Monday, May 10, 2010

Finishing the Blue Bow


Yesterday I finished the last of the background stitches on my little Blue Bow canvas.  I forgot to tell you that the center of the bow was done in skip tent stitches so that I could add size 11 crystal hex beads (Sundance's color H250 ) attached with a doubled strand of my blue silk to the center.  This makes it a little jewel-like.  As I've said before, I think this design would be gorgeous completely covered in beads and then made up into a pin to wear but since I want it to be a name tag for a special present, I wanted a little less glitz.  Skip tent with beads is the perfect way to add just a little gleam to a piece.  Here's a close up of yesterday's photo so you can see the beads in the knot.  Again, these are clear beads.   The color comes form the thread that attached them to the canvas and from the painted canvas under the clear bead.


To finish the piece, I carefully cut the design out, leaving one bare thread all the way around.  In the photo at the top of the page, you see the cut out canvas lying on the blue Ultrasuede that will back the piece.  Yesterday I put Joann's Tacky Glue all the way around the outside on top of the bare canvas thread, then put a length of Kreinik #12 braid (color 3228 gold) on top.  The Kreinik has a loop already tied in one end to hang the tag with.  This dried overnight while I embroidered my mother's name on the Ultrasuede to make it a real name tag.


I glued the Ultrasuede to the back side of the needlepoint canvas, right sides facing out and left it to dry with a weight on top.  Once it was secure, using my sharpest embroidery scissors I cut the glued  name tag away from the main piece of Ultrasuede.

I think it turned out very well.  Mom can hang it on a perfume bottle on her dresser, use it as an ornament next Christmas, or just use it as the zipper pull on one of her tote bags.  SharonG suggested I put a pin on the back so she could wear it but I finally decided with the loop it wouldn't look right.  So I didn't.

I am very pleased with this quick little projcct.  It makes an outstanding gift tag!

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Sunday, May 9, 2010

Canvas of the Month: Jane's Wisteria Fan


This month's Canvas of the Month is from Lee and it was chosen by Bonnie (we take turns picking a design for this Blog feature). It's one of Lee's fan canvases, the Wisteria Fan F743. We don't know the size of this canvas or what count it's on, but I will assume it is an 18 count piece for the purposes of choosing threads and stitches.
http://www.newleesneedlearts.com/files/catalog/f/album/slides/F743.html

There is a matching wisteria kimono canvas, which Ruth Dilts has done an amazing job stitching. You can buy the kimono canvas and Ruth's stitch guide (written with Joan Lohr) via your shop. Here's a photo of the matching kimono canvas.
http://store.apneedlearts.com/kimono.html

Jane's Wisteria Fan:


I decided I wanted to stitch this beautiful piece without using Silk Ribbon Embroidery.  That's going to be hard as SRE is the natural choice for such a lovely piece, but Blog is all about exploring painted canvases, so I decided to try to come up with something totally different.  I hope I succeeded.

This canvas has four distinct areas:  the wistera flowers, the stems and leaves, the background, the black stick and the brown handle at the base of the fan.  Starting at the bottom with the brown handle, I think I would use a thin wool thread like Burmilana, Appleton crewel or Gloriana's Lorikeet (or J. L. Walsh's silk/wool blend if you can get it at your local shop) to work Baby Blanket stitches in the brown handle triangles.  

Baby Blanket can be found on page 23 of Julia Key H. Snyder's book, Backgrounds and Such.  It is just a row of long diagonal stitches tied down at each thread intersection with a tent stitch followed by a diagonal row of reverse tent stitch.  Fill the entire area with these two diagonal rows, alternating them.  You can use more plies of the thin wools for the long stitches and fewer plies to tie them down.  You'll get texture in this area which is appropriate for something that is likely to be rougher than the paper fan itself.  Skip the gold lines until the brown stitches are in, then couch a line of antique gold colored metallic (I would use Kreinik's #16 braid in Vintage Gold 002V couched down with #4 braid in the same color).  Use the same thread to stitch the gold brads on the black stick once you have it stitched.  

For the shiny black lacquered stick, we need a shiny thread.  I think I'd choose Sparkle Rays in black and stitch the stick with tent stitches, then add the gold brads on top with the Kreinik used for the fan handle lines.  I am not sure what shape the brads are from the photo, but they need to be raised a bit, so perhaps a Smyrna Cross would work.


