this size made for you, which would be a reason to bid.
The auction doesn't say if the 14 count canvas is interlock or Zweigart or another type of NP canvas. You may want to find out before you bid if this is important to you.
The auction does say that this design is an "exclusive copyrighted image" which makes me think the artist licensed this to be turned into a NP canvas. Many silk screened or transferred image canvases don't have permission and very often these turn up on eBay. I've seen rip-offs (or counterfeit) Melissa Shirley designs on eBay and I'm sure that some of the people selling these things ignore copyright. I wouldn't buy anything I thought stolen myself.
How well will the design tranfer to the grid of a needlepoint canvas? Look at her mouth and eyes. Will the curves there translate well to NP?
Only you can answer these questions for yourself, but think about them before buying a silk screened canvas. I'm not saying don't buy something as gorgeous as this. I'm just saying think before bidding.

Bohin Needle Info from Ruth


If you go back two blog entries to "New Website, New Newsletter" you will see mention of Bohin needles from France and my plea for more information about them. Ruth Schmuff has come to my rescue with news about the needles which are carried in her shop. She says,

"I generally tell my customers that I don't really care about needles. Don't have a favorite etc. etc. A needle is a needle right? I had the same ones for years. Lamora from Access Commodities told me about these needles and I tried them. OMG have I mentioned they are wonderful! I immediately threw away every needle in my possession and now only use these. As I tell people this and they try them, they do the same thing. They come back the next day and buy more. Everyone loves them. They glide through your canvas. They make stitching faster and easier.

there's my 2 cents worth :-)"

Unlike Ruth, I don't use the same needle for long as my acid hands--you should see the steering wheel in my car!--eat away the needle surface. I stick to Piecemakers needles which I find both very silky smooth to use and also which seem to resist my body chemicals well. So I asked her if she'd gotten any reports on the Bohin needles from customers with the same hands. Ruth replied that no one had mentioned this problem to her and she thought the Bohins ever smoother and silkier than the Piecemakers needles I use.

Here's Ruth's shop website where you can order the needles if you are closer to Maryland than Texas where Chaparral carries them. After all, you want to get these in the mail right away!

http://www.bedeckedandbeadazzled.com/

Jane, your friendly Master Enabler

Main blog at http://blog.360.yahoo.com/chillyhollow

Wednesday, August 6, 2008

New Website, New Newsletter


Chaparral Needlepoint in Texas has revamped their website and also posted the Summer 2008 newsletter. The newsletter links are right under the box to sign up for the newsletter. You owe yourself a visit to check out the over-the-top finishing style they are famous for!




If there are two items in a photo, often you can see a larger photo of each separately by clicking on the one you want to study in a larger photo. The photograph above is from their 4 piece smaller canvas club series using Melissa Shirley's Circus Dogs designs.


The email I received announcing the newsletter mentions they have a shipment of Bohin needles from France. I am curious about these. Anyone used them?


Baroque Silk


Yesterday I mentioned using the new Baroque Silk to stitch the black felt slipper the wizard wears. Above is a photo of some of the colors available in this thread. I used the black, which is called 1498 Witching Hour. A strand of black runs out of the skein with the end divided into the three plies that make up the perle twist of this thread. You can separate the plies to stitch with this on 18 count canvas. See the tiny crinkly thread that is a short strand cut loose? That is how the thread looks unplied. I didn't dampen the thread to get rid of the kinks and everything looked ok when stitched, but depending on your stitch, you might want to.

My opinion is that this thread has a quiet glow. It's not as shiny as silk floss, but it isn't as matte as wool. It looks like a lighter weight crewel wool to me but it doesn't feel like it. Doesn't feel like silk, either. It's a strange animal, but a nice addition to the stitching basket.

Remember that when I plied my black Baroque I found white areas that the dye hadn't touched. If you are stitching something where this might be a problem on 18 count (you won't see this unless you unravel the thread which you wouldn't do on 13 count), use another thread.

Needle in a Haystack has lovely photos of the colors (which are glorious!) and a link to Pure Palette's website.

http://www.needlestack.com/thread.html


Main blog at http://blog.360.yahoo.com/chillyhollow