Showing posts with label Sue Parsons. Show all posts
Showing posts with label Sue Parsons. Show all posts

Friday, August 7, 2026

A Quick Look at Needle Pointers

Melita gives us a quick look at what's inside the May/June 2026 issue of ANG's Needle Pointers magazine.

Sue Parsons of West Coast Finishing does a fabulous finishing job.  I didn't know she did classes on finishing as well.

If you join the American Needlepoint Guild (ANG), you'll get the magazine as part of your dues.  Members can also browse the issues online now.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright May 29, 2026 Jane M. Wood. All rights reserved.

Sunday, September 7, 2025

Lani's Morning Glories (with Finishing)

Melita is going to take a finishing class from Sue Parsons of West Coast Finishing so she dug around in her stash and found a three inch round ornament by Lani of flowers.  She had a little trouble identifying all the elements of the design but with Lani's help, she found it was morning glories and buds.

It looks like this design is discontinued but you'll have fun browsing Lani's website anyway.



Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright July 8, 2025 Jane M. Wood. All rights reserved.

Thursday, May 8, 2014

The Russian Santa Models, Straight from Market

Leigh's Russian Santa Models
Leigh Designs has posted photographs of the Russian Santas Sandy Arthur and I stitched on their website. These are the models who went to the trade show to tempt your shop to import Russian Santa canvases for your stitching pleasure. Scroll down to the bottom of the page and click on the Santa you wish to view.  I hope you enjoy seeing how they turned out! 
http://www.leighdesigns.com/SG-Home.html#8333

The finishing is by West Coast Finishing.  Each Santa has white fabric on the back side, similar bi-colored twisted cord around the edge and are shown on plastic easels which I believe are L-shaped so that one end is inserted through the bottom of the Santa.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
© Copyright 2014 Jane M. Wood. All rights reserved.

Monday, December 23, 2013

Russian Santa: Choosing a Background Shape

I am a bit unusual in that I always stitch my background before anything else. Of course this time I started with the face as I waited for the poll on how to finish the Northern Light Santa closed, and then waited on input about background from Leigh Richardson of Leigh Designs and Sue Parsons of West Coast Finishing. I also am waiting for threads since I'd chosen the perfect color but didn't have it in the right thread type, so I had to SOS Rainbow Gallery to come to the rescue. (More on that later.) 

First, the poll:  Eighty-four percent of Blog's readers voted for a stand up figure, eleven percent wanted an ornament and five percent didn't care how my Russian Santa was finished.  I consulted Leigh as this will be a model for her trade show booth and she agreed that a stand up figure was preferable.  So we know how Blue Russian will be finished!  He will be a stand up figure.  That's always good to know before you start a background.  (Here's the final poll, by the way.)
http://chillyhollownp.blogspot.com/2013/12/the-cats-out-of-bag.html


So what's the perfect amount of background needed for a standup figure?  I consulted Sue Parsons, who as the owner of West Coast Finishing, knows everything there is to know about the best way to finish stand ups.  She suggested either a dome shape or a squared shape for a standing figure.  She also said about half an inch of space around the figure would be enough from a design perspective (although more background is better than not enough, since too much background can be shortened in the finishing process).  She also told me for a boxed edge shape, it's best to have a square background but otherwise a rectangle would work.  Here's the West Coast Finishing website, in case you are curious about Sue's work.
http://www.westcoastneedlepointfinishing.com/photos

I talked to Leigh about this. She likes the dome shape idea plus little ball feet under the figure and a small braided edge.  Since this is her model, she gets to choose, but it also sounds just right for this small, elegant Russian Santa.

The angel figure in the link below is from one of Nimble Needle's customers.  It shows both a boxed edge and an edge that echoes the shape of the original design.  It also has a small braid around the front and back edges.  No dome shape here, but otherwise this illustrates several of the things Sue and Leigh talked about beautifully.
http://needlenicely.blogspot.com/2013/12/treetop-angel-finished.html

If you scroll down this page from Chandail's website until you find the Bell Santa series, you will see domed canvases made up into a unique rounded bell shape on the back side.  Again, this isn't quite what Leigh envisioned but it shows the domed arch top very well.
http://www.chandailneedlework.com/ongoing-series.htm






Remember the ball of navy perle cotton I pulled out with all those threads and put back since I didn't think it was the right texture for my Santa?  I got it out again and went to work outlining Santa.  Here is the figure with a line ten threads away from the top of his head and the bottom of his feet.  This is an 18 count canvas so 9 threads are about half an inch.  Going out ten threads enables me to stitch to within one thread of the perle cotton, making it easier to remove my basting outlines later.  Joining up the lines in a rectangle shows me that there is a lot of background on either side and counting down ten threads from his feet makes him look like he's floating on air.  I need to adjust those outlines of perle cotton some.  But it is easy to pull out the basting lines and redo them.




Here he is again, this time with a line across the upper third of the canvas.  This is what I'll use to figure out the dome shape at the top.  By the way, see the knot of blue thread above his head?  That's the center of the canvas top and bottom lines.  Sorry, I haven't gotten around to pulling out the bottom line yet so Blue Russian is floating on air still (too much vodka?).




I printed out a paper copy of the above photo, folded it in half length-wise, drew an arch with a protractor starting at the midline on the right side and then drawing up to the center knot at the top, pulled out my scissors, and got to work cutting!  What you see above is the paper pattern, cut to shape.  I didn't round off the top where you see the knot, just so you could see the middle of the top line.  I did cut off the bottom space so that the bottom of the design is the bottom of his robe.  When I unfold the paper pattern, I'll have a model to use to baste the arch at the top.




