Sunday, February 22, 2009

Review: Amy Bunger's "Barely There" DVD

Over the last week I've been watching a review copy of Amy Bunger's newest DVD in the How'd You Do That? series sent to me by Amy's webmistress and film editor, Robin King. Robin sent this on a no strings attached basis so that I could watch it and report on what these are like for you. Since I have never seen one of the videos for sale locally (they must sell out as soon as they arrive) it fills a hole in my needlepoint experience. So thanks, Robin! Blog's readers and I greatly appreciate your doing this.

The video I've watched twice now (once on my laptop and once on the TV using its DVD player) is number six in the series--"Barely There" which has just come out. It is all about light coverage stitches. You know how I love those! So this was exciting to receive in the mail. I have to admit I don't associate Amy Bunger with light coverage stitches. I think of designs with many patterns, a lot of color and fancy stitches, not the light coverage stitch hint of pattern I like to attempt on my canvases. I think of something like this--something over the top and fun, but not subtle.
http://www.amybunger.com/albums/album_image/6262614/3783960.htm

So I popped the DVD into my laptop prejudiced against how much I'd enjoy the program already. I admit that.

The DVD comes in a plastic case with a paper jacket just like the ones in the movie rental store. Heck, it is just like any other DVD. You can play it on your television or in any computer that has a DVD player. The opening title page allows you to either play the entire show or to choose just a chapter on a certain topic. This will make it easier to replay a section later when you want to review what Amy said. (Note: CDs and DVDs are two different animals. Make sure your computer or TV can play DVDs before investing in any of Amy's DVD series.)

"Barely There" starts out with an introduction by Amy herself. She seemed to speak very slowly to me, but after a bit I realized that this is a deliberate speech pattern from a very experienced teacher who knows that folks can't always follow what she says when they are concentrating hard on seeing new things at the same time. My feeling quickly vanished when Amy introduced the canvas stitched to demonstrate the techniques she explains in the video, the long Julia's Needleworks vase canvas shown in the link below. I became so interested in the types of stitches Amy uses for each vase that I forgot she was not running at the mouth like us hyper Southerners do.
http://www.juliasneedleworks.com/gallery2/gallery2embedded.php?g2_itemId=2390&g2_imageViewsIndex=1

As she talked about various types of light coverage stitches (shadow stitching, darning stitches, blackwork, etc.), I quickly realized that I was wrong Amy rarely used these techniques in her stitching. It is just hard to tell in photos that the patterns you see show the beautiful painted canvas below them and incorporating the shading into the design. This daffodils piece stitched by Robin with Amy's suggestions uses a great many light coverage stitches on the flower petals. You just don't notice them because of the intense dark background and the ribbon details of the flower centers. After all, light threads on light background colors don't photograph in good detail.
http://www.amybunger.com/albums/album_image/6262614/4792628.htm

I have to say I was really impressed by "Barely There." Amy clearly understands the major issues that confront anyone who uses light coverage stitches on painted canvases -- how to anchor threads securely without the tails showing, how to handle the transition at the margins between different light coverage stitches, and how to camouflage the threads on the back of your design when there isn't enough thread on the front to hide the threads connecting various areas. She demonstrates each problem and how to deal with it as she walks the listener through the various techniques she describes. There are lots of completed projects illustrating Amy's points, and at the end of the program ("Barely There" is 55 minutes long) there are credits that tell you which designer created the canvas so you can order if you fall in love. There are also credits for the stitcher and/or stitch guide writer, which is a nice touch. I enjoyed the music in "Barely There" which was pleasant but not intrusive. Robin tells me the music is original, created with GarageBand. Amy does promote her Cookbook series a bit in the DVD when she credits folks like dede Odgen who uses shadow stitching a lot and even has a book out about it. But the self-promotion is subtle and I was so impressed Amy gives credit where credit is due that it didn't bother me. Not every person in the industry is so scrupulous, you know.

I learned several new things from the DVD even though I have used light coverage stitches quite often in the last five years. Amy obviously knows needlepoint inside and out. However, I can't unreservedly recommend "Barely There" or any other DVDs in the series because of the cost. $38 will buy you a copy of most of the nice stitch books available today and I personally will flip through a book many more times, noticing something new each time, than I will watch a DVD. You can easily find something you want to see again in the DVD by using the chapter selector at the beginning of the program, but how many times will we do this?

Of course, if you learn better by watching, you will definitely find Amy's How'd You Do That? series worth your money. I also think if you go in with friends and buy a DVD to share, it will be worth the money to buy any of the series that particularly interest your group. The DVDs will make fantastic guild programs, particularly if there is a follow-up program where members bring in painted canvases from their stash and talk about whether light coverages stitches will work on their designs, where and why, and why not. My ANG chapter has almost all the series and checks them out to members which is a fabulous idea. I'm going to get on the waiting list right away.