For the background I would carefully choose three shades of lime green in silk or cotton floss to match the canvas and tent stitch the whole thing, making a careful transition in colors.  If you use 4 plies for your tent stitches, you could work from 4 plies of the dark lime to 3 plies of dark lime plus one ply of medium lime, to 2 plies of dark lime plus 2 of medium lime, etc. to introduce beautiful gradual shading to this piece.  

Once the background is finished, I'd choose Mandarin Floss in darker greens and browns for the stems, curly vine and the leaves of the wisteria. (Don't forget to stitch the stems of the flower clusters.)  I love the natural looking greens and browns in the Mandarin Floss line. Packed stem stitch would make lovely bark, then you could use slanted stitches for the leaves and couch a line of black or very dark green perle cotton for the tiny twining vines.  

Only the wisteria blossoms themselves are left to be stitched.  These come in lovely shades of blue, of pink and white, and of purple.  This is the perfect place to use a silk or a silk/wool blend.  Stitch the small buds at the bottom of the flower sprays in all tent stitch.  To create dimension in the larger flowers, I think I would stitch the bigger back petals in brick stitch (over two threads) and the front smaller areas in tent.  

Then I'd go back and put a lazy daisy stitch around the perimeter of the larger petal areas to make them stand out.  Position the base of the lazy daisy at the base of the petal and the tie down stitch at the tip to make a sharp point.  Shape your lazy daisy stitches to fit the shape of each petal.   Use the same thread whether you are doing a tent stitch, a brick stitch or a lazy daisy stitch.  Or you can go fancy and use a metallic thread like Silk Lame Braid for the lazy daisys to add a bit of gleam to the canvas.  It's a fancy fan, after all!

Hope you enjoyed this lovely Lee design.  It's a classic!


Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Canvas of the Month: Bonnie's Wisteria Fan



This month's Canvas of the Month is from Lee and it was chosen by Bonnie (we take turns picking a design for this Blog feature). It's one of Lee's fan canvases, the Wisteria Fan F743. We don't know the size of this canvas or what count it's on, but I will assume it is an 18 count piece for the purposes of choosing threads and stitches.
http://www.newleesneedlearts.com/files/catalog/f/album/slides/F743.html

There is a matching wisteria kimono canvas, which Ruth Dilts has done an amazing job stitching. You can buy the kimono canvas and Ruth's stitch guide (written with Joan Lohr) via your shop. Here's a photo of the matching kimono canvas.
http://store.apneedlearts.com/kimono.html

Bonnie's Wisteria Fan:

I have a small collection of fans – most which are paper fans that I purchased when I was young. I have always been drawn to them, thus the ‘call’ of this canvas to me.

I would start with the wisteria. I have seen a couple of wisteria pieces that were all beaded for the flowers – they were gorgeous. So that is a great idea, but I would try another direction. I think a strandable silk like Splendor would provide a great sheen for the flowers. Long and short stitches would work and allow the rounded edges to not be a headache. Make sure the stitches all angle towards to base of the flowers. An overdyed thread would be great to make the flowers more realistic if you can find the right color combinations otherwise just make your own shading as you go with the long and short stitch. If using overdyes I would reverse the strands in the needle so you don’t get striping, but blended colors.

Leaves would be done in a cotton overdye to give them a little depth in color, but the cotton would make them recede behind the flowers. A feather stitch would work great for the leaves or a leaf stitch if you didn’t want the center vein of the leaf. The stems would work great in a stem stitch with the same fiber. For the tendrils I see a couple of choices. A perle cotton couched with a single strand of floss would allow the couching to disappear and the twist of the perle cotton would emphasize the twist of the tendril. A whipped backstitch with a floss would also make a wonderful twist.

Lastly for the wisteria part of the canvas you have the branches. My first thought was to do a padded stem stitch band with wool, but I am concerned that would make the branches too prominent compared to the flowers. So I would try the same stitch with no padding or maybe switch to filling the branches with stem stitches. The thread with some wool provides the third texture in the wisteria – the flowers, leaves and trunk are all different!

Next I would tackle the background. This part was tough to come up with a stitch that would work. I originally wanted to do a darning pattern, but stitch direction is an issue. So I needed to find something that didn’t have a strong direction look to it when done. I think I would try a single strand of the light green color floss or a very subtle shaded overydye, so most of the wonderful shaded color would come from the painted canvas not the thread and stitching. For a stitch I would try a four way continental, a little wavy stitch or maybe a reverse basketweave would give a nice fabric look.

