Tuesday, July 15, 2008

Look What I Did


Well, first of all, you can see the goldfish finished except for his eyes and mouth, and that almost all of the three lily pads are done. I've not stitched any more water stitch but I am going to start on that once I have the last bit of top leaf done. And I'm going to use Anne's tip of rotating the instructions and canvas a quarter turn and working the water stitch as vertical stitches instead of horizontal.

The real thing I did yesterday was replace the CMOS battery inside the old laptop so I can scan photos for you again. It took me about 5 minutes to unplug the laptop, remove its battery pack, locate the right door on the bottom and unscrew the screw holding it closed, open the door, locate where the internal lithium battery was hiding under a stiff paper tab, remove the tab, slide the battery out, then being careful to note where the red wire and the black wire were plugged, unplug the battery. Then the new nickel-sized battery was plugged in properly, slide into its slot, the paper tab replaced, the door back on, and the external battery pack restored. After that, it's turn on the machine and set the date/time again (that's what the CMOS battery does, keeps time for the system internally), replace the tiny screwdriver and the tweezers, and toss the old battery.

The hard part was looking up what the error messages meant, finding the right battery for my model at a good price, and looking up online instructions on how to replace it. I am so proud!

I'm not just a fancy stitcher after all. LOL

Hugs from your Master Enabler and part-time mechanic in Chilly Hollow

Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, July 13, 2008

Book Reviews


I try to stitch each night but often I'm too tired (or too wound up) from work to attempt anything that needs concentration. On those evenings if I don't have tent stitching to do I try to read, and luckily for me, there are always books on needlepoint or other types of needlework I've not read. Recently I acquired or borrowed three new books that I've been browsing when I really am not going to be able to stitch. I've done pocket reviews here, to help you decide if these are books you want to read yourself. After all, not everyone is going to be interested in the topics I've been reading about. But before my first mini-review, let me remind you to check your local library for books on needlework. I've had hours and hours of great fun with books I've checked out here in Virginia and in Massachusetts. And if you have books you want to get rid of, I urge you to think about donating them to your local library. They never have enough money to buy everything but your books might fill a hole in their collection nicely and give access at no charge to something in your collection long after you've forgotten you ever owned that book.


Bargello Revisited, by Janet M. Perry


I'm not really a fan of bargello. I know it is supposed to be popular now, but my tastes don't run to abstract op art and many of the patterns really need a good amount of space to develop. It's just not my thing. Still, when a friend offered to loan me her copy of "Bargello Revisited," I was curious enough to take her up on that offer.


"Bargello Revisited" is a project book. It has charts for 33 different patterns, some simple shapes to use as templates which you can fill in with the pattern of your choice, and brief chapters at the beginning of the book which introduce bargello stitching, talk about suitable threads and choosing colors, and give you tips on avoiding problems, particularly problems with vertical bargello stitches not covering your canvas well.


There are color photos of each project in finished form, but the charts of the patterns used in the projects are in black, white and gray. And that is the main problem I saw with this book-I had a very hard time seeing the differences between the black and the dark grey lines in the charts. I am chart-challenged anyway and I think if I'd not read many other books on bargello, I would have had trouble following things I could not see well, particularly since the author doesn't mention the very basic tip that one should start a bargello pattern in the middle of the design and either work one long row from one side to the other, or start in the middle and work out to one side and then work to the other, to set up the pattern. These two points alone make this a book I wouldn't recommend to a beginner, although if you are mad about bargello you'll want to at least look at this book, especially if you can't find any of the splendid bargello books that came out in the early 1970s.


Here is Janet's website. If you browse her blog you will see some bargello pieces, many of which are projects in her bargello book.




The simple patterns in "Bargello Revisited" might work well for someone who wants to teach another to do bargello and is looking for a variety of basic patterns in simple colors for their student to choose from. But if you want to teach yourself bargello, I'd recommend that you hunt used bookstores for the Gloria Katzenberg's "Needlepoint and Pattern: Themes and Variations." It is an exceptionally clear book with excellent diagrams and tips on using the patterns in needlepoint projects. If you want eye-popping designs in dazzling color schemes, try to find Dorothy Kaestner's "Four Way Bargello" (there is an original and a revised edition). She also wrote "Bargello Antics" which I have not seen except that it was for sale on eBay. The cover of that book illustrates this article to give you an idea of the patterns in the Katzenberg books. They aren't going to be everyone's cup of tea but the world of needlework is huge, and the choices of type of designs you can stitch endless.


