Wednesday, July 16, 2008

Aladdin's Cave Open for Business UPDATED


My "local" shop, Needlewoman East, finally has a website. It's not much--just one page with their address, hours and trunk shows--but please note that the Christmas in July sale starts tomorrow!

http://www.theneedlewomaneast.com/Welcome.html

It's a terrific shop, full of painted canvases, threads, tools, books and charts, not to mention the helpful and pleasant staff. Maybe I'll see you there?

UPDATE: I'd added photos I took during my brief visit to the sale, but I'll not be talking about the things I bought since they are mostly threads for the next project. I think I'd better finish what I'm working on now before starting something new.

First, let me introduce the new owner of Needlewoman East. This is Liz, former investment banker, now the Aladdin who stocks this cave with treasures for us all. Liz is an avid needlepointer, and somewhere there's a large Melissa Shirley canvas of an old four-masted schooner that Liz will stitch one day.


Not to worry, though. Sue Jennings, the former owner of the shop, was present to dispense hugs and advice to all the stitchers who were rampaging through the shop. See? This is Sue's car. The bumper sticker reads "Don't just sit there-needlepoint!" Retired Sue may be, but she's always going to be a stitcher at heart.




I didn't just talk to shop owners and cars, though. I also ran into the counted thread designer Ruth Dits, who was kind enough to pose for a photograph for me. She's holding her latest design, Mystic, which I was astounded to see doesn't use any metallic thread to achieve the sheen and elegance I saw at Woodlawn when Ruth exhibited the model. It uses beads and Panache (the nylon thread I used in Autumn Leaves which I like) to look this gorgeous.






You can see a better image of Mystic on Ruth's website. This is a lovely design and at $12 for the chart package, a bargain!

http://www.ruthdiltsdesign.com/newest.html

Finally, I'll leave you with the trunk show, a wall and table covered with Mindy designs. You can see these better on her website but they are too pretty not to show off.



I had a wonderful time and can't wait until Christmas comes in July next year!

Tuesday, July 15, 2008

July 2008 Chilly Hollow Newsletter Article

Everyone has heard of Harry Potter these days. Whether you are a fan of the books or not, you probably know someone who loves the series. So I thought I'd look for Harry Potter designs. I found help here at this blog discussion about HP and cross stitch. And the second link is a shop that advertises Harry Potter needlepoint canvases in stock although there are no pictures.

http://www.tangledthread.com/stitching-harry-potter/

http://www.barbarasuebrodie.com/needlepoint.html

Probably due to copyright reasons, I didn't find any needlepoint canvas photos but in the world of knitting, there are many "illusion" patterns all about Harry and his world. Illusion knit patterns are designs that are abstract from one view but that turn into a pattern from another view. I bet one could needlepoint these charted designs but I haven't tried it myself.

Here's an illusion Hedwig washrag (that's Harry's pet owl).

http://www.freshislefibers.com/Patterns/Hedwigillusioncloth/Hedwig%20Illusion.pdf

I found quite a few designs which chart the various Hogwarts School houses and their symbols:

Ravenclaw scarf

http://www.the-leaky-cauldron.org/features/crafts/knitting/ravenclawillusionscarf

Gryffindor symbol charted

http://gallery.the-leaky-cauldron.org/default/fullpic/209866

Hogwarts crest charted

http://gallery.the-leaky-cauldron.org/default/fullpic/209868

sock pattern gryffindor crest for sale

http://www.freshislefibers.com/shop/index.php?act=viewProd&productId=220

There are a great many fantasy needlepoint canvases of wizards. You may enjoy Raymond Crawford's Wizard of Oz inspired designs.

http://www.raymondcrawford.com/designs/oz/index.html

Want to do a set of Wizard of Oz standups? Petei has a wonderful series of canvases that look great made up. I particularly like the Emerald City and the Toto canvases.

http://www.petei.com/line_list/line_wiz_oz.htm

How about a Wizard of Oz box? This is from Julia's Needlepoint.

http://www.bristlythistle.com/childrens.html

Trubey has a series of three wizards who look like something right out of the Arabian Nights.

http://www.needlepoint.org/WhatIs/2005/504np.php

This silly canvas has two smokers--a dragon and a wizard. You may also enjoy the discussion of fractional XSs if you aren't familiar with cross stitch but would like to turn a XS wizard pattern into needlepoint.

http://www.needlework-tips-and-techniques.com/fractional-stitches.html

And Michaelene Love of Sunrunner Designs has a whole series of wizards right out of a fairy tale.

http://home.att.net/~michaelenelovedesigns/MLDWeb_PAGE11.htm

But if you need something quick and easy, how about Jolly Red's little wizard?

http://www.stitch1knit1.com/shop/jolly_red_childrens_tapestry_kits_wizard_needlepoint.html

This should keep us busy stitching a fantasy world in needlepoint.

