Showing posts with label Leigh. Show all posts
Showing posts with label Leigh. Show all posts

Tuesday, August 31, 2021

Creating a Riot of Curls: The Tutorial

I am about to do the hair on my current project, "Hawaiian Woman" from Colors of Praise.  The canvas is 2x3 inches on 18 count and you can see it on the left unstitched.

I decided I wanted her hair to be all curls tumbling all over the canvas. That seems to suit the way I envision the canvas.  Because of how I plan to stitch the hair, I stitched the face, neck and two backgrounds before I tackled the hair so I won't snag the curls when doing these sections.  The pink flower will be added once I do the blouse and necklace so I don't snag it as the flower will be dimensional, too.

I plan to use a technique that is based on something Sue Parsons of West Coast Finishing saw.  I took her description and played around to come up with something like the hair she had seen and wanted to use on her canvas.  Here is what Sue and I collaborated on.




By the way, Sue's canvas is "Fantine" from Leigh Designs' Water Babies series.  Isn't she cute?!  Sue did a lovely job stitching her.  This is a close up of the baby mermaid's face.  You can see the whole canvas on the Fleur de Paris website.

I will be using ribbon floss for the Hawaiian Woman's hair.  If you aren't familiar with ribbon floss, it is a braided flat thread made by YLI.  It sort of looks like a heavy ribbon.  Ribbon floss comes in regular, metallic and Shimmer Blend (which is regular ribbon floss with some metallic woven in) plus a sort of heathery look.  Ribbon floss used to come on 15 yard spools like these.

A few years back YLI started putting it on plastic reels instead.  It's the same thing and the same 15 yards of thread, just packaged differently.

To create these curls, you need ribbon floss and either a cotton floss the same basic color or invisible beading thread.  I'm going to use black Shimmer Blend 034 for my Hawaiian Woman's hair.  Sue used Metallic Coal Black 144-F07 ribbon floss for her mermaid above. Doesn't matter what color you use or whether it is regular, Shimmer Blend or metallic, but you need to use ribbon floss. I think the metallic ribbon floss gives you more Shirley Temple-type curls but I'm working with limited samples here.

To create curls, cut a length of ribbon floss that is about two and a half times as long as the lock of hair you wish to create.  Tie a large knot in one end of a length of ribbon floss and thread the other end into a needle’s eye. (A larger than usual needle is good; you might also want to use a sharp needle if you anticipate needling to sink the end of a lock of hair in a place other than a hole on your canvas.). Secure the knotted end well on the back.  Come up at the either the beginning or end of a length of hair and remove the needle.  For larger areas like the baby mermaid's hair, come up at the tip of the curl.  For a smaller area like the Hawaiian Woman I'm stitching (this canvas is only 2x3 inches so the hair area is small), come up at the hairline near the face.  

With your fingers, flick the cut end of the ribbon floss until it separates into the various filaments that make up the ribbon floss. Grab 1-3 of them and hold on tightly while you slide the rest of the ribbon floss down toward the knot on the back side of your canvas.





Your ribbon floss will look like the example strand on the left of my canvas near the scissors, except the knot will be on the back side.  See how long some of the ends are?  Those are the plies I held as I slid the rest of the thread down toward the knot.  You will need to trim the long ends so they are even again.

Thread up the ribbon floss strand again and plunge the needle down through the canvas where the curl or lock of hair ends. Don’t rush or pull tightly. This is not hard but you must be patient and relaxed for the best results.

Arrange the scrunched up thread as necessary with your fingers, then tack the thread into position with a matching color of cotton floss (one ply only) or clear beading thread and a sharp needle. Depending on the length of the curl, you may need 1-3 tacking stitches. I recommend you start in the middle of the hair and work toward one side, then go back to the middle and work your way to the other side.  I normally wait until all the hair is in before adding tacking stitches.  Remember, your needle comes up at the edge of the face, gets scrunched, and then you thread up again and go down at the border.  





In the photo above I used my needle to determine the slant of the length of hair I was about to stitch.  I took a photo and then had this as a guide for that slant I wanted.  Practice makes doing these much easier. You should try doing a few of these in the margins of your canvas before you actually create curls for the person you are stitching.




Here's a larger version of the hair underway.  See how messy it looks?  There are loops sticking up, her eye is partly covered, the flower behind her ear is partly covered, etc.  This stage is normal.  Get all the hair stitches done, then you can start tidying things up.  Push the hair out of her eye and tack it into position with your couching thread (clear beading thread or a matching ply of cotton or silk floss--or even a matching blending filament if that is what you have).  Mash a loop down that is sticking up too much and tack it down.  It's like going to a beauty parlor and getting a perm.  Once the curlers come out, you still need your hair brushed.  





Here is the hair with the locks pushed into the position I wanted and tacked down here and there with the invisible beading thread.  Remember, you can use a ply of cotton floss in the same color as the hair if you don't have any clear beading thread.





And finally here is the Hawaiian Woman with the flower behind her ear and her hair blowing in the wind.  Hope you enjoyed this tutorial and can use it to good effect on one of your canvases.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 27, 2021 Jane M. Wood. All rights reserved.

Saturday, August 22, 2020

Pharaoh Ramses II is Finished




My Leigh Designs Pharaoh is done!  Here is what he looks like.  Click on the photo to see a larger view.

I used two of the larger Gemstone beads from Sundance and a mix of olive-tan, red and gunmetal colors from Sundance's Color Inspiration Collections: Shells for the rest of the beaded area.  The beads are still wiggly and easily move out of position.  I've gone through them all 3-4 times to try and keep them in position but they are contrary things.  I may add a dab of glue on a toothpick to keep the worst offenders in place later.  (I use Eileen's Tacky Glue which dries clear.)  But I will wait until I decide how I am going to finish this before I actually use glue.





Here's a tilted photo to give you a better idea of the dimension I have.  By the way, I've always planned to not stitch the little hanger at the top of the ornament, so this section of the canvas has been ignored.  I didn't forget it—promise!

So what do you think?  Did I meet my goal of conveying a granite statue that wasn't overshadowed by a fancy feather fan?  Did my change of the gold and white striped background to a zigzag one work out well?  Would you stitch this?  

I hope to add more of the series to my stash and probably will do others from the Egyptian Dynasty collection over time.  Until then, time to move on to another project!

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.
https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 15, 2020 Jane M. Wood. All rights reserved.

Saturday, August 15, 2020

Pharoah's Fan Finished

Last time we talked I had chosen the beads to use on Pharaoh's feather fan.  But I had not finished stitching the head and shaft of the fan before adding the beads.  I could have just tent stitched the whole thing except for the spaces where I wanted to put beads, but I thought given that all the beads I'm using are round and some are really large for the space, that I might do little boxes around most of the places where the beads go to help corral them into position.  Beads are very wiggly things, especially round beads like the smaller ones I'm using from Sundance's Color Inspiration Collections.




So I got out my size 8 Kreinik gold and went to work.  First I did a little ladder shape — going up the shaft.  I was able to do the straight stitches going vertical as I went around the arched area so it looked natural.



Then I did back stitches with my Kreinik gold to make the sides of the little boxes.  I ended up with this.  At the bottom of the head of the fan I added a few tent stitches to cover spots that were not even.  Hopefully you can see where I am am going—I have empty spaces to settle my beads!


Boxes Done
I attached the beads in sections, doing the beads around the outside of the gold head first, then adding the rest of the head except for the two spots where I planned to use larger Gemstone beads.  Finally I worked down the shaft adding beads there.  I had to go through each bead 2-3 times to get them roughly where they belonged, using clear beading thread from Gutermann's. 

This is what I use.  It is actually nylon machine thread that I buy from Joann's Fabrics.  It comes in clear and brown.  
https://www.joann.com/gutermann-invisible-thread-273-yards/prd37982.html#start=1

I used the clear.  This is a thinner version of the clear beading thread you buy from companies like The Collection.  I like it better than the fatter version but it does knot itself.  However, a friend gave me a great tip—run a length through a flat iron and it straightens right out.  I never would have thought to do this myself for fear the flat iron would melt the nylon thread, but she turns her flat iron on low.  My flat iron—the cheapest one I could find at Walmart— doesn't have temperature control but I ran it over the thread as fast as possible and it straightened out fine with no melting.  It was also very well behaved after that!  Thanks, Sheena!

This is getting long so next time I'll show the finished fan and we'll talk about the final piece.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.

https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 15, 2020 Jane M. Wood. All rights reserved.

Saturday, August 8, 2020

Pharaoh's Feather Fan

Fan Feathers Done

Once I finished the feathers on the fancy fan behind Leigh's Pharaoh, it was time to stitch the rest of the fan.  Above is the fan with all the feathers stitched so you can see how it doesn't overwhelm the statue of Ramses II.

If you look carefully at the fan you'll see I've done a lot of tent stitching on the head of the fan.  The red area is stitched and at this point I've also added gold tent stitches with Kreinik around the head's central area.  I ended up tent stitching the golden yellow areas, too.  With all that out of the way, I could bead the rest of the head section.  But first, I needed to rummage in my stash for beads in the right colors.  

Here's what I selected, all from Sundance Needlepoint.


Gemstone Beads from Sundance

Color Inspirations Collections from Sundance


The Gemstone beads are 3mm in diameter, roughly, which makes them larger than size 11 beads.  The little round beads from the Color Inspiration Collections: Shell are smooth and much smaller, probably close to a size 14 bead.  They are also more even.  The gemstone beads have been tumbled to shape I think and they are not smooth.  I like all of them.  The colors are right and I think they will add to the feather fan without drawing too much attention from Pharaoh.






When I laid them on the canvas, though, it was obvious that 3mm beads are too large.  I hope you can see the beads laid on the canvas.  One of the gemstone beads is at the bottom of the fan head and there is a smaller round bead below it and also one to the left.  

For me, scale is very important on a painted canvas.  Unless I'm stitching a portrait of Dolly Parton, I don't want one are to overwhelm another.  So although I might be able to use a few of the larger Gemstone beads, I will have to bead the fan head and shaft with mostly the smaller ones from the Shell Inspiration Collection.

However, before I can bead, I have something else to do.  Those who have sharp eyes can see the next step which I've already done but not described.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.

https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 15, 2020 Jane M. Wood. All rights reserved.

Saturday, August 1, 2020

Pharaoh's Feathered Fan

Starting the Fan's Feathers

A lot of people have trouble with stitching feathers. I think this has to do with the fact that feathers are often not painted perfectly symmetrically.  Fishbone is my favorite stitch for feathers and leaves, but it didn't seem to work well here.  I think my problem is that each feather is shaped differently.  I found it hard to work fishbone from the base up and keep the sides even.  I ended up using a variation   of fishbone stitch called Raised Fishbone that is worked from the tip down.  You can see it demonstrated on Mary Corbet's website.
https://www.needlenthread.com/2012/07/raised-fishbone-stitch-video-tutorial.html

I'm using one ply of High Cotton from the strand.  (High Cotton is a five ply cotton thread with a tight twist to each ply and a slightly matte finish that I really like.  It's discontinued, sadly, but I have all the colors I need in my stash, so High Cotton it is.)  Fishbone and its variations are easier to work smoothly in a single stranded thread like perle cotton, crewel wool, threads that aren't used in multiple plies, basically.  It was pretty easy to switch colors as I worked down the feather, too.  I worked the purple feathers first, then the teal, and finished with the red as the purple ones seemed to be in the back, the teal ones in the middle and the red ones on top.  I always work from background forwards if that is possible.


9 of 12 Feathers Done

Raised Fishbone gave me a slightly raised effect without trying to grab attention from Pharaoh.  I did end up tent stitching the dark red area around the base of the jeweled fan before stitching the red feathers so I could tell where to stop stitching feathers.  I'll discuss the jeweled base of the fan next after I work all the red feathers in Raised Fishbone.


Feathers Finished!

Here is the slightly raised effect I got in my feathers.  It isn't too much dimension so it doesn't fight with Pharaoh for attention.  If you wanted more dimension, however, you could work this in Straw Silk or a ribbon and it would be more prominent.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.
https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 6, 2020 Jane M. Wood. All rights reserved.

Saturday, July 25, 2020

The Pharaoh's Statue




Highlights on Basketweave

I've finished basketweaving the statue on my Pharaoh canvas!  It took a while to do because I had to do the black areas in stolen moments during the day when I could see to stitch black on black.  I am not sure you can see the final touch I added to the basketweave.  I added metallic highlights.  To do this, use a very fine metallic and a beading needle.  Then turn the canvas a quarter turn so that Pharaoh is lying down and do a few tent stitches over the tent stitch layer you've already done.

This is the thread I used—Sulky's overdyed #7027 which is a mix of gold, red and green.   Sulky is a machine embroidery thread that is very fine.
https://www.sulky.com/catalog/sub/thread/metallic/original/

I bought my spool at Joann's Fabrics.  I had a spool of copper Accentuate but I liked the color mix of the Sulky so that's what I used.  There are sparkles on his shoulder, around his eye and cheek and a few on his headdress.  They are hard to see but this is the best photo I could get.  In person the sparkle is more apparently.  I wanted the look of granite which has crystals in it.

Once the statue was done, it's time to stitch the feather fan.  I'll explain how I worked that next time.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.
https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 4, 2020 Jane M. Wood. All rights reserved.

Saturday, July 18, 2020

Wrestling with Pharaoh's Background

The last time I showed you Pharaoh, I was basketweaving the statue and trying to figure out how to stitch the cream and gold striped background.  The black areas on the statue took a long time as I had to stitch them during the day when I don't really have stitching time. I find black on black (and navy on navy) too difficult to do after dark, even with good lighting.  So I stitched a length of thread each day in the daytime, which is all I have time for.  But the statue is finally done.  More on him in a minute.  Let's talk about the background of the canvas now.


Background Auditions
I knew I wanted to use DMC's cotton floss in ecru but I had no idea what stitch would look best.  I needed something smooth and on a small scale that wouldn't outshine the statue or the fan.  I needed a background stitch that would stay in the background and not try to overshadow anything.  So I did some testing of various background stitch that are small and not overpowering.  That's the mess in the margins.

I ended up with two stitches that I liked and tested on the canvas itself.  The top stitch is Double Hungarian, stitched with three plies of the cotton floss.  It is in rows like the stripes are painted but the gold paint shows through and it seems a little too busy now that I've stitched a few rows.

The bottom stitch is Byzantine 2 which I found in Ruth Schmuff's iStitches Volume One.  It is a smaller version of regular Byzantine stitch which normally is over 3 or more threads.  You can see the stitch and other variations of Byzantine diagrammed on Susan Robert's Needlepoint Teacher website. She calls it Byzantine Variation 1.
https://www.needlepointteacher.com/stitches/numbered-a-b/byzantine-variations/

I ended up using Byzantine 2 (also called Byzantine Variation 1) with my three plies of DMC cotton floss in ecru.


Cream and Gold Area Done

As a finishing touch, I backstitched the "ditch" between the rows of the Byzantine stitch with gold Bijoux, which is a very thin gold metallic.  That adds a touch of subtle gold in keeping with the original cream and gold paint job.  Note that I ripped out the cream area at the top of the ornament and restitched it as lime.  I didn't think the compensation of the Byzantine stitch at the top would look good.


Original Unstitched Canvas

As a reminder, here is how the design was originally painted by Leigh Designs.  You can see I adjusted the cream areas to work with my vision of Pharaoh.

Next time I'll finish the statue and add a special touch, then tackle the feather fan.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.
https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 4, 2020 Jane M. Wood. All rights reserved.

Saturday, July 11, 2020

Let's Create a Pharaoh Statue



Brick Stitch on Head

Last time I showed you my Leigh Designs Pharaoh Ramses II, I was stitching away on the statue.  I'd chosen to use brick stitch over two for the coronet on top of the Pharaoh's head, then tent stitches on the rest of him.  The photo above shows my progress.

I swear that the tent stitches on his face and the brick stitches on top of his head are the same color of DMC cotton.  They are even done from the same skein, so there are no dye lot color changes.  What you see is the play of light on the straight brick stitches versus less light bouncing off Pharaoh's face.   There is a darker terra-cotta color in DMC cotton but it was too red to use, so my only option is to rip out the brick stitches, even though I like the texture of them on his headpiece.



All Tent Stitches

I ended up with what you see above.  It's much better.  I still really like brick stitch, however, so I used it on the cream and gold stripes on the left side.  It's running in a horizontal fashion.  I just turned the canvas on its side so Pharaoh was lying down to stitch it smoothly.



More Brick Stitch—and More Ripping

And that's too much texture!  Sigh  I'm going to have to rip the brick stitches out and try for a smoother look that doesn't detract from the fan and statue.  Oh, well, on the bright side I managed to do basketweave on the cream section at the top under the ornament hardware and in the lime section of the fan.  I had originally planned something else for the lime sections of the fan but I don't have lime in the threads I plan to use.  Given the difficulty of shopping for it, I opted to use tent stitches for the lime. 

By the way, the lime area is done in size 8 perle cotton but I had to rip out the size 8 perle cotton section in ecru.  The ecru thread seemed thicker than the lime, even though they are both size 8.  The lime is from Prescencia and the ecru is from DMC, so probably the manufacturer of one makes a skinner version of size 8 than the other.  Not to worry, I used three plies of DMC cotton floss in ecru and that looks good.

Plans change all the time as I stitch.  Sometimes things don't work, sometimes I can't get threads or embellishments I want.  So needlepoint embellishment for me is always changing and evolving to meet my mental idea of what I want a painted canvas to be.  This involves a lot of ripping out but sometimes you don't know what it will look like until you try and sometimes the threads surprise you.  On Pharaoh the threads and stitches certainly threw me a lot of curve balls!

Stay tuned to see what surprises the threads and stitches have for me next time.  

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.

https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright June 26, 2020 Jane M. Wood. All rights reserved.

Saturday, July 4, 2020

Introducing Pharaoh Ramses II






I have chosen my next painted canvas, an Egyptian Dynasty ornament from Leigh Designs.  It is four inches in diameter (if you ignore the metal hanger for the ornament) and is on 18 count sandstone canvas.  This is called Ramses and it is one of a series of eight designs.  You can see all of the set here.
https://needlepointus.com/products.asp?cat=Leigh+Designs&pg=8






I suspect it was inspired by the photo of Pharaoh Ramses II in the British Museum.
https://sites.google.com/site/100objectsbritishmuseum/home/statue-of-ramesses-ii

This is going to be a challenge as the statue should look like solid granite and it cannot be overshadowed by the fancy feather fan on the left side.

Of course the pinkish clay color of the statute provided impossible to match in thread. The closest I've come is DMC cotton floss in 356. I wanted a metallic sheen to the statue—that's not only realistic as granite has some sparkle naturally from the crystals in it, but it will help to focus the eye on the statue, not the feather fan—but that's impossible. I studied the Kreinik online color card for a long time. They have a lot of pinks and a lot of siennas. It's possible that the new color 5006 Ore will work.
https://www.123stitch.com/item/Kreinik-Ore-5006-8-Braid/B85006

I thought about ordering Ore but I suspect it is more salmon than brick-clay in color, so I stuck with the DMC cotton floss. I have a plan that might work. Or it might not.  Fortunately I can always rip out.  I already have, in fact.  My first thought was to use the DMC 356 to attach clear beads. I tried that last night using both size 11 round clear beads and size 15 round clear beads with an iridescent finish. The smaller beads have too much sparkle that hides the color of the paint and the thread used to attach them. The size 11 round beads do let the color show better but it's not right. The beads detract from the statue. You see the round shape of the beads more than the detail of the statue, so Plan A is out!

On to Plan B. Here's what I got done last night. The circlet on top of his head is the circlet of uraei, according to the museum website above. That roughly means the sacred serpent. Egyptian art often used stylized cobra to signify sacred snakes. The statue is wearing a circle of them, sort of like a diadem. I used brick stitch over two (3 plies) there and I used my DMC 356 in basketweave on his neck (3 plies).  Plan B says to use the brick stitch in black DMC cotton floss (also 3 plies) for the shadow on the right of the face and the head cloth in shadow.  I'm not sure that will work. The head cloth might need to be in tent stitch, which is what I plan to use for the face, neck and shoulders using my DMC 356 with touches of black for the features.



Guess we'll have to see how this plays out.  I have an idea about how to add metallic sparkle and a gloss of hardness to the statue but that needs to wait until I have the whole thing stitched.  I'll come back with a progress report once I have something to report.

By the way, I have listed all the postings about this design on the Chilly Hollow Stitch Guides blog so you can easily follow along as I blog stitch this.
https://chillyhollownp.blogspot.com/2020/08/pharoahs-fan-finished.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright June 21, 2020 Jane M. Wood. All rights reserved.

Saturday, December 8, 2018

Stitching Glasses the Leigh Designs Team Way

Leigh Designs has a tradition of releasing a series of small canvases on November 1 each year. Leigh calls this her November Surprise. For 2018, she's celebrating Oktoberfest and beer!
http://www.leighdesigns.com/Grp813x.html

There are 8 types of beer, each in their own special glass, and each canvas has a stitch guide by Leona Cole, Pat Miller or Carolyn Taggart.  To see the models, click on the photo of each unstitched canvas. If you do, you'll see a Master Class on stitching glassware!  Note how the tall, thin glasses use tall, thin stitches, for example.  Check out "Swaggering Stout."  The faceted glass is beautifully handled.  I was especially intrigued by the use of diamond shaped stitches for some of the more rounded glasses.  It works!

Kudos to the Leigh Design teams!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright November 1, 2018 Jane M. Wood. All rights reserved.

Tuesday, July 10, 2018

A Peek Inside The Needlepointer

The Needlepointer has started doing video tours of the shop occasionally. These are always fun to watch but this time they have a Melissa Shirley trunk show, some lovely tote bags and the Leigh Designs ice cream social models to show off.
https://vimeo.com/277722963

Now I'm hungry!  Who wants to share a banana split with me?

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 3, 2018 Jane M. Wood. All rights reserved.

Sunday, September 24, 2017

More Needlepoint News, This time from Dallas

The September 2017 newsletter from Leigh Designs is out, and everyone is talking about it. Leigh summaries the fun and the facts from Destination Dallas, then gives us a glimpse into the future.
http://www.leighdesigns.com/News/

It's a must read for everyone who wants to know what's going on in Needlepoint World.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright September 22, 2017 Jane M. Wood. All rights reserved.

Thursday, July 6, 2017

The Summer Sips Backgrounds

The newest series from Leigh Designs is a set of 4x5 inch ovals called "Summer Sips."   As you would expect, they show eight different summer drinks, all the sort of thing I associate with a trip to the beach.  Six of the series have stitch guides, and you can see photos of those on the Leigh Designs website.
http://www.leighdesigns.com/Grp811x.html

It's those stitched models I want to talk about today since they all have fabulous backgrounds and backgrounds are things many stitchers struggle with.  So why not visit the masters of the art and see what they came up with?  First, let's look at Carolyn Taggart's "Hurricane" and  "Pina Colada."

Hurricane Stitched by Carolyn Taggart

Pina Colada Stitched by Carolyn Taggart


Hurricane has a simple upright stitch that skips a channel. It's small scale and effective since it doesn't fight with the central motif but it does echo the upright shape of the tall drinks glass that is elongated even more by the fruit on the flamingo toothpick.  Pina Colada's background is a simple trellis pattern.  The diamonds formed by the lines crossing look a bit like the paper umbrella, unifying the background with a main part of the design.


Strawberry Daiquiri Stitched by Pat Miller


Pat Miller's "Strawberry Daiquiri" has a very unobtrusive background which appears to be skip tent stitch.  Because the color of the thread is almost exactly the same as the pink canvas in the background, all you see is a little texture, allowing the string of diamonds and pearls to be prominent and setting off the drink with its huge strawberry very nicely.  If you compare the unstitched needlepoint canvas outside the red oval with the stitched background inside the oval, you will see just how much the texture adds to the canvas without really making a loud statement.


Lemon Drop Stitched by Sandy Arthur

Sandy Arthur's "Lemon Drop" also has a very unobtrusive background, a darning stitch that slants / to echo the flow of the lemon slice and flower that decorate her drink.  Sandy use a quiet background stitch that copies the direction the main elements slant.



Cuba Libre Stitched by Sharon Quick

Bloody Mary Stitched by Sharon Quick

Sharon Quick's "Cuba Libre" and "Bloody Mary" have use the same pale pink color in their threads as the background canvas and both have decorative stitches in the background.  The Cuba Libre has a wave stitch which is neutral despite its horizontal orientation because of the up and down movement of the stitch.  This is a nice choice because of the seahorse and the fact that Cuba itself is an island, suggesting waves and a drink to be enjoyed with an ocean view.  The Bloody Mary also has a decorative stitch, this time an eyelet stitch that give the background the sense of oval petaled flowers. Since the Bloody Mary has peppers, celery leaves and an olive as garnishes, it makes sense to have a plant-themed background.  

So all the backgrounds relate in some way to the main theme of the design or echo the direction of the main motifs and all are light coverage.  One last thing I noticed was that all the Summer Sips except the Pina Colada have pink backgrounds that are very close to the background canvas color.  This helps keep the background in the background, even when it is quite fancy like Sharon Quick's wave and floral eyelet backgrounds.

Hopefully this gives you ideas for your next backgrounds.  Thanks very much to the extremely talented team at Leigh Designs!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright June 2, 2017 Jane M. Wood. All rights reserved.

Wednesday, June 14, 2017

When Beads Go Bad

Wiggly Beads Make Horrible Fringe!


Last fall I stitched Leigh Design's "Portal to Immortality" from her new Illuminations series.
http://www.leighdesigns.com/Grp633x.html

The piece has fringe under the tiger screen that I wanted to bead.  I used size 11/0 round gold beads in a row packed tightly together and attached with tent stitches to create the fringe.  It looked so bad I didn't even take a photograph!  I decided the beads were too large so I removed them and tried again with size 14/0 hex beads.  This time I attached the beads with cross stitches every other stitch to space them out and keep them in line.  As you can tell, the "keeping them in line" part failed miserably!  I even went back through the vertical row of beads with one long thread to try and pull them into shape.  It didn't help.

Sigh.

Looking at the beads again I decided that they were the right size but that I needed to use something other than cross stitches to tame them.  For my next attempt I attached the beads with tent stitches, again skipping every other thread.  They were much straighter but I still went through the entire row again with one long thread to straighten them.  Success!


Third Try's a  Charm
The moral of the story is that you must have the right size of beads for the effect you want and if you cannot keep them straight, try another stitch to attach them.  For beads, persistence pays off. By the way, here's the finished Tiger Illuminations.
http://www.leighdesigns.com/Mdl6333.html

Good luck with your bad beads!


Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright December 29, 2016 Jane M. Wood. All rights reserved.

Wednesday, December 7, 2016

Breaking News; Dr. Ray is Gone

A Leigh Custom for the Doctor

Over the years I've heard lots of stories about Dr. Ray Endicott, retired doctor in Hawaii who was a demon stitcher.  He loved Asian designs especially and stitched a great many, which of course made him a kindred spirit.  The design on the left is a custom Leigh Designs made for him.  Isn't it lovely?
http://www.caron-net.com/03janfiles/jan03fea.html

I was very sad to hear that the world just lost Dr. Ray.  His battle with ill health is over, but he's left a legacy of wonderful stitching and great memories.  Thanks, Dr. Ray!  Loved your geishas!  (By the way, there is also a tribute to Sandy Rodgers here. It's not been a good month for the World of Needlepoint.)
http://www.leighdesigns.com/News/

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright December 7, 2016 Jane M. Wood. All rights reserved.

Monday, October 10, 2016

The "Shared Art"

Judy Keenan is a new designer whose blog is great fun to read. I thought you might like to start out reading Judy's definition of art and how it applies to needlepoint.
http://www.judykeenanneedlearts.com/#!The-Shared-Art-of-Needlepoint/cxq3/56f99fdf0cf2e1f8bbc0af56

Judy's work is mentioned in the Leigh Designs October 2016 newsletter if you'd like to read a tad more.
http://www.leighdesigns.com/News/

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright June 18, 2016 Jane M. Wood. All rights reserved.

Tuesday, June 14, 2016

Exploring Surf and Sand with the Experts UPDATED


Seeing Stars Santa (Jane Wood)
This spring I've been busy stitching a Santa from Leigh Designs' Seashore Santa series. I'm not the only one--guides for this set are also available from Sandy Arthur, Pat Miller, Sharon Quick and Carolyn Taggart. All are superb stitchers with their own distinct style so I found it fascinating to see how we all choose to add sand and surf to the blank backgrounds behind these Santas.  This may be because Leigh Designs wanted these all to be made up as stand ups with an oval top to serve as models for trade and trunk shows.  So we all started out with a very similar background shape and size that we had to cover.  I want to talk a bit about the design decisions everyone made.  First, look at the entire unstitched series.  These are all on 18 count "sandstone" canvas, which is an ecru with a yellow cast.
http://www.leighdesigns.com/Grp835x.html

Now look at the photo above.  That's my Seeing Stars Santa.  I decided I wanted sand and ocean in the background because my Santa is a beachcomber, wandering the edge of the surf looking for washed up starfish and pearls.  I offset my Santa to the right so that I could add encroaching waves to the right corner.




It isn't obvious from the photo of the full Seeing Stars, but I used the same stitch, a wavy Bargello, for the entire background.  All I did when I got to the edge of the water is switch colors of silk floss and add pearls, clear beads and Swarkovski crystals to the join to indicate foam and washed up pearls.  The sand is Gloriana's "Honey Bronze 107."  The waves are Classic Colorworks' (formerly Crescent Colours)  Belle Soie "Babbling Brook CCS-027."  I should credit the idea for this to Brenda Hart who came up with something similar for a Melissa Shirley Beach Birdhouses canvas for a Bedecked and Beaddazzled embellishment class.  Here is Brenda's version.
http://www.notyourgrandmothersneedlepoint.com/2016/02/beachy-birds.html


Coral Reef Santa (Pat Miller)

Now let's look at Pat Miller's Coral Reef Santa.  Pat didn't add water to her background but the addition of little shaped beads gives me the impression of foam on wet sand around her Santa's feet.  She used a darning stitch background and an open stitch for the mound of wet sand.  Her Santa is centered.  Love those French knot corals, by the way!
http://www.leighdesigns.com/Mdl8353.html


Catch of the Day Santa (Sandy Arthur)

Next up on the page is Sandy Arthur's Catch of the Day Santa.  Sandy's Santa is centered on the background with his back to the ocean.  She also used an open darning stitch but it creates the sand while the wavy stitch at the top creates a choppy ocean.   While you are looking, check out the mermaid's hair--genius!
http://www.leighdesigns.com/Mdl8354.html


Globe Trotting Santa (Carolyn Taggart)

Carolyn Taggert's Globe Trotting Santa is next.   Her Santa also faces the ocean and is centered on the background.  The sand behind Santa is a  Bargello stitch (which I used) but the water is a random long stitch in an overdyed thread.  Carolyn added movement to the water by staggering the join between sand and surf.  Because both her sand and water stitches are horizontal ones, the join where the two meet is smooth.   By the way, I think the shells, coral and globe Carolyn created in Santa's arms are superb.
http://www.leighdesigns.com/Mdl8355.html


Treasure Island Santa (Sharon Quick)

The final stitch guide in the set is for Sharon Quick's Treasure Island Santa.  Sharon also used a wavy Bargello stitch on the background and her Santa also has his back to the water.  The wave in the stitch creates wavy water.  Her sand is quite unusual. It is a mounded shape like most of the other piles of sand but the mix of an overdyed thread (I think) with an open Staggered Cross (I think) creates a lot of movement in the sand.
http://www.leighdesigns.com/Mdl8357.html

To sum up, use a wavy stitch of some kind for water, overdyes make both great sand and surf, you can go with either an open stitch or a full coverage stitch for water and sand in backgrounds, create movement by staggering the margin between water and land in some way, and don't be afraid to toss beads and other embellishments around.

Many thanks to my fellow model stitchers for the master class in stitching surf and sand!

And now a word from our sponsor--all the stitch guides and canvases above are available for your favorite shop to order from Leigh Designs.


All the Seashore Santa Models (Sandy Arthur's tag is cut off but hers is the left hand Santa.)

UPDATE:  Thanks to Don Lynch of Associated Talents I have all of the Seashore Santa models from Leigh Designs' booth to show you.  Enjoy!


Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright June 13, 2016 Jane M. Wood. All rights reserved.

Tuesday, May 17, 2016

Pepperpot Skin Again

Seeing Stars Santa with Pepperpot Face

Last November I showed off my new set of Pepperpot Silk skeins in various skin tones.
http://chillyhollownp.blogspot.com/2015/11/pepperpot-skins.html

I finally got around to stitching a face with it.  Above is Leigh Design's Seeing Stars Santa from her Seashore Santa series.  As you can see, my tent stitches aren't totally even in this extreme closeup but if your stitch tension is tighter than mine and you really like Pepperpot Silk, the colors are lovely and good matches to certain skin tones.  I normally use 2 plies of silk floss for faces so I am not used to pulling threads tight as you can see.
http://www.leighdesigns.com/Grp835x.html

I used Pepperpot's "Baked Alaska" for Santa's skin and "Cotton Candy" for his pink cheeks.  Cotton Candy isn't one of the skin tone set; Baked Alaska is.  Pepperpot Silks come in a huge range of tans so I think you could pick darker shades for the person you are stitching if they are not particularly fair.
http://www.planetearthfiber.com/index.php/needlepoint-fiber/pepper-pot-silk

This is a thread well worth adding to your stash.  I like my Santa's face and will use this again the next time I stitch a person.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright April 26, 2016 Jane M. Wood. All rights reserved.

Friday, March 11, 2016

Box Beads (Sundance)

Sundance's Box Beads
Recently Sundance sent me a selection of their new "box" beads to play with.   As you can see from the photo, these are perfectly square beads that are 3mm on each side.  The holes in the middle of each bead are relatively large.


Box Beads in Corners of Gold Digger Miami

I used Sundance's box beads as accents in the corners of my Gold Digger Miami piece from Leigh Designs.  The photo above is a test using gold and red beads so I could decide which color I liked best.  (I went with the red.)  I was able to use a doubled strand of overdyed cotton to go through each bead 3-4 times to secure it, so those center holes will take a very fat thread, probably even a strand of Impressions or something similar in diameter.  The beads themselves stand up high off the canvas and are slightly larger than a normal round size 11/0 bead.

Very nice and the color selection is large, which is always a plus.   I certainly will be using these again!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright February 25, 2016 Jane M. Wood. All rights reserved.

Monday, February 8, 2016

Border Help from Carole and Michael



I just got my hands on Desert Island Stitches, Volume Two:  Ideas for Creative Borders.  This is one of the two newest books from the creative minds of Michael Boren and Carole Lake. (The other is Twisty Stitches Vol. 1, but more about that later.)  I was lucky to get an early copy since my current piece, Leigh's "Miami Gold Digger" has an elaborate border for which I needed ideas.
http://www.leighdesigns.com/Grp505x.html

This is a little book, like all the Desert Island Stitches books.   The Desert Island Stitches series are meant to be portable idea machines, not encyclopedias of stitches.  It's spiral bound with a laminated front and back cover for durability.  Borders is eighty pages long, if you count the title page and the list of reference books for further reading at the end.  Twenty-three of those pages are diagrams of border stitches.  There are anywhere from three fat borders to ten skinny borders diagrammed in black, white and gray on each page.  Each chapter deals with a separate type of border and typical examples are also diagrammed in that section.

Folks who prefer their stitch diagrams numbered should note that Michael and Carole do not number the stitch path.  They want people to figure this out on their own, which reflects their backgrounds as needlepoint teachers and designers.  They know there are many ways to work a stitch, depending on how much thread you have and the look you want.

The bulk of the book is an explanation of the various types of borders (borders that run all around the perimeter without a break, borders with corners or center motifs, borders that have mitered corners, etc.,) and tips on how to count out and create such borders.  Chapter introductions to each type of border and the crucial Rules of Divisibility counting tips page are printed on pink paper to make them easy to find.  The Rules of Divisibility section was of the greatest help to me since counting is always a problem.  I was able to figure out with Carole's and Michael's help how to position the border I wanted to use (found on page 59) so that it counted out correctly.

Anyone who uses a lot of decorative borders, striped backgrounds or narrow bands on their needlepoint will want a copy of this book.  Anyone unable to count out borders successfully (like me) will find it a great help.  I highly recommend it to anyone who collects needlepoint books since there are not that many books about needlepoint borders widely available.  I didn't even know June McKnight or Jane Zimmerman had books on borders!  (See the reference book list for more.) This would be perfect for a local stitching chapter's lending library or for a shop's reference shelf.

Your local shop can order this from Rainbow Gallery, Michael and Carole's book distributor, or you can order it directly from the authors.
https://www.four51.com/UI/Customer.aspx?p=Catalog&CatID=PQ0DWi8Xy3jvBKPf-szSRzvwov3vUw-sktHeo6qVC7l4vuVvGFj5kuig-e-e&CatInteropID=994CA9D3-3E43-46A1-B308-D4B2A8F38D02&CEI=6815749b-863a-46e2-8447-9c4fe231f2f4


Miami Gold Digger has a Border!
By the way, here's my border underway.  There's more border to come, courtesy of Carole and Michael who took a lot of mystery out of creating decorative borders!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright February 7, 2016 Jane M. Wood. All rights reserved.