July Shop Newsletters

It's the first of July (or it was when I wrote this) and that means shop newsletters! The first published was Amy Bunger's.   Besides glimpses of her Tudors Home Study lessons, there are new magnets and canvases galore to admire.  I am not a fan of the metal magnets from Puffin but the dual pumpkins are adorable and of course there are flashy rhinestone magnets from Elizabeth Turner Collection and Accoutrement Designs if you need bling like I do.  There are a few darling scissor fobs as well as a wonderful Wild Women canvas (Melissa Shirley Designs) of Queen Elizabeth I with astounding lace sleeves.  
http://www.amybunger.com/f/0713.pdf

The Bedecked and Beaddazzled newsletter is available today as well. Besides the news about Ruth Schmuff's wonderful mystery classes, she explains now to make wonderful curls using Wonder Ribbon.  There are also glimpses of new canvases to enjoy as well.
http://www.bedeckedandbeadazzled.com/needlepoint/downloads/bedeckednewsjuly2013.pdf

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.

The Use of a Burling Iron

The Stitching Destashing blog had a pair of burling irons for sale this last weekend. I didn't know what they were, although they look a lot like tweezers, so I did a bit of research. Here's what Marion Scoular has to say about them.
http://www.needleartworks.com/dsgnr/mss/mss1.htm

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.

Renaissance Period Dyed Wool

Folks who like to do Jacobean-style crewel embroidery and those who create historic costumes for the 16th Century already know about Renaissance Dyeing's wools, but for those of us who don't fit into either category or want to learn a bit about dyeing threads, here is a wonderful interview that talks about the natural dyes the company uses to create historic reproduction wools.
http://www.theunbrokenthread.com/blog/2013/06/13/renaissance-dyeing-and-bateau-bayeux/

The second link below is the Renaissance Dyeing website.  It is a great deal of fun to explore.  See the wool colors that Henry VIII, William Shakespeare, and their contemporaries would have seen every day!
http://www.renaissancedyeing.com/en/

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.

Attention: Maryland Stitchers

The Maryland Historical Society is recreating the Star Spangled Banner and they are having two public stitching days in August in Baltimore for members of the public to participate.  Details here--
http://www.mdhs.org/star-spangled-banner-project

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.

Catra and Her Background Hieroglyphics

Catra's Background Hieroglyphics

I am stitching a canvas from Tapestry Fair called Cleo's Cat.  This is the canvas that has decorated the left side of Blog for about a month.   I have just enough of the background done to show off my stitching progress.  By the way, I call this piece Catra in honor of a friend's cat, CleoCATra.  Here it is on the Tapestry Fair website.  As you can see, it's a bit over 11 inches high by 10 inches wide on 18 count canvas.
http://www.tapestryfair.com/index.php?option=com_content&view=article&id=67&Itemid=1

It has been a challenge to work because Ruth Schmuff did a very similar canvas in the early spring mystery class she ran for her shop. (You can see Ruth's finished piece at her blog at the link below.) The backgrounds and bottom borders of both canvases are painted in an almost identical way. Ruth's hieroglyphics are beaded and she used an elaborate open pattern she made up (along with skipped tent I think) for her background. Very pretty!
http://www.notyourgrandmothersneedlepoint.com/2013/05/national-bastet-day.html

Because I am doing a stitch guide for this piece for Tapestry Fair I can't copy what Ruth did.  I don't want to, anyway. She's taken things as far as they can go in the direction of beading and fancy backgrounds so I am going in a totally different direction.  My background is as simple as you can get--a Parisian Stitch variation done in Finca perle cotton and High Cotton. I just read on someone's blog that they'd taken a class from a famous teacher (can't remember who) who said why use a fancy stitch for a background when a simple one will do? Wish I knew who said that.  I took it to heart here. The only concession to fanciness is that I turned Parisian on its side and am working it in vertical columns that don't interlock. I call it Parisian Sand since it is a Parisian variation and reminds me of a sandy texture.  Here's Parisian Stitch.  I've posted a photograph of my Parisian Sand diagram.
http://needlepoint.about.com/od/longstitches/ss/ParsianStitch.htm

Parisian Sand doesn't compete for attention with the hieroglyphics and is easy to compensate around all those fiddly hieroglyph shapes. (Two important things for background stitches!)

I can hear someone in the audience saying "Wait a Minute! There are a lot more hieroglyphics on your stitched version than the original!" Yes, there are. When I was thinking background stitches and wondering what to choose that would be totally different than Ruth's backgrounds, I browsed my stitching books and came across a background stitch that is alternating triangles. It is a variation of Pavilion Stitch where the diamond shapes have one color in the top half and another in the bottom half. You get a row of triangles followed by a row of upside down triangles. They immediately reminded me of pyramids, which gave me An Idea. This is regular Pavilion stitch to give you a vague idea of where I started from.
http://www.needlepoint.org/StitchOfTheMonth/2001/01-08j.php

Diagrammed Stitches for Background Panels

I knew I would have room to add three pyramid shapes in my red-orange side boxes which are empty in the original canvas. I ended up stitching them in long horizontal stitches. Some of the paint shows through, especially in the photographs, but I don't mind that. The background is supposed to be the slightly faded painted plaster of an Egyptian temple, after all. This was my starting point. After that I rummaged through all my stitch books, looking for more stitches that sort of looked like hieroglyphics. I found three, all of which are on one diagram posted here. From the top down, Foothills from Marnie Ritter’s Canvas Patterns Book 2 page 87, Sandy’s Slide Variation from page 91 of the same book, and two versions (one facing right and one facing left and running vertically) of Houndstooth from SharonG’s Simply Essential Needlepoint Stitch Explanations (SENSE) page 30.

Worked as a single stitch or in a small group like a spot sampler, they all look vaguely like temple hieroglyphics. This same diagram has a charted cartouche as well. I didn't have enough of these stitches without a lot of repeats so I did a little research on Egyptian hieroglyphics and graphed a few that were simple. There's no meaning to them except for the little walking U shape you see in the picture of Catra which means "return," which is appropriate since I am returning to the theme of Egyptian cats. It's usually drawn walking the other way, though.  I somehow reversed it in my mind which is also appropriate as I am mildly dyslexic!

This is where Catra stands at this point. I may change some things if my plans don't work out but I am thinking I want to use fewer beads and not as much sparkle as Ruth since authentic Ancient Egyptian jewelry was not sparkly. Red, turquoise, some green and lapis blue set in gold were their colors as these had meaning in their spiritual life. I am adding some embellishment, though. In the photo you see the scarabs are rolling the sacred sun orb. The suns are flat red sequins.


I need to stitch the top row of background, then probably will work on the lotus fan columns next.  It will take me a while to get enough of the next areas done to show you photographs.  Stay tuned!

Catra Right Now

UPDATE:  Progress to date.  Enjoy!

Written by Jane/Chilly Hollow
Blogging at http://chillyhollownp.blogspot.com
and at http://chstitchguides.blogspot.com
@ Copyright 2013 Jane M. Wood. All rights reserved.