You can see all the How'd You Do That? videos on Amy's website. They cost $38 plus shipping there, and are in the $38-40 range at many other online shops. I'm sending you to Amy's website because naturally you can see all the videos available there. Not all shops will have all of them in stock.
http://www.amybunger.com/DVDs.html

If you want to view before you buy, there is a snippet from "Mop Tops and Buzz Cuts" DVD#3 available for watching at the link below. It is very representative of what I saw watching "Barely There"--an introduction by Amy herself and then an excellent close-up of her stitching an eyebrow and explaining what she is doing and why, along with alternative threads you might use depending on the look you want and what is available in your local shops. There are also nice close-ups of finished pieces that show off the various techniques for stitching hair, beards and eyebrows covered in this DVD.
http://www.amybunger.com/YouTube.html

To sum up, Amy Bunger's DVDs are a fantastic resource from someone who knows her subject inside and out. They aren't inexpensive and may not be something you'll watch over and over, but they are perfect for group viewing and discussion. And I guarantee you'll want to buy a second DVD once you watch one of these.

Jane, now pondering whether to buy Fur or Hair here in CH while I watch "Barely There" for a third time, just for fun

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

February Stitch of the Month - Glittering Kimono


I must say the Headmaster is keeping us on our toes with the first stitch (February 2009) of ANG's Stitch of the Month program.
http://www.needlepoint.org/StitchOfTheMonth/2009/feb.php

It's called Donahue Stitch and is new to me. I found it a bit tricky to compensate, even though I started working it across the middle to learn the stitch. I did some test stitching on a scrap of congress cloth before actually tackling the real piece but it was still a bit tricky for me to master. Practice makes it easier, though, and after about 6 rows I understood what I needed to do.

You'll remember that Mr. Minieri's model is stitched on 18 count canvas with three plies of silk floss for stitch one. I mis-read the directions to say four plies and since I am using congress cloth I thought three would cover. But when I started stitching, the pattern looked lumpy and uneven despite my using a laying tool. I've discovered lumpy and uneven stitches no matter how hard you are trying are a sure sign you are using too many plies, so I ripped out the rows I'd done and threaded up with two plies. The result is above, a nice smooth pattern. And I re-learned a lesson about reading charts--read them CAREFULLY!

Luckily I did manage to turn the canvas on its side before starting to stitch but it was a near thing.

Please note that I made sure the bottom hem of the design is 6 threads tall. To do this, I started my Donahue Stitch right on top of the line dividing the bottom of the Feb. stitch from the hem. The only part of the design that has to meet Tony's specs exactly is this hem, the cuffs on the sleeves, and the trim running down the front of the jacket from the collar to the hem. Each has to be 6 threads wide or tall (except the hem is 12 threads since two pieces of trim meet). As long as you watch and count there, you can adjust every place else.

Stitch one has already taught me a new stitch, enabled me to show off that I know when to be careful, and demonstrated to us all the importance of paying attention when reading directions. Many thanks to ANG and Tony Minieri for enabling me to demonstrate that I'm an idiot in public! LOL

(Seriously, this is going to be fun!)

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

French Knot Newsletter Fun

The French Knot has posted their latest shop e-newsletter, full of treats like project bags with their logo, a Santa ornament that has him wearing buckskins, photos of the new Associated Talent carrot canvases made up with ribbon tops, new books, a standup stocking for those who don't have something to hang a needlepoint stocking from and more.
http://www.thefrenchknot.com/newsletter.html

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Saturday, February 21, 2009

Gathering Ingredients


Yesterday's mail brought a special treat--a shipment of Gloriana threads from Needle in a Haystack. I ordered three of the new 2009 colors sight unseen, thinking I would use one for ANG's Stitch of the Month (SOTM) program. Hey! It's a kimono design by Tony Mineiri! What's not to like!?!!!
http://www.needlepoint.org/Stitch.php

The photo above is my new skeins. From the top down they are Green Tea (a lovely very pale yellowish green), Peacock Green (not new but I'll explain what it is doing there in a minute), Old Gold (a lovely faded gold that is more elegant gold than harvest gold) and Peacock which I've unwound to show all the colors. As you can see Peacock runs from terracotta to mauve to violet to purple to blue to teal blue to green to yellow-green to olive green. This is a very good overdye to pick colors from because there are so many shades to choose from.

The reaason Peacock Green is in the photo is that before I unwound my new skein of Peacock, I thought Peacock Green matched the color of green in Peacock. But once I opened my skein and looked at it, Peacock Green is too Kelly Green to look good with the greens in Peacock. I also didn't realize there was so much terracotta or see any olive green or yellow in the skein until I opened it. You really can't judge what an overdyed thread is really like until you unwide the skein and take a good look, so don't pick your colors if you are working from an overdye until you can actually see the overdye colors laid out for you untwisted from the skein.

Now that I have Peacock as my overdye for my Glittering Kimono project, I have to pick three colors from the skein. Tony Minieri describes the types of thread I need thusly:

Color A--one stranded silk, one Vineyard Classic, a Fyre Works Soft Sheen, one color of Kreinik in #8 and also in #16 braid, and a blending filament or Accentuate. Because I am working my design on 24 count congress cloth, not the 18 count NP canvas called for in the design, I am going to have to use smaller sizes or fewer plies. Right now I have a sranded silk, a skein of Impressions, a Fyre Works Soft Sheen, and two Kreinik colors, both in #4 braid, and an Accentuate.

Color B--one stranded silk, one Vineyard Classic, a Fyre Works Soft Sheen, a Mandarin floss to match the color of the background canvas (I'm using ecru congress cloth), and a #12 braid. I have a stranded silk, a skein of Impressions (and a card of silk perle), a Fyre Works Soft Sheen, a card of Mandarin floss in ecru, and a spool of #4 Kreinik. I might use Impressions one place and the silk perle another, depending on the stitches. I probably will double the #4 Kreinik and make it the size of #8 since #12 Kreinik is probably a bit large on congress cloth.

Color C--two shades of stranded silk, a spool of # 12 Kreinik and one of # 16 Kreinik in the same color, and Accentuate. Again, I'm going with a smaller size of Kreinik (I have two shades of #4 but haven't decided which I'll use) and have two shades (a dark and a medium) of Color C. I may use my #12 braid in Color B instead of doubling up my #4 Kreinik.

Can you tell this will be a work in progress? LOL

I deliberately didn't mention the colors I choose to use from my Peacock overdye. I pulled all the thread types I could find in all the colors listed above (from terracotta to olive green) and then eliminated the ones I didn't have much variety in. I ended up with mauve pink, plum purple and blue and matched what threads I had to the requirements again. Since I had two pretty plum shades of silk I made that Color C. Color B ended up being blue since I had a #12 braid in blue that looked good with my silk and Impressions. So Color A is the soft pink by default. With some manipulation (my Accentuate is between mauve and pink so I'll use the same color for Color A and C) I think I can do this without buying any more threads.

I hope those of you stitching this are encouraged by my not having exactly what I needed and making do. You can also. Some of us don't have shops nearby and some of us are trying to be thrifty but we all can study with Tony if we think about thread requirements and what substitutes will work.

By the way, ANG is trying to get a charted version of Tony's kimono outline to post on the website. Hopefully this will work out so that those who are very frustrated with tracing a design from a pattern that has to be enlarged can participate in this fascinating program.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow

Friday, February 20, 2009

Happy Dancing All Over

I'm not getting much done in Chilly Hollow due to my work obligations but there's a whole lot of stitching going on the Blog-o-sphere.

Barbara Bergstein has just finished her mermaid canvas (see Feb. 18, 2009) for a purse and has started a seahorse (Feb. 20). Her seahorse posting is especially interesting as she talks about the things she must consider as she chooses threads for this new project. You might enjoy scrolling down and reading about the Silk Lame thread (mermaid tail) and Boucle thread (mermaid's blonde towsled curls) she used on the mermaid project as well. Lots of fun going on at Barbara's blog!
http://createneedlepoint.typepad.com/

The Linda half of the Stitching Sisters just got her latest project back from the finishers--it's an amazing stitching toolbox. This you have GOT to see!
http://nystitchingsisters.blogspot.com/2009/02/stitch-is-finished.html

Anne Stradal has posted another tutorial on blending colors for a sky on her Cape Stitcher blog. It shows off one of her beautiful lighthouse canvases very well and tells you something of its tragic history.
http://thecapestitcher.blogspot.com/2009/02/mississippis-lonely-lighthouse.html

Finally, Pat has finished her Tudor Dog in the household pet guardian angel series. It will go off with its brothers and sisters to the ANG Auction in Milwaukee next fall to raise money for ANG programs. Someone is going to love this as much as I do! Thanks, Pat. Your dog and rabbit are simply beautiful.
http://needleartnut.blogspot.com/2009/02/royal-angel.html

Hopefully I'll get some stitching done this weekend so I can add wonderful items to Blog also.

Jane/Chilly Hollow
Main blog at http://blog.360.yahoo.com/chillyhollow