OOOOOH: The Essentials of Ribbon Needlepoint with River Silks, by Paul F. Krynicki


Speaking of varied choices, my next book is from the River Silks ribbon manufacturers. It was written to promote their ribbon which I've seen and used and which is particularly well suited for needlepoint. There are a great many books on silk ribbon embroidery (called SRE by those who love the art) but this book is different in that it is geared toward folks who want to use silk ribbon on needlepoint canvas. All the other SRE books I've seen are for embroiderers working on fabric grounds. I can't say that this is a reason to buy this book instead of any others about SRE, but you might disagree. The strength of this book is the illustrations. I defy anyone to look at all the lovely colored photos and not want to try a little SRE on one of their canvases! And my copy of the book came with a card of River Silks ribbon and a large piece of canvas to try some stitches on which is a very nice touch.


Each chapter in the book talks about a different type of stitch done in ribbon. SRE has specialty stitches you won't have seen before which are done a certain way due to the properties of silk ribbon. Some of the directions are very explicit, some are not. If you need step-by-step hand-holding to learn, you won't always get it from this book. Sometimes I had to study the illustrations to understand how to get the effect described. If you have trouble doing this, you may find this book frustrating at times.


If you just want an idea how to do SRE, you'd save money by Googling the topic and reading many of the free instructions on the Internet. If you just want to see pretty pictures of SRE, visit River Silks' website which is full of images on every page.




But be warned, SRE is addictive and the River Silks ribbons lovely (although the dye lots seem to vary a lot so buy what you need at one time). I'm probably never going to stitch an entire NP canvas in SRE--which would be Too Much for my tastes--but I love adding finishing touches with silk ribbon in my pieces. I can't say this book is a Must Buy for people interested in silk ribbon stitching but it is inspiring and promotes a great product and it is the only SRE book geared specifically toward us needlepointers.


All That Glitters: Projects Featuring the Techniques of Goldwork and Stumpwork, by Alison Cole


Alison Cole is an Australian embroidery teacher who is well known for her goldwork which uses stumpwork techniques to create 3-D images of great beauty. This is her first book and it's a winner! The illustrations alone, both the large shots of the ten projects she profiles in this book and the closeups, are gorgeous. But this isn't just a pretty face--the book's first chapter talks about metallic threads, the various frames you'll use, the types of padding necessary, etc. in great detail. The second chapter goes over the basic stitches and techniques used in goldwork and stumpwork. Neither chapter is long but they both seem very comprehensive to me. Be warned, though--I know only the basics about goldwork and stumpwork. If you are very experienced, you may not need this book unless you fall in love with the projects profiled like I did.


The vast majority of the projects are traditional florals although she includes an abstract and two nature scenes. There is an underwater piece with a seahorse and snail that's a knockout and she does a dragonfly on a tall weed that has to be seen to be believed. To me the most interesting project was her Or Nue pieces. She took four flowers mentioned by Shakespeare and stitched them in the Or Nue manner, making sure she made circles and waves in the gold she couched as well as using the couching thread to sketch the flowers in on the gold lines. I have never seen Or Nue done this way and I was entranced.


I am not sure this book is going to appeal to everyone, particularly folks who don't like flowers or nature patterns, or folks who already know a great deal about goldwork and/or stumpwork. Also, some projects look quite hard for a beginner although the instructions were excellent. But I was charmed and thrilled to own this book and I can't wait for Alison Cole's second book "The Midas Touch" to come out. Here's her website so you can explore more of her work and decide for yourself if this is a book you can't live without.




I hope these book reviews will help you decide whether you want any of these books. After all, you could be spending that money on a painted canvas instead! LOL


Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, July 12, 2008

I Can't Get Away With Anything!