Here is the Blue Russian Santa with his domed arch background basted in.  I adjusted the top to be a dome and moved the bottom line to just under the hem of his robe, but I can see I will need to work a bit on the right side as it isn't quite like the smooth curve of the left.  I'll do that today.  I did notice that there are only 7 threads on the diagonal between the tip of Santa's staff and the curved edge of the design, a bit less than I would like, so I may try to fix that as well.  Stay tuned!

By the way, my friend Ann uses architectural stencils for arches and other shapes.  It's a little expensive to stock up on these but Ann has had hers for years and finds them very handy when she needs them.  I'm talking things like these--
http://www.usartsupply.com/ItemDetail.aspx?ItemNo=CTH+T-810&gclid=CKOxh7zauLsCFXHxOgodl0MAFQ

This has been rather long, so let's talk about background stitches and threads next time.  After all, there's no hurry as a lot of folks are still waiting on their Russian Santa canvas and others are just too busy during the holidays to do any stitching.  This is supposed to be a relaxed stitch-a-long, after all.

By the way, all the above will apply to any Russian Santa if you want to do a stand up figure with a domed arch top.  Some folks want ornaments and some will rather have a boxed edge or a more squared off top.   Don't worry!  The backgrounds I will discuss next will work for any finished shape.

Yes, I said backgrounds with an S.  I'm going to present three background stitches--the one I am going to use and two alternatives.  I promised Leigh I'd talk about things that would apply to all the Russian Santas, not just mine.  Stay tuned!

Questions?  Email me at chillyhollow@hotmail.com and I'll get back to you within a day or so.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.

Tuesday, June 25, 2013

Taking a Different Path

Leigh Designs' Trinidad 6272

Now that the excitement of the Columbus trade show is over and things are calmer, I wanted to post a bit about the model I stitched for Leigh Designs for this trade show. Lots of folks ask for more articles about my own stitching and the story about this piece is quite a tale, so I'm going to go into some detail about this piece, how it evolved and how the technique I used can be used on other similar designs.  I should warn you, though.  The subtitle for this article should be Jane Has Lost Her Mind....

When Leigh asked me to stitch one of the smaller 6x6 "coaster" sizes from her new Caribe' series last spring, I picked out the charming small version of Trinidad. All these canvases are named after Caribbean islands and are created from motifs specific to a certain place. We think of the Caribbean as a single tropical paradise but each island has it's own singular history and geography. The Caribe' series celebrates their uniqueness.

Here are the large Caribe' canvases.
http://www.leighdesigns.com/Grp626x.html

http://www.leighdesigns.com/Grp627x.html

The second link is to the smaller versions.  I have done a stitch guide for both the large Bermuda and for the coaster sized Bermuda.  There are also stitch guides available for the large versions of Barbadoes (Pat Miller),  Jamacia (Sandy Arthur), and Martinque (Sharon Quick).  Sandy Arthur has also done a small coaster version of Montego with a guide.  You have lots of choices if you want to visit the Caribbean in your stitching with a stitch guide in hand.

Back to how I came up with a plan for stitching tiny Trinidad--
For a very long time I've been thinking about how Brenda Hart occasionally completely covers a canvas with one stitch in gold metallic. Like this--
http://www.notyourgrandmothersneedlepoint.com/2012/02/too-much-detail.html

I wanted to try this but with my own twist. Then I happened across this painting by Grant Leier at the same time Leigh asked me to stitch a smaller Caribe. It all came together in my mind.  After all, Trinidad has similar parallel lines on the left between the jagged shutter edges and the orchids.

http://www.canadahouse.com/dynamic/artwork_display.asp?ArtworkID=30456
I should mention that last fall I did a lot of shopping for sheers for my windows. I bought plain ones but I saw a lot of fancy sheers covered in embroidery that were magnificent.  So the elements that made up the recipe for this canvas were Brenda Hart's technique plus Grant Leier's art plus looking at window sheers online.   That is how my version of Trinidad was born.  (Yes, my subconscious is a frightening thing!)  Here's Trinidad completely stitched.

I covered the entire canvas with plum tulle. Then I stitched a grid over the tulle using Petite Silk Lame Braid. The grid was secured with metallic Sulky (Sulky's a machine sewing thread but Kreinik's blending filament will work just as well) and I put Swarovski's new flat back crystal sequins, beads and regular bicone crystals on top.   This is a very fast technique.  It took me only two weeks of working 2 hours a day to stitch Trinidad and write the stitch guide.  Here's how it ended up.


Jane's Trinidad 6272

Nothing is stitched on the canvas underneath. All the stitching is on top of the tulle. I wanted the effect of looking out a window at a tropical scene through expensive sheers that are covered in metallic thread and embellishments.  In person there is a lot of sparkle which you can't see in the photo above. Cameras are blind to bling.

Of course the final touch is in the finishing. West Coast Finishing took my idea and made something beautiful! Think a shady Southern veranda with big wicker chairs and lots of ferns and palms and orchids in pots, with a pitcher of lemonade on the table along with a good book.  Add the perfume of flowers in bloom and a beach view in the distance and you have Trinidad.


West Coast Finishing's Pillow Version

This tulle with embroidery on top technique will work for quite a few canvases that are landscapes of some sort.  If you have a canvas that might be a view out a window, pick up my guide (it's only $5 retail) and try it. 

Please join me in toasting Leigh and Robert Richardson who trusted me to stitch this in a totally untraditional way and Sue Parsons of West Coast Finishing who came up with the pillow concept and found just the right fabrics and crystal drop trim to make Trinidad wonderful.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.