Jane/Chilly Hollow

Main blog at http://blog.360.yahoo.com/chillyhollow

Fireside Strikes Again


Just got my monthly e-newsletter from Fireside Stitchery which has decided to tempt me with a Dreamweavers sale, new cheap scissors, and a Little Shoppe trunk show. EEEEEKKKKK!


Check out the goodies here. The Silent Night stocking above is from Dreamweaver Designs. I like their canvases, don't you?



Look What I Did


Well, first of all, you can see the goldfish finished except for his eyes and mouth, and that almost all of the three lily pads are done. I've not stitched any more water stitch but I am going to start on that once I have the last bit of top leaf done. And I'm going to use Anne's tip of rotating the instructions and canvas a quarter turn and working the water stitch as vertical stitches instead of horizontal.

The real thing I did yesterday was replace the CMOS battery inside the old laptop so I can scan photos for you again. It took me about 5 minutes to unplug the laptop, remove its battery pack, locate the right door on the bottom and unscrew the screw holding it closed, open the door, locate where the internal lithium battery was hiding under a stiff paper tab, remove the tab, slide the battery out, then being careful to note where the red wire and the black wire were plugged, unplug the battery. Then the new nickel-sized battery was plugged in properly, slide into its slot, the paper tab replaced, the door back on, and the external battery pack restored. After that, it's turn on the machine and set the date/time again (that's what the CMOS battery does, keeps time for the system internally), replace the tiny screwdriver and the tweezers, and toss the old battery.

The hard part was looking up what the error messages meant, finding the right battery for my model at a good price, and looking up online instructions on how to replace it. I am so proud!

I'm not just a fancy stitcher after all. LOL

Hugs from your Master Enabler and part-time mechanic in Chilly Hollow

Main blog at http://blog.360.yahoo.com/chillyhollow

Sunday, July 13, 2008

Book Reviews


I try to stitch each night but often I'm too tired (or too wound up) from work to attempt anything that needs concentration. On those evenings if I don't have tent stitching to do I try to read, and luckily for me, there are always books on needlepoint or other types of needlework I've not read. Recently I acquired or borrowed three new books that I've been browsing when I really am not going to be able to stitch. I've done pocket reviews here, to help you decide if these are books you want to read yourself. After all, not everyone is going to be interested in the topics I've been reading about. But before my first mini-review, let me remind you to check your local library for books on needlework. I've had hours and hours of great fun with books I've checked out here in Virginia and in Massachusetts. And if you have books you want to get rid of, I urge you to think about donating them to your local library. They never have enough money to buy everything but your books might fill a hole in their collection nicely and give access at no charge to something in your collection long after you've forgotten you ever owned that book.


Bargello Revisited, by Janet M. Perry


I'm not really a fan of bargello. I know it is supposed to be popular now, but my tastes don't run to abstract op art and many of the patterns really need a good amount of space to develop. It's just not my thing. Still, when a friend offered to loan me her copy of "Bargello Revisited," I was curious enough to take her up on that offer.


"Bargello Revisited" is a project book. It has charts for 33 different patterns, some simple shapes to use as templates which you can fill in with the pattern of your choice, and brief chapters at the beginning of the book which introduce bargello stitching, talk about suitable threads and choosing colors, and give you tips on avoiding problems, particularly problems with vertical bargello stitches not covering your canvas well.


There are color photos of each project in finished form, but the charts of the patterns used in the projects are in black, white and gray. And that is the main problem I saw with this book-I had a very hard time seeing the differences between the black and the dark grey lines in the charts. I am chart-challenged anyway and I think if I'd not read many other books on bargello, I would have had trouble following things I could not see well, particularly since the author doesn't mention the very basic tip that one should start a bargello pattern in the middle of the design and either work one long row from one side to the other, or start in the middle and work out to one side and then work to the other, to set up the pattern. These two points alone make this a book I wouldn't recommend to a beginner, although if you are mad about bargello you'll want to at least look at this book, especially if you can't find any of the splendid bargello books that came out in the early 1970s.


Here is Janet's website. If you browse her blog you will see some bargello pieces, many of which are projects in her bargello book.




The simple patterns in "Bargello Revisited" might work well for someone who wants to teach another to do bargello and is looking for a variety of basic patterns in simple colors for their student to choose from. But if you want to teach yourself bargello, I'd recommend that you hunt used bookstores for the Gloria Katzenberg's "Needlepoint and Pattern: Themes and Variations." It is an exceptionally clear book with excellent diagrams and tips on using the patterns in needlepoint projects. If you want eye-popping designs in dazzling color schemes, try to find Dorothy Kaestner's "Four Way Bargello" (there is an original and a revised edition). She also wrote "Bargello Antics" which I have not seen except that it was for sale on eBay. The cover of that book illustrates this article to give you an idea of the patterns in the Katzenberg books. They aren't going to be everyone's cup of tea but the world of needlework is huge, and the choices of type of designs you can stitch endless.


OOOOOH: The Essentials of Ribbon Needlepoint with River Silks, by Paul F. Krynicki


Speaking of varied choices, my next book is from the River Silks ribbon manufacturers. It was written to promote their ribbon which I've seen and used and which is particularly well suited for needlepoint. There are a great many books on silk ribbon embroidery (called SRE by those who love the art) but this book is different in that it is geared toward folks who want to use silk ribbon on needlepoint canvas. All the other SRE books I've seen are for embroiderers working on fabric grounds. I can't say that this is a reason to buy this book instead of any others about SRE, but you might disagree. The strength of this book is the illustrations. I defy anyone to look at all the lovely colored photos and not want to try a little SRE on one of their canvases! And my copy of the book came with a card of River Silks ribbon and a large piece of canvas to try some stitches on which is a very nice touch.


Each chapter in the book talks about a different type of stitch done in ribbon. SRE has specialty stitches you won't have seen before which are done a certain way due to the properties of silk ribbon. Some of the directions are very explicit, some are not. If you need step-by-step hand-holding to learn, you won't always get it from this book. Sometimes I had to study the illustrations to understand how to get the effect described. If you have trouble doing this, you may find this book frustrating at times.


If you just want an idea how to do SRE, you'd save money by Googling the topic and reading many of the free instructions on the Internet. If you just want to see pretty pictures of SRE, visit River Silks' website which is full of images on every page.




But be warned, SRE is addictive and the River Silks ribbons lovely (although the dye lots seem to vary a lot so buy what you need at one time). I'm probably never going to stitch an entire NP canvas in SRE--which would be Too Much for my tastes--but I love adding finishing touches with silk ribbon in my pieces. I can't say this book is a Must Buy for people interested in silk ribbon stitching but it is inspiring and promotes a great product and it is the only SRE book geared specifically toward us needlepointers.


All That Glitters: Projects Featuring the Techniques of Goldwork and Stumpwork, by Alison Cole


Alison Cole is an Australian embroidery teacher who is well known for her goldwork which uses stumpwork techniques to create 3-D images of great beauty. This is her first book and it's a winner! The illustrations alone, both the large shots of the ten projects she profiles in this book and the closeups, are gorgeous. But this isn't just a pretty face--the book's first chapter talks about metallic threads, the various frames you'll use, the types of padding necessary, etc. in great detail. The second chapter goes over the basic stitches and techniques used in goldwork and stumpwork. Neither chapter is long but they both seem very comprehensive to me. Be warned, though--I know only the basics about goldwork and stumpwork. If you are very experienced, you may not need this book unless you fall in love with the projects profiled like I did.


The vast majority of the projects are traditional florals although she includes an abstract and two nature scenes. There is an underwater piece with a seahorse and snail that's a knockout and she does a dragonfly on a tall weed that has to be seen to be believed. To me the most interesting project was her Or Nue pieces. She took four flowers mentioned by Shakespeare and stitched them in the Or Nue manner, making sure she made circles and waves in the gold she couched as well as using the couching thread to sketch the flowers in on the gold lines. I have never seen Or Nue done this way and I was entranced.


I am not sure this book is going to appeal to everyone, particularly folks who don't like flowers or nature patterns, or folks who already know a great deal about goldwork and/or stumpwork. Also, some projects look quite hard for a beginner although the instructions were excellent. But I was charmed and thrilled to own this book and I can't wait for Alison Cole's second book "The Midas Touch" to come out. Here's her website so you can explore more of her work and decide for yourself if this is a book you can't live without.




I hope these book reviews will help you decide whether you want any of these books. After all, you could be spending that money on a painted canvas instead! LOL


Main blog at http://blog.360.yahoo.com/chillyhollow