The bottom part of the fan would look great in a cotton overdye to give it the wood look. I would try a knotted stitch breaking the stitches at each of the divisions. The three sections on the right would be angled one way and the ones on the left in the opposite direction. Remember the sections at the bottom are reversed from the ones at the top!

Lastly we have the black edge. I am thinking a simple tent stitch in black silk. A Smyrna cross with Kreinik metallic would work for the brads. Depending on how you plan on finishing this you may want to complete some of the white area with a darning pattern of some sort with a light coverage thread like floss or #12 perle cotton. That completes this great fan!

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Saturday, May 8, 2010

Pears, Beads, and Backgrounds


Yesterday I got quite a lot finished on the little blue bow canvas from SharonG thanks to a wait in the dentist's office.  I first tent stitched the deep blue bow interiors using 4 plies of cotton floss from Carrie's Creation.  The color is Royal Blue.  Then I outlined the ribbon edge using Kreinik's holographic gold 002L in size 8 braid, again in tent stitches.  Moving on to the rest of the blue ribbon and bow, I used an overdyed silk perle from Gloriana for the darker blues and a cotton perle from House of Embroidery for the lighter blues, manipulating the colors so that the right part of the overdye shades fell in the right areas.  Both perles were roughly size 8.  The Gloriana silk perle was a test dyeing of a blue shading into purple overdye a friend got from the owner of Gloriana for me so it's not something one can buy.  The cotton perle from House of Embroidery was a set of three perle threads (black, the overdyed blues I used here, and a pretty solid sky blue) sent from South Africa that aren't numbered as to color, but Morning Glory looks a lot like the overdyed perle I used on this canvas.
http://www.houseofembroidery.com/col_chart/perle.asp 

Once the bow was finished (all in basketweave or half cross stitches), it was time to move to the background.  I originally intended to just add beads here, and using a long doubled strand of gold Accentuate, I added the beads along diagonal rows.  The beads I used are from Sundance and are small, round and very pretty.  They are size 14 and color 465.  I love them! They look just like the round candy nonpareils you can get to sprinkle on cakes.

Once I had most of the beads in, I realized that they didn't look good on bare canvas, so despite how much I like the white iridescent look of the canvas, I started basketweaving the background using Kreinik's 032C, which is the opalescent white in cord.  I will finish the basketweave today and start the finishing of this small piece into a name tag for a special present for my mother.

I'm sure by now you are wondering where the "pears" of the title come in.  Actually, I discovered from the Needlepointer's latest email that Kelly Clark has a pear club page on her website that shows photos of all the canvases in this monthly canvas series she is running, and tells one which shops are participating.  I thought you'd like to see it.
http://kellyclarkneedlepoint.com/clubs_pear

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Friday, May 7, 2010

The Blue Bow Gift Tag



Instead of working on Stars as I had planned, I pulled out a tiny SharonG canvas from my stash. It's called Blue Bow MB22 and is from the Clasp Act series of tiny 18 count canvases designed to be put on the front of a purse as a magnetic clasp.  You can see photos of a finished purse on the SharonG website on the Clasp Act page with some of the other tiny canvases in this series.
http://www.sharong.com/catalog/mb/index.html

Blue Bow is almost 2 inches high and 3 inches long.  It isn't going to take very long to stitch.  It would be gorgeous stitched entirely in crystal beads (except for the gold dots in the background which should be done in gold beads) but I'm going to go more traditional and tent stitch the blue bow and leave the background mostly unstitched.  You can't see it from the photo, but the background is the white canvas with sparkling iridescent white threads woven in.  I want to leave that bare because it is so lovely.  I put the canvas on 5x6 stretcher bars last night and pulled threads for it.

I plan to finish this as a name tag for a very special present.  Canvases that are meant to be stitched as gift tags or name tags for a Christmas stocking are starting to show up in painted canvas lines.  Here is one from A Collection of Designs.  They call them Sock Tags.
http://www.amybunger.com/catalog/item/6258806/7869457.htm

Blue Bow is the tiny cousin of a series of SharonG larger wrapped package canvases.
http://www.sharong.com/catalog/giftbow/index.html

My friend Pat is stitching the Hearts of Love design.  Seeing how lovely hers is turning out convinced me to stitch my tiny version.
http://needleartnut.blogspot.com/2010/04/hearts.html

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow