Saturday, September 26, 2009

Susanne and Colleen Do My Job




My job as Master Enabler is being ably filled by Susanne and Colleen today.  First of all, Susanne emailed me to remind me to tell everyone that ANG has put photographs of the 2010 Seminar Classes up on their websites.  Only the photos are there, not any class information, but we'll all have fun looking anyway.
http://www.needlepoint.org/Seminar-10/index.php


Colleen of Needle Works in Austin has added new photos to her blog so we can see what Maggie, Melissa Shirley, and Needlepoint of Back Bay brought to Market.  Remember Colleen's 20% offer on everything she posts photos of and email her before Monday night to order.
http://theneedleworks.typepad.com/the_needle_works/2009/09/smoke-gets-in-your-eyes.html

Thanks for doing such a great job in tempting us, ladies!

By the way, the blue geometric is "In the Mood Blue" by Marnie Ritter (to be taught in Columbus in 2010) and the elegant witch is a Halloween piece by Melissa Shirley.

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

The Tunic Stitch, Steps 1-4



I've been pondering what stitch to use for the upper tunic and the sleeves the Rabbit Geisha wears for several days now.  I've tried a variety of stitches, particularly ones that look floral or like leaves as I thought that would be appropriate for a kimono.  Many Japanese kimono have flowers or leaves on them and I thought since the Rabbit Geisha doesn't have much pattern on her clothing, I could use a fancy stitch to add interest.

I finally decided to use the stitch you see started above.  This is called Brocade Stitch.  I found it in Brenda Hart's Favorite Stitches book, page 10.  However, I didn't work it exactly as Brenda has it diagrammed.  The photo above shows the first step in this stitch.  See how floral it looks?



You should also look carefully at the sleeves and at the left side of the kimono top in the close up of the same photo just above.  See how everything lines up exactly the same?  Now look at the single flower motif I've stitched on the right side of the kimono top just under the collar.  I am deliberately not lining up the pattern here.  Designs on patterned clothing we wear doesn't line up regularly when we actually are wearing it, so I decided I would make sure at least one section of the tunic isn't even to make this more realistic.  I will also move the pattern around a bit for the lower half of the tunic so it is also not lined up exactly when I get to it.

By the way, this first step is stitched with a strand of Rainbow Gallery's silk perle Subtlety, which is the size of a #12 perle.  The color is Y900 and is a bit lighter than the golden sand color the tunic is painted.

Once the flowers are stitched, the second step is to double a strand of Accentuate (I used 022) and stitch a cross stitch in the center of each flower.

The third step is where I differ from what Brenda diagrams.  I took a strand of the thin metallic Bijoux (no color number but this is a bronze brown) and backstitched the boxes that separate the flower motifs.  Light colors are supposed to come forward and dark colors recede but as you can see in the photo of the right sleeve below, the opposite happened.  I like the look, although it wasn't what I expected, so I left it.



The final step is to lay a long vertical line of my Bijoux down through the middle of the row of boxes, then couch it down with my doubled Accentuate by coming up in the center stitch of the box, crossing over the Bijoux, and then going right back down in the same hole.  Brenda doesn't do the vertical lines and puts a bead or a French knot in the hole I'm using to tie down my couched Bijoux.

In the third photo, the right sleeve is finished and the center cross stitches are inside the flowers on the left sleeve.  I still have a lot of the tunic to go, but this stitch works up pretty quickly, even if there are four steps to it.

Since I used three new threads on this piece and also used up a skein of my background DMC cotton floss, I will add 8 points to my stash credits (one point for each new thread used and five points for using up all of one thread).  Hurrah!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Friday, September 25, 2009

Your Personal Shopper Arrives at TNNA Market




Colleen of The Needle Works in Austin, Texas is at the TNNA cash and carry trade show now and has already posted photos of two brand new Leigh Halloween designs on her blog.  One of the witches (Delphine) in the six witch Wicked series is shown above.
http://theneedleworks.typepad.com/the_needle_works/2009/09/stop-the-presses.html
UPDATE:  All six Wicked witches are on the Leigh website.
http://www.leighdesigns.com/Grp512x.html

To keep you reading her blog, Colleen says if you order any of the brand new canvases she showcases on her blog by 5 p.m. on Monday, September 28, you will receive a discount of 20% off the retail price.  Email Colleen at this temporary address while she is at Market theneedleworkssales@gmail.com to place your order, but remember this offer is only good for a limited time.

It's like having a personal shopper at Market with a trunk show discount....

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

More Background While Debating



I was pretty tired last night so I did a little more background, trying to move down the right side of the canvas and fill in the background from the Rabbit Geisha's waist to her feet and beyond.

While doing all this, I've been wondering just what stitch to use for the tunic part of her kimono. I am going to test stitch this Tony Minieri stitch tonight but it occurred to me that I really need to pick threads first.
http://needlepoint.org/StitchOfTheMonth/2009/jun.php

The weight of the threads used, plus whether the filling stitches are beads or metallic threds, is going to change the look a lot.  Guess I need to do a lot of test stitching.  I might stick with the Mandarin Floss I'm using for the bottom skirt or choose a new thread altogether.  Haven't decided.

You can see why I am doing background while I think this all over!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow

Thursday, September 24, 2009

Pantone and the Stitcher





Textile folks know about the Pantone report which tries to predict color trends for designers of all sorts of products.  Here's the Pantone report for this fall in a PDF format.
http://www.pantone.com/downloads/articles/pdfs/PANTONE_FCR_FALL09.pdf

After you droll over the sketches of designer gowns using these colors, you might want to read about this beader's use of the Pantone colors to generate color palettes for her beading.
http://beadlust.blogspot.com/2009/09/ten-great-colors-for-fall.html

Anyone who needs to choose colors for a design (whether it is a counted thread chart or an original design or an outlined canvas) might find the color articles from Pantone a good source of inspiration.

The fall colors seem luscious to me.  Do you like them?

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
Archived Yahoo 360 postings at http://profiles.yahoo.com/chillyhollow