Friday, June 26, 2009

Anne Jerlow's Kimono 4 UPDATED



Another Anne Jerlow kimono has turned up on eBay. This one is labeled "Kimono 4" and is on 13 count. The design itself is 14 inches square according to the eBay seller. Keeping with my practice of capturing images of this dead artist's designs, I am posting a photo here. Her six geishas which I stitched for the ANG Auction in 2007 are an iconic image that I use periodically here on Blog.

Let's hope this one finds a good home!
http://cgi.ebay.com/Needlepoint-Canvas-Anne-Jerlow-Kimono_W0QQitemZ170349375127QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item27a99d2e97&_trksid=p3911.c0.m14&_trkparms=65%3A12|66%3A2|39%3A1|72%3A1205|240%3A1318|301%3A1|293%3A1|294%3A50

or Tiny URL
http://tinyurl.com/mnrhmn

UPDATE: This eBay sale ended early because "this canvas is no longer available for sale." Makes me wonder what happened. I've never seen a canvas pulled like this unless it was of something someone objected to, like class instructions which a teacher didn't want sold because the instructions wouldn't be enough to stitch a piece without the teacher's comments in class. Very odd! Well, I'm glad we at least got to see this Anne Jerlow. By the way, the seller of this canvas has a Princely design that he/she says is also by Anne Jerlow. Here's the photo. The eBay sale link is under the photo.


http://tinyurl.com/ol82vw

Jane/Chilly Hollow
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Ch'ing Dynasty Ornament



I've always liked Asian-themed painted canvases and Leigh Designs is one of my favorites so her Ch'ing dragon ornament was a Must Buy for me. A little research showed me that the Ch'ing are the dynasty of emperors we in the West call the Manchu. The dragon was their symbol. The emperor was the son of a red dragon, after all! You can read a bit more about the Ch'ing dragon robe symbolism here.
http://www.artsmia.org/world-myths/viewallart/dragon_background.html

As I said yesterday, this piece is roughly 4 inches in diameter on 18 count red canvas. The dragon, who has red, yellow and orange scales edged in gold, has black fins and whiskers. He breathes fire on a background of red squares separated by a reddish brown grid. He has white on his eyes and mouth as an accent against all the red and black which dominate this canvas.

As is my practice, my first step was to make a color xerox of the design. Then I put the canvas away where I couldn't see it and sketched what I remembered of the pattern. That's also something I regularly do. A sketch tells me what I remember about a design. What I remember is what is important to me and what I want to emphasize in a design. I sketched the dragon's bending body, the black fins and whiskers around the open mouth and staring eyes, the stream of fire he's breathing and the checkerboard background. (And no, I'm not posting a photo of my sketch--no need to have everyone laughing at my art skills!) This is a pretty simple canvas and I remembered most of it, so I had to go to my fallback position to decide what to stitch and how and in what order. The dragon is against a background of a grid. This might be a decorative pattern in clothing if the dragon is embroidered, or perhaps a screen on a wall if the dragon is roaming the emperor's palace. At any rate, the background is definitely behind the dragon. So that's the place to start stitching! I prefer working from the background towards the front when possible. It just seems logical to me. However, there are times when you want to do the background last. It all depends on the canvas and the stitches and colors and threads you are using. As SharonG says, the only rule is that the thread goes through the eye of the needle!

In the photo above you see I've stitched some of the background squares. I decided to use a simple Scotch Stitch for each of them. Scotch Stitches are a perfect fit for the space and leave the grid lines uncovered.
http://www.needlepoint.org/StitchOfTheMonth/98-06.php

I chose a deep red Hi-Lights (H614 Dark Red) for these stitches. Hi-Lights is a synthetic metallic thread wound around a shiny nylon perle type thread. My H614 is a red metallic wound around the red nylon core. It is a bit like blending filament but more rounded and heavier. Here's Rainbow Gallery's tips for working with Hi-Lights.
http://www.rainbowgallery.com/JaysTips.html#15C

Here are all the colors available in Hi-Lights.
http://www.rainbowgallery.com/detail.cfm?ID=669

In my experience you need to use a short length of Hi-Lights because the canvas holes fray it slightly each time you take a stitch. It is very thin and when I did a few Scotch Stitches, I realized that one strand wasn't covering. So I simply went back and did a second Scotch Stitch right on top of the first, but oriented the other way. Look back at the diagram of the Scotch Stitch and you'll see that the slants can run from the Southwest to the Northeast or they can be oriented from the NW to the SE. I ended up with my Scotch Stitches going SW to NE in the bottom layer and then running NW to SE on the top layer. You do have to be careful with your Scotch Stitches that they are all slanting the same direction. One that is going the wrong way will stand out!

I was happy how the little cluster of Scotch Stitches looked, but I was working from a partial card of Hi-Lights. I started to worry that I wouldn't have enough thread to cover the entire background and that all that glitter was Too Much. Dither, dither, dither.... Then the light bulb went off over my head.

See how the Scotch Stitches I've done above are in a rough C shape? That's deliberate. My solution to the double issue of Too Much Glitter and Not Enough Thread was to use the red Hi-Lights #H614 for just highlights, not the entire background. I'd pulled two skeins of Soie d'Alger silk out of my stash because they were the right reds and decided I would use the lighter shade (2925) for the rest of my background Scotch Stitches. Soie d'Alger is a silk floss and I know how silk shines and catches the light. If I carefully laid my Scotch Stitches done in this thread and alternated the direction of how they were oriented on each diagonal row, I'd add more shine and light direction interest to the piece without overwhelming it with metallics. This is the background, after all. One doesn't want the background fancier than the foreground, just like one doesn't want a bridesmaid in a prettier gown than the bride's!

So I spent a lot of time laying two plies of my deep red Soie d'Alger in Scotch Stitches, working diagonally a row at a time to make sure that each square was oriented correctly in relation to its neighbors. Here you see the canvas with all the Scotch Stitches finished.


The moral of all my problems I listed above is that figuring out what to do when your thread doesn't cover or when you think you'll run out of thread will lead you to interesting and creative ways of dealing with your current canvas. In my experience, problems make me the most creative with my needlepoint and that's when things turn out best. Next time I'll talk about the final two steps for stitching the background.

Jane/Chilly Hollow
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

More Summer Fun Canvases


Old School gamers will laugh
with delight at the needlepointed plastic canvas Space Invaders magnet set. This would be a fun and simple project for a large group of kids (although there would be squabbling over whose house it got to live in next week). Check the links for smaller video game project ideas. The pixel art of these 1980s games transfer well to the grid of needlepoint canvas.
http://technabob.com/blog/2009/06/21/space-invaders-needlepoint-fridge-magnet/

Barbi let slip in an email conversation that her newest designs, a set of twelve heart pattern canvases called Postcards from the Heart, are available at Quail Run. These little canvases come with a stitch guide and are perfect beach stitching! They'll look pretty durn cute framed, too.
http://www.quailrun-inc.com/whatsnew.htm

Quail Run has a great looking series of classes this summer, too. That's an idea! If you aren't going on vacation this year, treat yourself to a mini-vacation at your local shop!
http://www.quailrun-inc.com/qrteachers.html

Jane/Chilly Hollow
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Thursday, June 25, 2009

Ok, Pull Up Your Chairs--I'm Starting Something New



I've been stitching on two new projects
for a week now but there has been so much else to talk about (new items from the Columbus trade show, helping MNS decide about the Nutcracker Santa, pet guardian angels arriving in the mail, etc.) that I haven't mentioned them yet. Now's the time.

My friend Pat has been doing a project rotation on her Needleartnut blog and it has worked splendidly. I decided I would rotate projects, too, and see how I like it. Normally I have a large and a small project going and switch between them occasionally but I've found that I tend to concentrate on one and finish it, then go back to the other. This time I'm really going to try to rotate projects. I'm going to start out with a small project and a large one and when the little one is done, I'm switching to a second large project. Enough of the ornaments for now! After the Byzantine icons, the wisteria teapot and six pet guardian angels, I am burned out on small projects. And stitching two large ones means I won't have to do any finishing--HURRAH!

You've already seen the photos of the new bare naked canvases on the left side of Blog. I'm stitching a red dragon ornament from Leigh Designs' Chinese Dynasty series. This is on 18 count red canvas and is around 4 inches in diameter (although it is a bit more than 4 inches tall) if you don't count the metallic ornament hanger on top. Leigh has a lot of Dynasty ornaments, all named after various kings or royal families from various cultures. Here are the other Chinese Dynasty designs. If you are curious about other Dynasty designs from other countries, click on Image Library and browse.
http://www.leighdesigns.com/Grp821x.html


My other canvas in the current rotation is a reproduction of an Elizabeth Mumford oil painting called Cape Cod Dogs. My canvas is 8 inches square on 18 count canvas. It is not an exact match to the original painting in that there is no ferry visible next to the lighthouse in the window view. This design is licensed by Needlepoint of Back Bay. I know they reproduce other Elizabeth Mumford paintings but I am not sure which ones since they are not shown on the NP of Back Bay website.
http://www.needlepointofbackbay.com/canvas-lines.htm

The original Cape Cod Dogs canvas can be seen here. Look at the window and you'll see my NP version doesn't have the boat.
http://www.elizabethmumford.com/images/portfolio/20.jpg

The plan --subject to change at any time according to my whims-- is to stitch Ch'ing the dragon ornament alternately with tent stitching the black background border on Cape Cod Dogs. There's a lot of border to do, perfect for stitching when I am tired at night. Once Ch'ing is done, I am going to start working on other parts of Cape Cod Dogs and add another large, unnammed project to my rotation.

Two large projects at once?! Tell me I'm not insane!

I'll leave you by reciting the saying on the Cape Cod Dogs border in case you can't read it--

Cape Cod Dogs
they don't chase cars
they like to pick up
girls in bars!


Jane/Chilly Hollow
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

How To Stitch the Nutcracker Santa



Yesterday, MNStitcher asked in the comments how to stitch something like the Nutcracker Santa in anything except all tent stitches. She is interested in the 18 inch size but doesn't want to have to basketweave everything except the main Santa. So I posted the photo again for us all to look at and to brainstorm about.

The first thing that occurred to me is that the tent stitch family is perfect for the tiny details, not the big stuff like Santa's robe. I am not sure I understood MNS to be planning to tent stitch Santa but I would save tent stitches for the tiny areas like the musical notes or the highlight in Santa's green eyes. Use the fancy stitches for the larger areas like the red robe, the purple underrobe, Santa's beard and fur trim, etc.

Usually the first thing I do when I pull a painted cavnas out of the pile to stitch it is make a color copy to use as reference later. Often I stitch right over something with a background stitch and have to top-stitch that area later. I use the color copy to know where I should put the little things back in. In this case, I'd probably use a fuzzy thread for Santa's fur trim and then put the musical notes on top of the fur collar later.

My next step is to look at the design and try to understand what the theme is. Sometimes that helps me choose threads and stitches. In this case, it looks like Santa has arrived to decorate a tree in a Nutcracker ballet theme as he carries candy canes and other sweets, ornaments and snowflakes, the nutcracker and the Clara doll with her toy nutcracker, and the Sugarplum Fairy doll ballerina, etc. The Mouse King and his minions are assisting Santa in my opinion.

Back to stitches. When I plan a canvas I look at the big areas first and decipher their shape. The plain areas of Santa's robe are the place for a very pretty decorative stitch. I might use Petite Very Velvet for the robe and the creases in his arms if I could match the colors. If the colors weren't available in that thread, I might use a pretty silk/wool thread like Vineyards Silk and choose a vertical pattern of some sort. Most of the plain red Santa's robe areas are vertical so you probably want a stitch that runs | | this way to make Santa taller.

I like interlocking Goblein and in this case, I might be tempted to use a red slightly darker than the red of the robe in only 1 ply so that a lot of the paint showed through. You could also alternate threads in the interlocking Goblein stitch, using a ply of silk and then a ply of thin red metallic like Accentuate to add even more texture. A lot of what you choose depends on what threads and colors you can get. There are a ton of choices available but no shop can carry them all so you have to be flexible. If you can't get Accentuate, try blending filamant or Bijoux or Sulky machine sewing thread from the fabric store, etc.

A darning pattern of snowflakes on the red robe would be gorgeous and go with the theme of the snowflake ornaments Santa holds but you will need to choose just the right shape to fit in small areas like the top of Santa's hat. I've found you can put darning patterns on top of a tent stitched area but it is sometimes hard to get the count right. If you want to try this, follow Joan Thommasson's lead--she uses fewer plies than usual for her base layer of tent stitches as that makes it easier to sew through them when you are putting the darning stitches on top.

I know I've been confusing but depending on the threads MNS can get, I might use a wool/silk blend in interlocking goblein stitch, or use a lighter coverage in silks and a metallic, or maybe just use a darning stitch, either right on top of the paint or on top of a layer of tent stitches. If you use a darning stitch, don't match the red of the paint exactly, You want the red on red to stand out.

I'd probably use a fuzzy thread for the fur trim on Santa's hat, collar, cuffs and the robe's bottom edge--Something like Alpaca which is very soft and which can be stitched in stem stitch to indicate the flow of real fur. I'd be tempted to mix in a strand of silver or white Accentuate in the needle occasionaly as well, just to go with the theme of the metallic in the red robe's darning stitches or light coverage interlocking goblein.

This is too big a canvas for me to tackle every item here, but the Mouse King and his minions would look great in a wool thread in a tiny stitch like tent stitches. Their tiny pink ears could be in a silk and their tails a couched or stem stitched line of the same thread as their bodies. I'd make their button eyes and noses out of a black metallic in satin stitch for the noses and a cross stitch (or a bead) for the eye. Beads work for simple eyes, but not Santa's eyes which are complex. Those need to be tent stitched carefully in the dark green color of the bag's shading or the darker part of the holly leaf on his hat.

Do the clock in couched and stem stitches for everything except the color face which needs to be tent stitches. You can go wild with the threads, though. Use a metallic thread to resemble wrought iron for the Roman numerals and a gold metallic for the center of the clock face. Be aware that diagonally to the lower right Santa holds an ornament in the same colors. Use the same metallics for both the ornament and the clock. This gives balance to the design.

Santa's face needs to be tent stitched very carefully in silks. Then do wisps of bangs and eyebrows again in stem stitches right on top of the face. This is when your color copy comes in handy so you know where to place the bangs and eyebrows. You can have a lot of fun with the beard. I love long and short stitches for these areas. I like to use a very thin thread like Burmilana that looks wooly but which can be layered using several shades. Be creative picking the colors. Toss in a little blue-ish gray as well as while and light and dark gray. Since I probably am putting metallic in among the fur trim I won't add it to Santa's beard and hair but I have done this for Santas who don't have fur trim next to their faces.

Use beads or a very high shine metallic like Coronet Braid for the snowflakes and the buttons on Santa's coat. Also use beads and metallics for the trim on the large nutcracker. His sleeves might look very good in an interlocking stitch like Braided Knitting. I think I'd almost certainly use Petite Very Velvet for his uniform and hat. The fancy white front of his uniform could be done in random large and small cross stitches in something very shiny like FyreWerks. I think I'd look for a spiky synthetic for his hair like Charleston. His face and mouth need to be tent stitched but his mustache and eyebrows can be stem stitches right on top of the tent.

The bag of sweets will be fun to do. Use a matte thread like another wool/silk blend for the bag and use a stitch that is more __ horizontal to emphasize the shape. Couch the new Kreinik 3/8 inch braided metallic trim over the bag for the tasseled cord. The sweets and cakes should be in things like cotton floss topped with Flair. I think I'd couch two Kreinik metallics for the spiral sucker. Mix the matte thread with the shiny to make icing. If you can find a button to use as the cupcake cherry, that would look good. Otherwise, use padded satin stitch in Flair for the cherry.

The purple blue under robe that you see should be in a dense silk/wool blend, probably in a totally different pattern than the red robe. If I went with light coverage darning stitches for the red robe, I would look for a diamond shapped pattern here I think.

The Mouse King and the two dolls are wonderful. I'd use tent stitches for most of their bodies but give them packed stem stitch hair, a metallic crown in stem stitch topped with beads, a ruffed Flair ballerina skirt, etc. You might be able to use French knots on the ballerina's crown.

Use a nice suede looking thread for Santa's gloves and use tent stitches. This is an area where you want plain so the fancy things he holds stand out.

To summarize, I'd use a lot of tent and stem stitches and quite a bit of couching and beads on this design, with some darning stitches. The threads you choose are going to give you texture, especially in the small areas. So it won't look like this is an all-tent stitch piece, but you are going to need to have to use a lot of tent to get the details. Trust me, you will be having so much fun with the fancy threads and metallics and beads that you won't feel like you sat down and tent stitched an 18 inch Santa from top to bottom!

I could go on and on but I'm running short of time. If anyone has other ideas, please add them to the Comments. This will really help MNS decide if she can choose the 18 inch version of this design and still have the variety she wants in the threads and stitches.

If you want to see another Amanda Lawford Santa being stitched, visit Summer's blog where she is working the Royal Santa. He's gorgeous and will give anyone tackling a large Santa great ideas! Here are the blog entries so far--
http://www.summerlouise.com/2008/11/royal-santa-by-amanda-lawford-1.html

http://www.summerlouise.com/2008/11/royal-santa-by-amanda-lawford-2.html


http://www.summerlouise.com/2008/12/royal-santa-by-amanda-lawford-3.html

http://www.summerlouise.com/2008/12/royal-santa-by-amanda-lawford-4.html

http://www.summerlouise.com/2009/01/royal-santa-by-amanda-lawford-5.html


http://www.summerlouise.com/2009/01/royal-santa-by-amanda-lawford-6.html

http://www.summerlouise.com/2009/02/royal-santa-by-amanda-lawford-7.html

http://www.summerlouise.com/2009/02/royal-santa-by-amanda-lawford-8.html

http://www.summerlouise.com/2009/02/royal-santa-by-amanda-lawford-9.html

Summer's not posted progress in a while, but school's out and like most moms with kids underfoot in the summer, she won't be stitching a lot until the fall.

Jane/Chilly Hollow
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow