Showing posts with label Stitches for Effect. Show all posts
Showing posts with label Stitches for Effect. Show all posts

Wednesday, September 14, 2022

Stitches for Effects Series Going Up in Price

Homestead Needle Arts just announced that the Stitches for Effects books are going to cost more starting in October 2022.

This makes sense as costs for paper and labor are going through the roof.  The moral is, if you like to stitch embellished canvases, you should buy one or more of the three books at today's prices.  They are invaluable guides to what stitch to use to create snow, mountains, skirts, fur, leaves, etc.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright September 10, 2022 Jane M. Wood. All rights reserved.

Monday, September 1, 2014

Breaking News: Beth Robertson Is Gone UPDATED

Whether you ever met (or even heard of) Beth Robertson or not, your stitching is better because of her. She collaborated with Suzanne Howren on the Stitches for Effects books, with Ann Caswell on the Thread Thesaurus, and with Suzanne,  Meredith Willett and Tony Mineiri to create the Fab Four teaching team. She also was part of SHEAR Creations and the Thread Technique Team (T3).   I'm sad to say I've heard several places this evening that Beth has died. 
http://mostlyneedlepoint.com/how-do-you-say-goodbye/

Here is a bit more about Beth.
http://www.caron-net.com/featurefiles/featmar.html

http://www.caron-net.com/sep00files/sep00des.html

http://www.artistscollection.net/Shear_Creations_Gallery.html

If you have a Facebook account you might like to leave condolences on their SHEAR Creations page.
https://www.facebook.com/pages/Shear-Creations-LLC/170862862959444

UPDATE:  Online Obituaries
http://www.everlywheatley.com/obituaries/Elizabeth-Robertson5702381685/#!/Obituary

http://www.legacy.com/obituaries/washingtonpost/obituary.aspx?n=elizabeth-ann-robertson&pid=172523688&fhid=2192&eid=sp_shareobit

UPDATE:  Tony says goodbye.
http://www.tonyminieri.com/tonyblog/2014/8/12/ode-to-a-friend

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright September 1, 2014 Jane M. Wood. All rights reserved.

Sunday, September 4, 2011

The Fun is Over (But Returns Next Year in Philly)

Vicky's class at Seminar is over and everyone is packing up and going home.  But the good news is Vicky promises that the Stitches for Effects ladies are planning a blog.
http://mostlyneedlepoint.com/09/03/parting-is-such-sweet-sorrow/

Everyone had a lovely time, even all the way from San Antonio to Austin.
http://www.stitchinginthetexashillcountry.com/the_needle_works/2011/09/ang-seminar-visit-to-the-store.html

But don't feel sad for Vicky.  ANG's Seminar will return in 2012, this time in Philadelphia.  And now that the classes have been announced, Orna Willis can show off what she'll be teaching there.
http://ornadesign.blogspot.com/2011/09/finally-i-can-show-you.html

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com

Monday, June 27, 2011

The Cat Topiary Garden Hedges UPDATED WITH PHOTOS

Left Side Hedge
UPDATE:  Blogger finally allowed me to add the last two photos, after 18 hours of trying!


I've been test driving a lot of stitches for the various bushes, hedges and tall trees in the background of the cat topiary garden.  I am particularly interested in finding a stitch for the topiary bushes themselves since right now I'm thinking millions of French knots.  Anything is better than that, right?  LOL

So I'm reading carefully through my two best sources of plant stitches--June McKnight's Plants and Animals in Needlepoint and the three Stitches for Effect books by Robertson and Howren.  I found an interesting stitch called Staggered Cross in More Stitches for Effect (page 60) that is recommended for topiaries.  When I tested it I didn't think it was what I wanted for the topiaries in my garden but it sure looked good for the hedges!

In the above photo I've completely covered the front of the left hedge (but not the top, I'll use another stitch there) with the diagonal rows that are step one of Staggered Cross.  I used one ply of DMC 700 here.  I have started adding the tiny cross stitches of step two in the rows above the length of thread laying across the canvas.  I used the slightly lighter DMC 701 here.  That adds texture to the pattern and makes the hedge look slightly rougher--which is what you see in clipped hedges.

I originally thought I should use a darker thread for step two since I thought the big stitches of step one should be more prominent, but using the lighter thread for the tiny stitches looks better.  This is part of Color Magic, which is what I call the mysterious effect of two or more colors together on a needlepoint canvas.  You really don't always know what will happen!

Right Hedge Started
When it was time to start the right hedge, I turned my canvas on its side to make working the diagonal rows easier.  In the photo above I've stitched a few rows of step one.

Staggered Cross

Here's a diagram of Staggered Cross, showing both steps.  As you can see, this is an easy stitch.  The tiny green stitches are regular cross stitches while the red and yellow stitches are just big cross stitches.  I used one ply of my DMC floss on my 18 count canvas for both steps.  You may decide one ply looks skimpy if you are working the 13 count version of this design.  Go up to two plies--or maybe even three if you like the effect--but don't go any higher.  You don't want the hedges to be too heavy looking.  We have the more solid items like the cat statues and the real sleeping cat to do.  The hedges shouldn't overshadow those areas.

Note that the hedge fronts are painted a solid color without shading.  So I didn't bother with a stitch that would reveal shading in the paint underneath.  Staggered Cross pretty well covers the painted design, even with just one ply of cotton floss.    This means you can choose any two close shades of green for the hedges that look good with the other bush and shrub colors. This will help you use up stash threads, even if your greens don't exactly match the paint color. It's more important to have two very close shades of green that work with the rest of the canvas than it is to match the paint color.  DMC 700 and 701 are a pretty close match, though.

Right Hedge Top
Once the sides of the hedges are done, we move to the tops.  I wanted to use a slightly larger scale stitch here that is related to Staggered Cross with the same threads as used on the sides.  So it's back to the books!  I found just what I wanted on page 12 of June McKnight's Plants and Animals in Needlepoint.  It is called St. George and St. Andrew Crosses.

St. George and St. Andrew
This is a simple stitch.  You do the same large cross stitch used in step one of Staggered Cross but in a straight row, skipping two threads between each large cross.  For the rows above and below your first row, stagger the large crosses so that they are positioned above and below the skipped two threads in the first row.  Continue along, alternating large crosses and skipped spaces, until the area is filled.  Then put big plus signs + in the skipped areas, again working until the empty spaces in each line are filled.

Hedges
The above photo shows what you end up with at this stage.  By the way, I used my lighter color of green here:  DMC 701.

See the hedge top under the cat topiary in the center of the photo just above?  I stitched that the same way as the other two hedge tops so that all three are the same stitches and thread.  I'm also going to use Staggered Cross to do the very dark green front of that hedge, probably using DMC cotton floss in 319, which is a dark green with olive green mixed in.  For that center hedge, I'm going to use DMC 319 for both steps in Staggered Cross as I want that hedge in shadow without any color shading to catch the eye and detract from the gate in front of the hedge.)

But there is more!  I made sure that I didn't compensate my St. George and St. Andrew Crosses at the top edge of the hedge top.  If there were a stitch or two there uncovered by either the large crosses or the large plus signs, I did a small tent stitch over them.  I compensated at the sides and bottom of the areas but not the top. Once I finished adding a tent stitch here or there at the top side, I put tiny one wrap French knots along the top, covering the tent stitches which are just there to give something to stabilize the French knots so they won't pull out.  Then I scattered French knots here and there through out the cut top of the hedge.  This softens the regular look of St. George and St. Andrew Crosses and makes the hedge look more like the tiny leaves are growing back here and there after a trim with the garden shears.

The photo below shows the finished look and the diagram above shows just the St. George and St. Andrew Crosses without any French knots or tent stitches along the top.  The tent stitches and French knots were done using DMC 701 but the dimension you get from French knots makes it look like the hedge tops were done in several colors. They were not.  It's just more Color Magic.