Yesterday Marj noticed that I'd screwed up the description of Rainbow Gallery's line of silk perles that are in the same colors as their Splendor, which is their silk floss line.
I bought Grandeur, which is the size of #5 perle. That would work on 18 count nicely except it doesn't look good next to my two plies of Mandarin Floss when both threads are doing tent stitches.

I should have bought Subtlety (#12 perle, the smallest size) but the counted thread shop doesn't carry it or Elegance, which is the middle #8 perle size. Hope I didn't confuse anyone!

http://www.kelseys-needlekrafts.com/Rainbow.htm

And on another topic Pat noticed that I've added a new feature to the Blogspot blog--a list of blogs I like to read with the latest title and time it was updated. Hopefully this will tempt more of you to look at other blogs and see what other folks have to say about their needlepoint.

Not much needlework is going on in Chilly Hollow this weekend but if I'm not too pooped tonight I'll continue to tent stitch the lily pad leaves around the goldfish.

Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, July 11, 2008

You Might Have Noticed...

...that there are four identical entries on my Yahoo 360 blog yesterday. I can't get rid of them. Yahoo seems to be having trouble. Once I can delete the three dups, I will.

While I stand around glaring at Yahoo 360, you might want to head over to The Silver Needle and check out their Scream House, which is an etui from Just Nan. It has 18 sides! Open it up and you'll find ghosts and goblins galore, not to mention a hilarious pumpkin pincushion.

I've seen some beautiful etuis and sewing tool cases in this area as the sampler folks love designing and stitching them in traditional sampler style, but this is a rarity-a funny one! I think it is charming and thought you all would enjoy seeing something different.

http://www.thesilverneedle.net/just-nan-crossstitch.php?Reloaded=True&osCsid=539b0e5e71b718c73ac4b50b83245d86

Speaking of Halloween, I have picked up various fabrics to finish the Halloween trick-or-treaters stocking. I have a pretty purple satin and a see-through fabric that has Trick or Treat in orange lettering that I plan to put over the satin. I also bought a lovely blue satin that is the color of the water in the goldfish ornament background. It is embossed with round mandala motifs and I think it is perfect for the goldfish when I finish him. I'm still planning to put the NP canvas over a mirror and then cover the back with fabric. He will come to work with me and live at my desk to give me something special and personal to decorate my work space.

At least, that's the plan! And you know how the best-laid plans often turn out!

Before I go, Anne S. mentioned that she'd been told the best way to work David McCaskill's water stitch is to turn the canvas and directions 90 degrees and work the water in vertical stitches instead of horizontal. Thanks for the tip, Anne! I'll try this over the weekend when I stitch more water background.

Main blog at http://blog.360.yahoo.com/chillyhollow

Thursday, July 10, 2008

Oops!

Last night I picked up the goldfish to do a little tent stitching on his lilypads. Saturday I visited the counted thread place not that far from my house because they were having a sale. I needed a dark medium green for the lily pads and although they didn't have the right green in Splendor or Mandarin Floss, I was able to pick up a card of Rainbow Gallery's Grandeur. Grandeur is a silk perle and because both it and Splendor are from Rainbow Gallery, the colors are identical. You can sometimes get a silk floss and a silk perle in the same color for unusual and special effects on a design. I am not doing this here but you can. Just saying....

Anyway, I pulled out my green Grandeur, took three tent stitches and stopped. Remember how I was tent stitching this leaf with two plies of Mandarin floss in the olive green? The Grandeur was too fat! It made my tent stitches in dark green much higher and fatter than the olive green ones in Mandarin floss. Oops!

Today I'll hit up the crafts emporium with my card of Grandeur (which is about the size of a number 8 perle cotton) and see if I can find a skein of DMC in the right shade. If I had a brain in my head, I would have bought a card of Rainbow Gallery's Elegance, which is the size of number 12 perle and much thinner, and tried to match the tent stitches in Mandarin Floss to that.

But I am an idiot. Oh, well, live and learn!

By the way, I have a card of medium blue Grandeur that's also too fat for the water. Double idiot. LOL

Main blog at http://blog.360.yahoo.com/chillyhollow