Left and Right Hedges Done, Center One Underway

I need to finish the central hedge and then I'm going to stitch the four remaining bushes which aren't topiaries.  They are on either side of the egg-shaped bush and to the right side behind the cat statue.  That will mean the egg bush and the four shaped topiaries are all of the greenery unstitched at this point.

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com and at http://chstitchguides.blogspot.com

Saturday, September 11, 2010

Picking Stitches for the Pirate Cat: Part Two

I have three ideas for the background of the pirate cat:  use box shaped stitches to echo the rectangle of the sign, use diagonal stitches to subtly point toward the cat and his sign, or use darning stitches to write out either words of Halloween symbols.  Once I reach this point, I need to pull out my stitch dictionaries and start looking for stitches that meet the criteria.

Most stitchers have books with stitches diagrammed in them in their library.  I think two series are particularly useful for folks who are going to be choosing stitches for their canvases.

One is the Needlepoint 101 and Needlepoint 202 Guide to Painted Canvas series by Ruth Dilts.  These two small books walk you through a series of canvases Ruth stitched, with diagrams of the stitches she choose and some information on why she picked what she did.  There is information about how to pick a canvas to embellish with your own stitches and help with threads.  The canvases are usually small but they are varied so you can see examples of all sorts of designs you might like to stitch.  These are useful books, especially for the novice.
http://www.ruthdiltsdesign.com/guide.html

http://www.ruthdiltsdesign.com/Needlepoint202.html

However, when I start looking for a variety of stitches, the first place I go is my three Stitches for Effect books.  These were written by Beth Robertson and Suzanne Howren.  (There are four books in the series, but Stitches to Go is intended as a portable book with just the diagrams from the Stitches for Effect series.  Ignore it for now.)  You want Stitches for Effect, More Stitches for Effect and/or Even More Stitches for Effect.  These three books have a huge number of stitches diagrammed and they are organized by effect.  Want to look at stitches for snowflakes?  Refer to the index in each book and look at the stitches that make great snowflakes.  Need something for fur?  Look it up in the index, then browse the recommended stitches.  For beginners in canvas embellishment, these are great books!
http://www.threadneedlestreet.com/booksndptstitches.htm

I also pulled out SuZy Murphy's SuZy's Darn Stitches as it has pages of darning patterns.  I might find a pumpkin or skull diagrammed there for the background.  (See link above for info on this book, too.)

I browsed SuZy's Darn Stitches first, but didn't find a pumpkin stitch that really grabbed me and there were no skull stitches.  I reluctantly decided that I didn't want to go to the trouble of graphing out the words Feed Me, either, so we are back to just two ideas for the background:  a rectangular or box shape that resembles the sign or a diagonal stitch that will subtly point toward the Pirate Cat.

So I browsed my stitch dictionaries and did a little test stitching on scrap canvas (you can always use the wide margins of your current canvas if you want) before I came up with a stitch I liked.  But that is another Blog entry for another day!

Written by Jane/Chilly Hollow Blogging at http://chillyhollownp.blogspot.com Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Friday, May 2, 2008

Stitches for Effect at Shining Needle Society

I just got an email announcing that Beth Robertson and Suzanne Howren are going to teach at least three short classes via the Shining Needle Society's Yahoo Group. These are going to be stitch notebook-type classes so students will furnish their own supplies. Each class covers 12 stitches and each group of 12 stitches will cover a theme. July 1-August 31 is sky stitches, Sept. 1-Halloween is quilt pattern stitches, and November 1-December 31 is stitches for realistic animals.

For more information and how to sign up for the Sky Class, join the Shining Needle Society here--

http://groups.yahoo.com/group/SNS_Home_Room/

then search for message #328 which has the Stitches for Effects class announcement and all the details.

Main blog at http://blog.360.yahoo.com/blog-7rjKEjEyc6.dskPWsp8S8mzUleA-?cq=1